{"id":9980,"date":"2018-07-16T01:17:27","date_gmt":"2018-07-16T04:17:27","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=9980"},"modified":"2018-07-16T23:10:00","modified_gmt":"2018-07-17T02:10:00","slug":"cinematologia-na-copa-japao","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/cinematologia-na-copa-japao\/","title":{"rendered":"Cinematologia na Copa &#8211; Jap\u00e3o"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-9982 size-full\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/jj.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" width=\"790\" height=\"444\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/jj.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/jj.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/jj.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/jj.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/jj.jpg?resize=889%2C500&amp;ssl=1 889w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/p>\n<p>A Copa do Mundo 2018 chegou ao fim.\u00a0 Os franceses comemoraram o segundo t\u00edtulo diante da Torre Eiffel. Distante dali, os japoneses assistiram a final apenas como espectadores. Estavam fora da competi\u00e7\u00e3o desde as oitavas de final, ap\u00f3s perderem de virada para a B\u00e9lgica (sele\u00e7\u00e3o que n\u00f3s tamb\u00e9m conhecemos bem). Mesmo sem ir muito longe na R\u00fassia, o Jap\u00e3o merece uma dedicat\u00f3ria em nosso <strong>especial da Copa do Mundo<\/strong>, pois o pa\u00eds possui um cinema de muita hist\u00f3ria e conquistas. Vamos conhecer?<\/p>\n<p>O Jap\u00e3o teve contato com o cinema logo ap\u00f3s os primeiros experimentos dos irm\u00e3os Lumi\u00e8re. Em 1897, o primeiro filme foi exibido no territ\u00f3rio nip\u00f4nico, conquistando os anfitri\u00f5es, que logo trataram de criar uma identidade nacional para a s\u00e9tima arte, atrav\u00e9s de produ\u00e7\u00f5es sobre aventuras de \u00e9poca e hist\u00f3rias de samurais. Al\u00e9m disso, os japoneses criaram um m\u00e9todo de dublagem ao vivo, na qual uma pessoa narrava falas de personagens durante as sess\u00f5es, durante o per\u00edodo do cinema mudo.<\/p>\n<p>A primeira era de ouro do cinema japon\u00eas ocorreu na d\u00e9cada de 30, atrav\u00e9s de diretores como kenji Mizoguchi, Yasujiro Ozu e Hiroshi Shimizu. Com a derrota na Segunda Guerra Mundial e a ocupa\u00e7\u00e3o estadunidense, a terra do sol nascente teve suas produ\u00e7\u00f5es censuradas pelos norte-americanos, a fim de impor valores liberais e democr\u00e1ticos. Todas produ\u00e7\u00f5es que foram consideradas &#8221;feudais&#8221; foram destru\u00eddas, ato que durou at\u00e9 1950.<\/p>\n<p>Com a chegada da nova d\u00e9cada e o fim do controle dos Estados Unidos, o pa\u00eds se reergueu com filmes que se destacaram mundialmente, como <strong>Rashomon<\/strong> (1950), do famoso Akira Kurosawa, que conquistou o Le\u00e3o de Ouro no Festival de Veneza em 1951.\u00a0 J\u00e1 em 1953, foi a vez de Yasujiro Ozu chamar a aten\u00e7\u00e3o internacional, com <strong>Era Uma Vez em T\u00f3quio<\/strong>.<\/p>\n<p>Cena de <strong>Rashomon,<\/strong>\u00a0um dos filmes precursores do g\u00eanero samurai:<\/p>\n<p><iframe loading=\"lazy\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/GXygJmtnvm0?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_9984\" aria-describedby=\"caption-attachment-9984\" style=\"width: 1600px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9984 size-full\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Cineclube_Era-uma-vez-em-T%C3%B3quio-01.jpg?resize=790%2C563&#038;ssl=1\" alt=\"\" width=\"790\" height=\"563\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Cineclube_Era-uma-vez-em-T%C3%B3quio-01.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Cineclube_Era-uma-vez-em-T%C3%B3quio-01.jpg?resize=300%2C214&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Cineclube_Era-uma-vez-em-T%C3%B3quio-01.jpg?resize=768%2C548&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Cineclube_Era-uma-vez-em-T%C3%B3quio-01.jpg?resize=1024%2C730&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Cineclube_Era-uma-vez-em-T%C3%B3quio-01.jpg?resize=701%2C500&amp;ssl=1 701w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-9984\" class=\"wp-caption-text\">Era Uma Vez em T\u00f3quio, de Yasujiro Ozu, retrata a vida familiar no Jap\u00e3o.<\/figcaption><\/figure>\n<p>A d\u00e9cada de 50 continuou trazendo grandes t\u00edtulos para o pa\u00eds, como o cl\u00e1ssico <strong>Os Sete Samurais <\/strong>(1954), tamb\u00e9m de Kurosawa. Com o novo trabalho, o diretor parece ter se apaixonado de vez pelo g\u00eanero, pois depois tamb\u00e9m produziu obras famosas como\u00a0<strong>Trono Manchado de Sangue<\/strong> (1957),<strong>\u00a0Yojimbo &#8211; O Guarda-Costas<\/strong> (1961),\u00a0<strong>Sanjuro<\/strong> (1962) e <strong>Kagemusha &#8211; A Sombra do Samurai<\/strong> (1980) &#8211; todas sobre her\u00f3is samurais marginalizados. Muitos de seus filmes inspiraram o faroeste espaguete da It\u00e1lia durante as d\u00e9cadas de 60 e 70, que adaptava os roteiros para o contexto dos pistoleiros.<\/p>\n<p>Trailer de <strong>Os Sete Samurais<\/strong>:<\/p>\n<p><iframe loading=\"lazy\" width=\"790\" height=\"593\" src=\"https:\/\/www.youtube.com\/embed\/bBfgNpSQm3I?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>Do final da d\u00e9cada de 50 tamb\u00e9m vale destacar a trilogia <strong>Guerra e Humanidade<\/strong>: <strong>N\u00e3o h\u00e1 Amor Maio<\/strong>r (1959), <strong>Estrada para a Eternidade<\/strong> (1959) e<strong> Uma Prece de Soldado<\/strong> (1961), ambos de Masaki Kobayashi. Baseados na s\u00e9rie hom\u00f4nima de livros do escritor\u00a0Junpei Gomikawa,\u00a0\u00a0os tr\u00eas longas contam a vida de Kaji, um japon\u00eas pacifista e socialista que tenta sobreviver durante a\u00a0Segunda Guerra Mundial.<\/p>\n<p>Em 1980,\u00a0 quando a f\u00f3rmula do cinema japon\u00eas come\u00e7ou a se desgastar, tr\u00eas cineastas do pa\u00eds (Hayao Miyazaki, Isao Takahata e Toshio Suzuki) fundaram, em T\u00f3quio,\u00a0 o Studio Ghibli, conhecido mundialmente por suas anima\u00e7\u00f5es. A obra de estreia foi\u00a0<strong>O Castelo no C\u00e9u<\/strong> (1986), de Miyazaki. Posteriormente, vieram tamb\u00e9m os cl\u00e1ssicos<strong>\u00a0Meu Vizinho Totoro<\/strong> (1988), <strong>O T\u00famulo dos Vagalumes<\/strong> (1988), <strong>O Servi\u00e7o de Entregas da Kiki<\/strong> (1989) e <strong>A Viagem de Chihiro<\/strong> (2001) &#8211; vencedor de Melhor Anima\u00e7\u00e3o no Oscar de 2003. Em geral, os filmes do est\u00fadio discutem o amadurecimento infantil, e tamb\u00e9m s\u00e3o conhecidos pela imers\u00e3o do roteiro e trilhas sonoras.<\/p>\n<figure id=\"attachment_9986\" aria-describedby=\"caption-attachment-9986\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-9986 size-large\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Chihiro02.jpg?resize=790%2C573&#038;ssl=1\" alt=\"\" width=\"790\" height=\"573\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Chihiro02.jpg?resize=1024%2C743&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Chihiro02.jpg?resize=300%2C218&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Chihiro02.jpg?resize=768%2C557&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Chihiro02.jpg?resize=689%2C500&amp;ssl=1 689w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/07\/Chihiro02.jpg?w=1058&amp;ssl=1 1058w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-9986\" class=\"wp-caption-text\">A Viagem de Chihiro, de Hayao Miyazaki, fala sobre o amadurecimento da protagonista.<\/figcaption><\/figure>\n<p>Trailer de <strong>Meu Vizinho Totoro<\/strong>:<\/p>\n<p><iframe loading=\"lazy\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/92a7Hj0ijLs?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>Atualmente, o maior destaque do cinema japon\u00eas continua sendo o g\u00eanero anima\u00e7\u00e3o. Nos \u00faltimos anos, foram indicados ao Oscar os longas <strong>O Conto da Princesa Kaguya\u00a0<\/strong> (2013),\u00a0<strong>As Mem\u00f3rias de Marnie<\/strong> (2014) e a<strong> Tartaruga Vermelha <\/strong>(2016), todas do Studio Ghibli.<\/p>\n<p>Trailer de <strong>A Tartaruga Vermelha<\/strong>:<\/p>\n<p><iframe loading=\"lazy\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/gylyhyqeSWQ?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Copa do Mundo 2018 chegou ao fim.\u00a0 Os franceses comemoraram o segundo t\u00edtulo diante da Torre Eiffel. Distante dali, os japoneses assistiram a final&hellip; <\/p>\n","protected":false},"author":41,"featured_media":9982,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2081,83],"tags":[2183,2095,695,2182,322],"class_list":["post-9980","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-copa-do-mundo","category-especiais","tag-akira-kurosawa","tag-cinematologia","tag-especial","tag-japao","tag-studio-ghibli"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cinematologia na Copa - Jap\u00e3o - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/cinematologia-na-copa-japao\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cinematologia na Copa - Jap\u00e3o - cine\" \/>\n<meta property=\"og:description\" content=\"A Copa do Mundo 2018 chegou ao fim.\u00a0 Os franceses comemoraram o segundo t\u00edtulo diante da Torre Eiffel. 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