{"id":8140,"date":"2018-04-27T00:59:00","date_gmt":"2018-04-27T03:59:00","guid":{"rendered":"http:\/\/cinematologia.com.br\/cine\/?p=8140"},"modified":"2019-02-09T15:38:42","modified_gmt":"2019-02-09T18:38:42","slug":"capitao-fantastico-captain-fantastic","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/capitao-fantastico-captain-fantastic\/","title":{"rendered":"Cr\u00edtica | Capit\u00e3o Fant\u00e1stico (Captain Fantastic) [2016]"},"content":{"rendered":"\n<h3 class=\"has-text-align-left wp-block-heading\">Nota do filme:<br><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" height=\"60\" class=\"wp-image-12257\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?fit=790%2C60&#038;ssl=1\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br><\/h3>\n\n\n<p><i><span style=\"font-weight: 400\">Capit\u00e3o Fant\u00e1stico<\/span><\/i><span style=\"font-weight: 400\"> aborda a vida de uma fam\u00edlia que decide abdicar da vida na sociedade moderna. Ben (Viggo Mortensen) e Leslie (Trin Miller) criam seus seis filhos, Bodevan (George MacKay), Kielyr (Samantha Isler), Vespyr (Annalise Basso), Rellian (Nicholas Hamilton), Zaja (Shree Crooks) e Nai (Charlie Shotwell) na floresta, sob um r\u00edgido sistema de desenvolvimento f\u00edsico\/intelectual.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Todavia, o suic\u00eddio de Leslie, portadora de transtorno afetivo bipolar<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a><\/span><span style=\"font-weight: 400\">, faz com que a fam\u00edlia retorne \u00e0 civiliza\u00e7\u00e3o e lide com o desafio de se adaptar (ainda que temporariamente) a um estilo de vida diferente.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8143 aligncenter\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/2-2.jpg?resize=640%2C265&#038;ssl=1\" alt=\"\" width=\"640\" height=\"265\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/2-2.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/2-2.jpg?resize=300%2C124&amp;ssl=1 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">H\u00e1, por parte da dire\u00e7\u00e3o de Matt Ross<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a><\/span><span style=\"font-weight: 400\">, um cuidado em transportar o telespectador ao universo no qual a fam\u00edlia vive, justamente por se tratar de um estilo de vida t\u00e3o diferente ao que estamos acostumados.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Nesse sentido, na cena de abertura nos \u00e9 apresentado um tipo de rito de passagem, indicando o amadurecimento de Bodevan, filho primog\u00eanito. Ap\u00f3s, somos rapidamente levados \u00e0 rotina familiar.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8142 aligncenter\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/1-2.jpg?resize=640%2C360&#038;ssl=1\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/1-2.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/1-2.jpg?resize=300%2C169&amp;ssl=1 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Trata-se de um sistema eficaz de doc\u00eancia, com ensino de l\u00ednguas estrangeiras, hist\u00f3ria, f\u00edsica, bem como treinamento f\u00edsico, que envolve desde corridas e aulas de defesa pessoal \u00e0 ca\u00e7a de animais.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Assim sendo, por mais que seja uma realidade t\u00e3o distante, conseguimos nos relacionar aos personagens, em especial a certos problemas que Ben enfrenta quanto \u00e0 cria\u00e7\u00e3o de seus filhos, dentre eles a curiosidade exacerbada de crian\u00e7as pequenas, o \u00edmpeto rebelde de seu filho adolescente e, ainda, lidar com o fato que o processo de amadurecimento \u00e9 indissoci\u00e1vel a partida do seio familiar.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Por mais que os pais tenham conseguido transmitir conhecimento aos filhos e trein\u00e1-los para que atingissem aptid\u00e3o f\u00edsica, essa escolha de cria\u00e7\u00e3o afeta fortemente seus trajetos sociais. O isolamento da civiliza\u00e7\u00e3o impede que tenham acesso a conhecimentos b\u00e1sicos da conviv\u00eancia, tornando dif\u00edcil qualquer tentativa de socializa\u00e7\u00e3o.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Desse modo, n\u00e3o \u00e9 a inten\u00e7\u00e3o do longa indicar que esse estilo de vida seja a prova de falha. Aborda-se de maneira competente as problem\u00e1ticas referentes a confiar apenas em saberes acad\u00eamicos.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8144 aligncenter\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/3-3.jpg?resize=640%2C320&#038;ssl=1\" alt=\"\" width=\"640\" height=\"320\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/3-3.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/3-3.jpg?resize=300%2C150&amp;ssl=1 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Bodevan, principalmente, sofre com essa aus\u00eancia cultural. Tendo atingido a maioridade recentemente, jamais se relacionou com uma mulher e, quando tenta, a dificuldade \u00e9 palp\u00e1vel. Assim, por mais que seja leal ao pai, anseia por uma vida tradicional envolvendo, inclusive, um ensino acad\u00eamico universit\u00e1rio regular.<\/span><\/p>\n<p><span style=\"font-weight: 400\">A atua\u00e7\u00e3o do elenco \u00e9 extremamente competente. Pelo papel, Viggo Mortensen concorreu ao Oscar de melhor ator principal em 2017. Ainda, George MacKay entrega uma performance apaixonada, sendo o respons\u00e1vel por uma das melhores cenas da pel\u00edcula.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Sendo assim, temos um filme que aborda quest\u00f5es problem\u00e1ticas do cl\u00e1ssico <\/span><i><span style=\"font-weight: 400\">american way of life<\/span><\/i><span style=\"font-weight: 400\">, como consumismo excessivo e sedentarismo. H\u00e1 um evidente vi\u00e9s anticapitalista na obra, o que n\u00e3o deve impedir ningu\u00e9m de apreci\u00e1-la. Com forte foco na parte dram\u00e1tica, h\u00e1, ao final, uma bela mensagem de uni\u00e3o familiar.<\/span><\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Transtorno_bipolar\">https:\/\/pt.wikipedia.org\/wiki\/Transtorno_bipolar<\/a><\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> Matt Ross tamb\u00e9m \u00e9 o respons\u00e1vel pelo roteiro.<a href=\"#_ftnref3\" name=\"_ftn3\"><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Capit\u00e3o Fant\u00e1stico aborda a vida de uma fam\u00edlia que decide abdicar da vida na sociedade moderna. Ben (Viggo Mortensen) e Leslie (Trin Miller) criam seus&hellip; <\/p>\n","protected":false},"author":72,"featured_media":8145,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[11],"class_list":["post-8140","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-critica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | Capit\u00e3o Fant\u00e1stico (Captain Fantastic) [2016] - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/capitao-fantastico-captain-fantastic\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica | Capit\u00e3o Fant\u00e1stico (Captain Fantastic) [2016] - cine\" \/>\n<meta property=\"og:description\" content=\"Capit\u00e3o Fant\u00e1stico aborda a vida de uma fam\u00edlia que decide abdicar da vida na sociedade moderna. 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