{"id":7930,"date":"2018-04-15T14:58:59","date_gmt":"2018-04-15T17:58:59","guid":{"rendered":"http:\/\/cinematologia.com.br\/cine\/?p=7930"},"modified":"2018-04-15T15:00:57","modified_gmt":"2018-04-15T18:00:57","slug":"5-filmes-sobre-filmes","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/5-filmes-sobre-filmes\/","title":{"rendered":"5 Filmes Sobre Filmes"},"content":{"rendered":"<p>Quem nunca teve a curiosidade de desvendar os mist\u00e9rios dos bastidores cinematogr\u00e1fico? Como desmitificar a m\u00e1gica que o cinema transmite? Ou apenas se interessar pelo processo de produ\u00e7\u00e3o. E nada melhor que isso do que a metalinguagem nesse caso: filmes sobre filmes. E essa lista indicar\u00e1 alguns filmes que abordam isso. Sem mais delongas, vamos a lista:<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"st\">Singin&#8217; in the Rain<\/span> (1952)<\/strong><\/p>\n<p><em>&#8220;Don Lockwood e Lina Lamont s\u00e3o dois dos astros mais famosos da \u00e9poca do cinema mudo em Hollywood. Seus filmes s\u00e3o um verdadeiro sucesso e as revistas apostam num relacionamento mais \u00edntimo entre os dois, o que n\u00e3o existe. Por\u00e9m o cinema falado chega para mudar totalmente a situa\u00e7\u00e3o de ambos no mundo<span class=\"yZlgBd\"> da fama. Decidido a produzir um filme falado com o casal mais famoso do momento, Don e Lina precisam entretanto superar as dificuldades do novo m\u00e9todo para conseguir manter a fama conquistada.&#8221;<\/span><\/em><\/p>\n<figure id=\"attachment_7932\" aria-describedby=\"caption-attachment-7932\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7932 size-large\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/11112016-cantando-na-chuva-1.jpg?resize=790%2C386&#038;ssl=1\" alt=\"\" width=\"790\" height=\"386\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/11112016-cantando-na-chuva-1.jpg?resize=1024%2C500&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/11112016-cantando-na-chuva-1.jpg?resize=300%2C146&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/11112016-cantando-na-chuva-1.jpg?resize=768%2C375&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/11112016-cantando-na-chuva-1.jpg?resize=1025%2C500&amp;ssl=1 1025w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/11112016-cantando-na-chuva-1.jpg?w=1078&amp;ssl=1 1078w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7932\" class=\"wp-caption-text\">Singin&#8217; in the Rain (1952)<\/figcaption><\/figure>\n<p><strong>Filme: <\/strong>Cantando Na Chuva | <strong>Diretor:<\/strong> Gene Kelly | <strong>Ano:<\/strong> 1952| <strong>Tempo:<\/strong>\u00a0103 minutos<\/p>\n<p><strong><span class=\"st\">La Nuit Am\u00e9ricaine (1973)<br \/>\n<\/span><\/strong><\/p>\n<p><em>&#8220;Um diretor tenta terminar seu filme ao mesmo tempo em que observa o drama nas vidas de seus atores. Severine, \u00edcone em decad\u00eancia, esquece as falas quando bebe, enquanto a atriz brit\u00e2nica Julie acaba de se recuperar de um colapso nervoso.&#8221;<\/em><\/p>\n<figure id=\"attachment_7934\" aria-describedby=\"caption-attachment-7934\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-7934\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/a-noite-americana.jpg?resize=790%2C531&#038;ssl=1\" alt=\"\" width=\"790\" height=\"531\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/a-noite-americana.jpg?resize=1024%2C688&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/a-noite-americana.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/a-noite-americana.jpg?resize=768%2C516&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/a-noite-americana.jpg?resize=745%2C500&amp;ssl=1 745w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/a-noite-americana.jpg?w=1199&amp;ssl=1 1199w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7934\" class=\"wp-caption-text\">La Nuit Am\u00e9ricaine (1973)<\/figcaption><\/figure>\n<p><strong>Filme: <\/strong>A Noite Americana | <strong>Diretor:<\/strong> <span class=\"LrzXr kno-fv\">Fran\u00e7ois Truffaut<\/span> | <strong>Ano:<\/strong> 1973 <strong>Tempo:<\/strong>\u00a0116 minutos<\/p>\n<p><strong>The Disaster Artist (2017)<\/strong><\/p>\n<p><em>&#8220;O aspirante a diretor Tommy Wiseau e o ator Greg Sestero se mudam para Los Angeles para alcan\u00e7ar o estrelato em Hollywood. Wiseau banca a produ\u00e7\u00e3o de &#8220;The Room&#8221;, al\u00e9m de escrever, dirigir e atuar no filme. O resultado \u00e9 controverso, com cr\u00edticas negativas e se tornou um cl\u00e1ssico cult justamente pelo<span class=\"yZlgBd\">s seus defeitos.<\/span>&#8220;<\/em><\/p>\n<figure id=\"attachment_7935\" aria-describedby=\"caption-attachment-7935\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-7935\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/568799318.jpeg?resize=790%2C444&#038;ssl=1\" alt=\"\" width=\"790\" height=\"444\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/568799318.jpeg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/568799318.jpeg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/568799318.jpeg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/568799318.jpeg?resize=889%2C500&amp;ssl=1 889w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/568799318.jpeg?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/568799318.jpeg?w=2370&amp;ssl=1 2370w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7935\" class=\"wp-caption-text\">The Disaster Artist (2017)<\/figcaption><\/figure>\n<p><strong>Filme: <\/strong>O Artista do Desastre | <strong>Diretor:<\/strong> James Franco| <strong>Ano: <\/strong>2017 | <strong>Tempo:<\/strong> 104 minutos<\/p>\n<p><strong>8 1\/2 (1963)<\/strong><\/p>\n<p><em>&#8220;Prestes a rodar sua pr\u00f3xima obra, o cineasta Guido Anselmi ainda n\u00e3o tem ideia de como ser\u00e1 o filme. Mergulhado em uma crise existencial e pressionado pelo produtor, pela mulher, pela amante e pelos amigos, ele se interna em uma esta\u00e7\u00e3o de \u00e1guas e passa a misturar o passado com o presente, fic\u00e7\u00e3o com realidade.&#8221;<\/em><\/p>\n<figure id=\"attachment_7936\" aria-describedby=\"caption-attachment-7936\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-7936\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/62d350aaee7326f6358262474a0bba06.png?resize=790%2C424&#038;ssl=1\" alt=\"\" width=\"790\" height=\"424\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/62d350aaee7326f6358262474a0bba06.png?resize=1024%2C550&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/62d350aaee7326f6358262474a0bba06.png?resize=300%2C161&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/62d350aaee7326f6358262474a0bba06.png?resize=768%2C413&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/62d350aaee7326f6358262474a0bba06.png?resize=930%2C500&amp;ssl=1 930w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/62d350aaee7326f6358262474a0bba06.png?w=1600&amp;ssl=1 1600w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7936\" class=\"wp-caption-text\">8 1\/2 (1963)<\/figcaption><\/figure>\n<p><strong>Filme: <\/strong>Oito e Meio| <strong>Diretor:<\/strong> Federico Fellini| <strong>Ano: <\/strong>1963| <strong>Tempo:<\/strong> 138 minutos<\/p>\n<p><strong><span class=\"st\">Le M\u00e9pris (1963)<br \/>\n<\/span><\/strong><\/p>\n<p><em>&#8220;Um produtor, em discord\u00e2ncia profunda com a dire\u00e7\u00e3o de Fritz Lang, pede a Paul que mude o roteiro. Arrogante, brutal e odioso, o produtor se sente atra\u00eddo por Camille, a mulher de Paul. Camille, decepcionada com a atitude do marido, afasta-se dele.&#8221;<\/em><\/p>\n<figure id=\"attachment_7931\" aria-describedby=\"caption-attachment-7931\" style=\"width: 720px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7931\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/20130104121921_1355763140_le_mepris.jpg?resize=720%2C309&#038;ssl=1\" alt=\"\" width=\"720\" height=\"309\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/20130104121921_1355763140_le_mepris.jpg?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/20130104121921_1355763140_le_mepris.jpg?resize=300%2C129&amp;ssl=1 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption id=\"caption-attachment-7931\" class=\"wp-caption-text\">Le M\u00e9pris (1963)<\/figcaption><\/figure>\n<p><strong>Filme: <\/strong>O Desprezo | <strong>Diretor:<\/strong> Jean-Luc Godard| <strong>Ano: <\/strong>1963| <strong>Tempo:<\/strong> 105 minutos<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quem nunca teve a curiosidade de desvendar os mist\u00e9rios dos bastidores cinematogr\u00e1fico? Como desmitificar a m\u00e1gica que o cinema transmite? Ou apenas se interessar pelo&hellip; <\/p>\n","protected":false},"author":69,"featured_media":7933,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[35],"tags":[],"class_list":["post-7930","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>5 Filmes Sobre Filmes - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/5-filmes-sobre-filmes\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"5 Filmes Sobre Filmes - cine\" \/>\n<meta property=\"og:description\" content=\"Quem nunca teve a curiosidade de desvendar os mist\u00e9rios dos bastidores cinematogr\u00e1fico? Como desmitificar a m\u00e1gica que o cinema transmite? Ou apenas se interessar pelo&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematologia.com.br\/cine\/5-filmes-sobre-filmes\/\" \/>\n<meta property=\"og:site_name\" content=\"cine\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/oficialcinematologia\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-15T17:58:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-04-15T18:00:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/cinema-paradiso.jpg?fit=3543%2C2455&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"3543\" \/>\n\t<meta property=\"og:image:height\" content=\"2455\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Luiz Castilho\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@luizpcastilho\" \/>\n<meta name=\"twitter:site\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Luiz Castilho\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/5-filmes-sobre-filmes\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/5-filmes-sobre-filmes\/\"},\"author\":{\"name\":\"Luiz Castilho\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/ee34733df487146f9d61fd1b5f3e4266\"},\"headline\":\"5 Filmes Sobre Filmes\",\"datePublished\":\"2018-04-15T17:58:59+00:00\",\"dateModified\":\"2018-04-15T18:00:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/5-filmes-sobre-filmes\/\"},\"wordCount\":477,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/5-filmes-sobre-filmes\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/04\/cinema-paradiso.jpg?fit=3543%2C2455&ssl=1\",\"articleSection\":[\"Listas\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/5-filmes-sobre-filmes\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/5-filmes-sobre-filmes\/\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/5-filmes-sobre-filmes\/\",\"name\":\"5 Filmes Sobre Filmes - 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