{"id":7257,"date":"2018-03-08T22:01:01","date_gmt":"2018-03-09T01:01:01","guid":{"rendered":"http:\/\/cinematologia.com.br\/cine\/?p=7257"},"modified":"2019-02-09T15:42:52","modified_gmt":"2019-02-09T18:42:52","slug":"o-passageiro-the-commuter","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/o-passageiro-the-commuter\/","title":{"rendered":"Cr\u00edtica | O Passageiro (The Commuter) [2018]"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" style=\"text-align:left\">Nota do Filme:<br\/><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" class=\"wp-image-12254\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota25.png?fit=790%2C60&#038;ssl=1\" alt=\"\" height=\"60\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota25.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota25.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota25.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota25.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota25.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota25.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br\/><\/h3>\n\n\n<p><i><span style=\"font-weight: 400\">O Passageiro<\/span><\/i><span style=\"font-weight: 400\"> acompanha a vida de Michael MacCauley (Liam Neeson), vendedor de seguros e ex-detetive que pega o mesmo trem para o trabalho, sempre no mesmo hor\u00e1rio. No trajeto de volta, ap\u00f3s ser sumariamente demitido, \u00e9 abordado por Joanna (Vera Farmiga), que lhe oferece uma larga recompensa para descobrir a identidade de um dos passageiros do trem.<\/span><\/p>\n<p><span style=\"font-weight: 400\">O longa \u00e9 dirigido por Jaume Collet-Serra, conhecido de Liam Neeson pelos filmes <\/span><i><span style=\"font-weight: 400\">Desconhecido<\/span><\/i><span style=\"font-weight: 400\"> e <\/span><i><span style=\"font-weight: 400\">Sem Escalas<\/span><\/i><span style=\"font-weight: 400\">. N\u00e3o s\u00e3o filmes excelentes, mas certamente s\u00e3o divertidos. H\u00e1 um foco em sequ\u00eancias de a\u00e7\u00e3o bem coreografadas e um roteiro que, apesar de n\u00e3o muito interessante, \u00e9 discern\u00edvel. <\/span><i><span style=\"font-weight: 400\">O Passageiro<\/span><\/i><span style=\"font-weight: 400\">, entretanto, falha nas duas categorias.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7260\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/3.jpg?resize=790%2C445&#038;ssl=1\" alt=\"\" width=\"790\" height=\"445\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/3.jpg?w=849&amp;ssl=1 849w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/3.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/3.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">O come\u00e7o do filme \u00e9, sem sombra de d\u00favidas, a melhor parte do longa. Aqui, o diretor \u00e9 extremamente competente em estabelecer Michael como um homem comum. Sucessivas cenas sobre o come\u00e7o de seus dias, inteligentemente editadas, nos mostram como a rotina do protagonista \u00e9 mon\u00f3tona. Salvo pequenos detalhes, o in\u00edcio de seus dias \u00e9 sempre igual.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Outro ponto positivo a ser ressaltado \u00e9 a atua\u00e7\u00e3o do protagonista. Por mais que as cenas de a\u00e7\u00e3o n\u00e3o sejam boas ou mesmo convincentes, o ator consegue nos passar o peso da idade do personagem. \u00c9 um ponto interessante que aprofunda os problemas do protagonista.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Os problemas come\u00e7am quando o filme tenta desenvolver seu roteiro. A inten\u00e7\u00e3o \u00e9 criar um mist\u00e9rio atrativo, onde Michael busca informa\u00e7\u00f5es acerca dos passageiros para descobrir a identidade do desconhecido. Concomitantemente,quer saber o m\u00e1ximo de informa\u00e7\u00f5es poss\u00edveis sobre quem o contratou e o porqu\u00ea.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Todavia, a hist\u00f3ria em momento algum se torna envolvente. O mist\u00e9rio acerca da identidade do passageiro n\u00e3o se desenvolve de maneira convincente e as informa\u00e7\u00f5es descobertas pelo protagonista s\u00e3o de pouca (ou nenhuma) utilidade.<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u00c9 v\u00e1lido ressaltar, tamb\u00e9m, que apesar do filme contar com grandes atores no seu elenco &#8211; Vera Farmiga, Patrick Wilson, Jonathan Banks -, possuem participa\u00e7\u00f5es m\u00ednimas. Pior, seus personagens s\u00e3o sequer bem desenvolvidos.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7259\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/2-1.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" width=\"790\" height=\"444\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/2-1.jpg?w=850&amp;ssl=1 850w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/2-1.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/2-1.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">No \u00faltimo ato do filme, uma sequ\u00eancia inacredit\u00e1vel faz com que nos perguntemos por qual raz\u00e3o a organiza\u00e7\u00e3o que Joanna representa se deu ao trabalho de buscar o aux\u00edlio de Michael?<\/span><\/p>\n<p><span style=\"font-weight: 400\">Estabelecer essa \u201corganiza\u00e7\u00e3o\u201d t\u00e3o poderosa nos faz questionar n\u00e3o o mist\u00e9rio em si &#8211; que conta com um&nbsp;<\/span><i><span style=\"font-weight: 400\">plot twist<\/span><\/i><span style=\"font-weight: 400\"> extremamente previs\u00edvel -, mas sim como ela consegue ser, basicamente, onipresente.&nbsp;<\/span><span style=\"font-weight: 400\">Ao final, a resolu\u00e7\u00e3o dos conflitos \u00e9 feita de maneira simpl\u00f3ria. Os efeitos presentes nas cenas de a\u00e7\u00e3o ainda prejudicam a imers\u00e3o do filme. Um filme esquec\u00edvel.&nbsp;<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>O Passageiro acompanha a vida de Michael MacCauley (Liam Neeson), vendedor de seguros e ex-detetive que pega o mesmo trem para o trabalho, sempre no&hellip; <\/p>\n","protected":false},"author":72,"featured_media":7261,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,392,537],"tags":[256,11,80,819,604],"class_list":["post-7257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","category-estreia","category-lancamentos","tag-analise","tag-critica","tag-estreia","tag-estreia-da-semana","tag-lancamento"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - 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