{"id":7131,"date":"2018-03-03T15:48:53","date_gmt":"2018-03-03T18:48:53","guid":{"rendered":"http:\/\/cinematologia.com.br\/cine\/?p=7131"},"modified":"2018-06-11T22:13:25","modified_gmt":"2018-06-12T01:13:25","slug":"oscar-2018-quem-vai-ganhar-e-quem-deveria-ganhar","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/oscar-2018-quem-vai-ganhar-e-quem-deveria-ganhar\/","title":{"rendered":"Oscar 2018 | Quem vai ganhar e quem deveria ganhar"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-7132 size-full\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Oscar-2018-finale4-e1520101790263.jpg?resize=790%2C425&#038;ssl=1\" alt=\"\" width=\"790\" height=\"425\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Oscar-2018-finale4-e1520101790263.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Oscar-2018-finale4-e1520101790263.jpg?resize=300%2C161&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Oscar-2018-finale4-e1520101790263.jpg?resize=768%2C413&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Oscar-2018-finale4-e1520101790263.jpg?resize=1024%2C550&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Oscar-2018-finale4-e1520101790263.jpg?resize=930%2C500&amp;ssl=1 930w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/p>\n<p>Falta pouco! O nonag\u00e9simo Oscar acontece no domingo (4) \u00e0s 22 horas (hor\u00e1rio de Bras\u00edlia) e ser\u00e1 transmitido ao vivo no canal pago <strong>TNT<\/strong>. Para deixar os leitores cientes do que pode acontecer no evento, a reda\u00e7\u00e3o da Cinematologia fez um bol\u00e3o listando 8 das principais categorias do pr\u00eamio, apontando os poss\u00edveis vencedores, al\u00e9m de tamb\u00e9m mencionar quem deveria ganhar, de acordo com os mais diversos crit\u00e9rios feito pelos nossos editores.<\/p>\n<p><strong>Confira os nossos palpites abaixo:<\/strong><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_7133\" aria-describedby=\"caption-attachment-7133\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7133 size-large\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/rawImage.jpg?resize=790%2C532&#038;ssl=1\" alt=\"\" width=\"790\" height=\"532\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/rawImage.jpg?resize=1024%2C689&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/rawImage.jpg?resize=300%2C202&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/rawImage.jpg?resize=768%2C517&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/rawImage.jpg?resize=743%2C500&amp;ssl=1 743w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/rawImage.jpg?w=2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/rawImage.jpg?w=1580&amp;ssl=1 1580w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7133\" class=\"wp-caption-text\">Sam Rockwell<\/figcaption><\/figure>\n<h2>Melhor Ator Coadjuvante<\/h2>\n<p>Willem Dafoe \u2013 Projeto Fl\u00f3rida<\/p>\n<p>Woody Harrelson \u2013\u00a0Tr\u00eas An\u00fancios Para Um Crime<\/p>\n<p>Richard Jenkins \u2013\u00a0A Forma da \u00c1gua<\/p>\n<p>Christopher Plummer \u2013\u00a0Todo\u00a0o\u00a0Dinheiro do Mundo<\/p>\n<p>Sam Rockwell \u2013\u00a0Tr\u00eas An\u00fancios Para Um Crime<\/p>\n<p><em><strong>Quem vai ganhar:<\/strong><\/em> Sam Rockwell, de\u00a0<em>Tr\u00eas An\u00fancios Para um Crime<\/em> \u00e9 a aposta certa para levar o pr\u00eamio para casa, venceu o SAG, Globo de Ouro, Critic\u2019s Choice e BAFTA.<\/p>\n<p><em><strong>Quem deveria ganhar:<\/strong><\/em> Sam Rockwell.<\/p>\n<figure id=\"attachment_7134\" aria-describedby=\"caption-attachment-7134\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7134 size-large\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1513180026271-image.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" width=\"790\" height=\"444\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1513180026271-image.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1513180026271-image.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1513180026271-image.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1513180026271-image.jpg?resize=889%2C500&amp;ssl=1 889w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1513180026271-image.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7134\" class=\"wp-caption-text\">Allison Janey<\/figcaption><\/figure>\n<h2>Melhor Atriz Coadjuvante<\/h2>\n<p>Mary J. Blige \u2013 Mudbound: L\u00e1grimas Sobre o Mississipi<\/p>\n<p>Allison Janney \u2013 Eu, Tonya<\/p>\n<p>Lesley Manville \u2013 Trama Fantasma<\/p>\n<p>Laurie Metcalf \u2013 Lady Bird: A Hora de Voar<\/p>\n<p>Octavia Spencer \u2013 A Forma da \u00c1gua<\/p>\n<p><em><strong>Quem vai ganhar:<\/strong> <\/em>Interpretando a pior m\u00e3e do mundo em <em>Eu, Tonya<\/em>, dificilmente algu\u00e9m conseguir\u00e1 impedir Allison Janey de subir ao palco para fazer seu discurso de vit\u00f3ria, conquistou a maioria dos pr\u00eamios.<\/p>\n<p><em><strong>Quem deveria ganhar:<\/strong><\/em> Alisson Janey. Por\u00e9m a performance sutil de Leslie Manville no longa<em> Trama Fantasma<\/em> tamb\u00e9m chamou a aten\u00e7\u00e3o dos nossos editores.<\/p>\n<figure id=\"attachment_7136\" aria-describedby=\"caption-attachment-7136\" style=\"width: 1777px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7136 size-full\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/MV5BNzcyYzU1ZTYtMTUwNC00YWY0LTk3ZjctMjhhMTkyMWJjNTY2XkEyXkFqcGdeQXBrZWVzZXk%40._V1_.jpg?resize=790%2C412&#038;ssl=1\" alt=\"\" width=\"790\" height=\"412\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/MV5BNzcyYzU1ZTYtMTUwNC00YWY0LTk3ZjctMjhhMTkyMWJjNTY2XkEyXkFqcGdeQXBrZWVzZXk%40._V1_.jpg?w=1777&amp;ssl=1 1777w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/MV5BNzcyYzU1ZTYtMTUwNC00YWY0LTk3ZjctMjhhMTkyMWJjNTY2XkEyXkFqcGdeQXBrZWVzZXk%40._V1_.jpg?resize=300%2C156&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/MV5BNzcyYzU1ZTYtMTUwNC00YWY0LTk3ZjctMjhhMTkyMWJjNTY2XkEyXkFqcGdeQXBrZWVzZXk%40._V1_.jpg?resize=768%2C401&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/MV5BNzcyYzU1ZTYtMTUwNC00YWY0LTk3ZjctMjhhMTkyMWJjNTY2XkEyXkFqcGdeQXBrZWVzZXk%40._V1_.jpg?resize=1024%2C534&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/MV5BNzcyYzU1ZTYtMTUwNC00YWY0LTk3ZjctMjhhMTkyMWJjNTY2XkEyXkFqcGdeQXBrZWVzZXk%40._V1_.jpg?resize=958%2C500&amp;ssl=1 958w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/MV5BNzcyYzU1ZTYtMTUwNC00YWY0LTk3ZjctMjhhMTkyMWJjNTY2XkEyXkFqcGdeQXBrZWVzZXk%40._V1_.jpg?w=1580&amp;ssl=1 1580w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7136\" class=\"wp-caption-text\">Daniel Day-Lewis<\/figcaption><\/figure>\n<h2>Melhor Ator<\/h2>\n<p>Timoth\u00e9e Chalamet \u2013\u00a0Me Chame Pelo Seu Nome<\/p>\n<p>Daniel Day-Lewis \u2013 Trama Fantasma<\/p>\n<p>Daniel Kaluuya \u2013 Corra!<\/p>\n<p>Gary Oldman \u2013 O Destino de Uma Na\u00e7\u00e3o<\/p>\n<p>Denzel Washington \u2013\u00a0Roman J. Israel, Esq.<\/p>\n<p><em><strong>Quem vai ganhar:<\/strong> <\/em>A academia resolveu de uma vez por todas honrar o talento de Gary Oldman. O ator \u00e9 um grande obst\u00e1culo para os demais indicados, sendo praticamente imposs\u00edvel voltar para casa sem o pr\u00eamio.<\/p>\n<p><em><strong>Quem deveria ganhar:<\/strong> <\/em>Daniel Day-Lewis desaparece como ator e se torna o personagem no filme <em>Trama Fantasma<\/em>, sendo a escolha un\u00e2nime entres os nossos editores.<\/p>\n<figure id=\"attachment_7156\" aria-describedby=\"caption-attachment-7156\" style=\"width: 1296px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7156 size-full\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/37594-three_billboards_outside_ebbing__missouri_1____2017_twentieth_century_fox_film_corporation_all_rights_reserved_copy_-_h_2017.jpg?resize=790%2C445&#038;ssl=1\" alt=\"\" width=\"790\" height=\"445\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/37594-three_billboards_outside_ebbing__missouri_1____2017_twentieth_century_fox_film_corporation_all_rights_reserved_copy_-_h_2017.jpg?w=1296&amp;ssl=1 1296w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/37594-three_billboards_outside_ebbing__missouri_1____2017_twentieth_century_fox_film_corporation_all_rights_reserved_copy_-_h_2017.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/37594-three_billboards_outside_ebbing__missouri_1____2017_twentieth_century_fox_film_corporation_all_rights_reserved_copy_-_h_2017.jpg?resize=768%2C433&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/37594-three_billboards_outside_ebbing__missouri_1____2017_twentieth_century_fox_film_corporation_all_rights_reserved_copy_-_h_2017.jpg?resize=1024%2C577&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/37594-three_billboards_outside_ebbing__missouri_1____2017_twentieth_century_fox_film_corporation_all_rights_reserved_copy_-_h_2017.jpg?resize=888%2C500&amp;ssl=1 888w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7156\" class=\"wp-caption-text\">Frances McDormand<\/figcaption><\/figure>\n<h2>Melhor Atriz<\/h2>\n<p>Sally Hawkins \u2013\u00a0A Forma da \u00c1gua<\/p>\n<p>Frances McDormand \u2013 Tr\u00eas An\u00fancios Para Um Crime<\/p>\n<p>Margot Robbie \u2013 Eu, Tonya<\/p>\n<p>Saoirse Ronan \u2013 Lady Bird: A Hora de Voar<\/p>\n<p>Meryl Streep \u2013 The Post: A Guerra Secreta<\/p>\n<p><strong><em>Quem vai ganhar<\/em><\/strong>: Frances McDormand ganhar\u00e1 seu segundo Oscar em qualquer cen\u00e1rio poss\u00edvel.<\/p>\n<p><em><strong>Quem deveria<\/strong><\/em>: Frances McDormand. Por\u00e9m, achamos a performance de Sally Hawkins apaixonante.<\/p>\n<figure id=\"attachment_7137\" aria-describedby=\"caption-attachment-7137\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7137 size-full\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/call-me-by-your-name-2-1200x675.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" width=\"790\" height=\"444\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/call-me-by-your-name-2-1200x675.jpg?resize=1200%2C675&amp;ssl=1 1200w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/call-me-by-your-name-2-1200x675.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/call-me-by-your-name-2-1200x675.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/call-me-by-your-name-2-1200x675.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/call-me-by-your-name-2-1200x675.jpg?resize=889%2C500&amp;ssl=1 889w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7137\" class=\"wp-caption-text\">Me Chame Pelo Seu Nome<\/figcaption><\/figure>\n<h2>Melhor Roteiro Adaptado<\/h2>\n<p>Me Chame Pelo Seu Nome<\/p>\n<p>O Artista do Desastre<\/p>\n<p>Logan<\/p>\n<p>A Grande Jogada<\/p>\n<p>Mudbound: L\u00e1grimas Sobre o Mississipi<\/p>\n<p><em><strong>Quem vai ganhar:<\/strong><\/em> Talvez essa seja \u00fanica chance de <em>Me Chame Pelo Seu Nome<\/em> ganhar destaque no Oscar, o roteiro feito por James Ivory \u00e9 robusto, delicado e proporciona uma bel\u00edssima conclus\u00e3o.<\/p>\n<p><em><strong>Quem deveria ganhar<\/strong><\/em>: Me Chame Pelo Seu Nome.<\/p>\n<figure id=\"attachment_7139\" aria-describedby=\"caption-attachment-7139\" style=\"width: 1238px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7139 size-full\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1_kaTjKrpKSI4MFzKJzzVJtw-e1520102614759.jpg?resize=790%2C443&#038;ssl=1\" alt=\"\" width=\"790\" height=\"443\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1_kaTjKrpKSI4MFzKJzzVJtw-e1520102614759.jpg?w=1238&amp;ssl=1 1238w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1_kaTjKrpKSI4MFzKJzzVJtw-e1520102614759.jpg?resize=300%2C168&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1_kaTjKrpKSI4MFzKJzzVJtw-e1520102614759.jpg?resize=768%2C431&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1_kaTjKrpKSI4MFzKJzzVJtw-e1520102614759.jpg?resize=1024%2C574&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/1_kaTjKrpKSI4MFzKJzzVJtw-e1520102614759.jpg?resize=892%2C500&amp;ssl=1 892w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7139\" class=\"wp-caption-text\">Corra!<\/figcaption><\/figure>\n<h2>Melhor Roteiro Original<\/h2>\n<p>Doentes de Amor<\/p>\n<p>Corra!<\/p>\n<p>Lady Bird: A Hora de Voar<\/p>\n<p>A Forma da \u00c1gua<\/p>\n<p>Tr\u00eas An\u00fancios Para Um Crime<\/p>\n<p><em><strong>Quem vai ganhar:<\/strong><\/em> O roteiro feito por Jordan Peele para o filme <em>Corra!<\/em> \u00e9 uma atualidade recorrente do cen\u00e1rio social pol\u00edtico americano.<\/p>\n<p><strong>Quem deveria ganhar:<\/strong> Corra!<\/p>\n<figure id=\"attachment_7140\" aria-describedby=\"caption-attachment-7140\" style=\"width: 1280px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7140 size-full\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Guillermo-del-Toro-The-Shape-of-Water-super-cinema-up-trailer-1280x640.jpg?resize=790%2C395&#038;ssl=1\" alt=\"\" width=\"790\" height=\"395\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Guillermo-del-Toro-The-Shape-of-Water-super-cinema-up-trailer-1280x640.jpg?resize=1280%2C640&amp;ssl=1 1280w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Guillermo-del-Toro-The-Shape-of-Water-super-cinema-up-trailer-1280x640.jpg?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Guillermo-del-Toro-The-Shape-of-Water-super-cinema-up-trailer-1280x640.jpg?resize=768%2C384&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Guillermo-del-Toro-The-Shape-of-Water-super-cinema-up-trailer-1280x640.jpg?resize=1024%2C512&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/Guillermo-del-Toro-The-Shape-of-Water-super-cinema-up-trailer-1280x640.jpg?resize=1000%2C500&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7140\" class=\"wp-caption-text\">Guillermo Del Toro<\/figcaption><\/figure>\n<h2><strong>Melhor Diretor<\/strong><\/h2>\n<p>Dunkirk \u2013\u00a0Christopher Nolan<\/p>\n<p>Corra! \u2013\u00a0Jordan Peele<\/p>\n<p>Lady Bird: A Hora de Voar \u2013\u00a0Greta Gerwig<\/p>\n<p>Trama Fantasma \u2013\u00a0Paul Thomas Anderson<\/p>\n<p>A\u00a0Forma da \u00c1gua \u2013\u00a0Guillermo del Toro<\/p>\n<p><strong>\u00a0<\/strong><strong>Quem vai ganhar:<\/strong> Del Toro ganhou for\u00e7as desde de janeiro, quando levou o Globo de Ouro por seu trabalho em <em>A Forma da \u00c1gua<\/em> e venceu o DGA (Direct\u2019s Guild Awards), um dos principais term\u00f4metros na categoria.<\/p>\n<p><strong><em>Quem deveria ganhar:<\/em><\/strong> Christopher Nolan fez um trabalho \u00edmpar pelo drama de guerra <em>Dunkirk<\/em>, al\u00e9m ser um dos maiores nomes da atualidade quando se trata de dire\u00e7\u00e3o.<\/p>\n<figure id=\"attachment_7141\" aria-describedby=\"caption-attachment-7141\" style=\"width: 1225px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-7141 size-full\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/maxresdefault1-e1520102779892.jpg?resize=790%2C449&#038;ssl=1\" alt=\"\" width=\"790\" height=\"449\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/maxresdefault1-e1520102779892.jpg?w=1225&amp;ssl=1 1225w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/maxresdefault1-e1520102779892.jpg?resize=300%2C171&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/maxresdefault1-e1520102779892.jpg?resize=768%2C437&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/maxresdefault1-e1520102779892.jpg?resize=1024%2C583&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/03\/maxresdefault1-e1520102779892.jpg?resize=879%2C500&amp;ssl=1 879w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption id=\"caption-attachment-7141\" class=\"wp-caption-text\">A Forma da \u00c1gua<\/figcaption><\/figure>\n<h2><strong>Melhor Filme<\/strong><\/h2>\n<p>Me Chame Pelo Seu Nome<\/p>\n<p>O Destino de Uma Na\u00e7\u00e3o<\/p>\n<p>Dunkirk<\/p>\n<p>Corra!<\/p>\n<p>Lady Bird: A Hora de Voar<\/p>\n<p>Trama Fantasma<\/p>\n<p>The Post:\u00a0A Guerra Secreta<\/p>\n<p>A Forma da \u00c1gua<\/p>\n<p>Tr\u00eas An\u00fancios Para Um Crime<\/p>\n<p><em><strong>Quem vai ganhar:<\/strong><\/em> Aqui as coisas come\u00e7am a ficar complicadas. <em>A Forma da \u00c1gua<\/em> venceu o Critic\u2019s Choice, Pr\u00eamio do Sindicados de Produtores de Hollywood e Festival de Veneza. Mas n\u00e3o chega a cerim\u00f4nia com o favoritismo, j\u00e1 que <em>Tr\u00eas An\u00fancios Para o Crime<\/em> venceu o SAG, Globo de Ouro e BAFTA. Acreditamos que <em>Corra!<\/em> ser\u00e1 um obst\u00e1culo para os dois favoritos da noite.<\/p>\n<p><em><strong>Quem deveria ganhar:<\/strong><\/em> <em>Corra!<\/em> lidera a enquete entre os nossos editores.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Falta pouco! O nonag\u00e9simo Oscar acontece no domingo (4) \u00e0s 22 horas (hor\u00e1rio de Bras\u00edlia) e ser\u00e1 transmitido ao vivo no canal pago TNT. Para&hellip; <\/p>\n","protected":false},"author":41,"featured_media":7132,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2082],"tags":[1811,997,1674,569,1645,1572,1644,760,1809,1722,1812,1810,1692,1773,1671],"class_list":["post-7131","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oscar","tag-bolao-oscar-2018","tag-corra","tag-del-toro","tag-dunkirk","tag-greta-gerwig","tag-jordan-peele","tag-lady-bird","tag-logan","tag-me-chame-pelo-seu-nome","tag-mudbound","tag-nolan","tag-o-destino-de-uma-nacao","tag-the-post","tag-trama-fantasma","tag-tres-anuncios-para-um-crime"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Oscar 2018 | Quem vai ganhar e quem deveria ganhar - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/oscar-2018-quem-vai-ganhar-e-quem-deveria-ganhar\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oscar 2018 | Quem vai ganhar e quem deveria ganhar\" \/>\n<meta property=\"og:description\" content=\"Falta pouco! O nonag\u00e9simo Oscar acontece no domingo (4) \u00e0s 22 horas (hor\u00e1rio de Bras\u00edlia) e ser\u00e1 transmitido ao vivo no canal pago TNT. 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