{"id":6445,"date":"2018-01-28T21:40:55","date_gmt":"2018-01-29T00:40:55","guid":{"rendered":"http:\/\/cinematologia.com.br\/cine\/?p=6445"},"modified":"2018-01-28T21:42:08","modified_gmt":"2018-01-29T00:42:08","slug":"alias-grace-as-aparencias-enganam","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/alias-grace-as-aparencias-enganam\/","title":{"rendered":"Alias Grace: as apar\u00eancias enganam"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-6446\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/01\/ag_ep04_d63_jt_0200.jpg?resize=790%2C520&#038;ssl=1\" alt=\"\" width=\"790\" height=\"520\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/01\/ag_ep04_d63_jt_0200.jpg?resize=1024%2C674&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/01\/ag_ep04_d63_jt_0200.jpg?resize=300%2C198&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/01\/ag_ep04_d63_jt_0200.jpg?resize=768%2C506&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/01\/ag_ep04_d63_jt_0200.jpg?resize=759%2C500&amp;ssl=1 759w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/01\/ag_ep04_d63_jt_0200.jpg?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/01\/ag_ep04_d63_jt_0200.jpg?w=2370&amp;ssl=1 2370w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">A miniss\u00e9rie \u201c Alias Grace\u201d, produzida pela Netflix, e baseada no romance da escritora canadense Margaret Atwood (The Handmaid&#8217;s Tale), conta uma hist\u00f3ria de um crime real, e mais do que isso, diz respeito, tamb\u00e9m,\u00a0 da condi\u00e7\u00e3o de uma mulher inserida numa\u00a0sociedade machista. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Aos quinze anos, Grace Marks (Sarah Gadon), \u00e9 acusada, e chega a ser at\u00e9 condenada a pris\u00e3o perpetua por ser c\u00famplice no assassinato\u00a0brutal de seu patr\u00e3o,\u00a0Thomas Kinnear (Paul Gross), e da governanta da casa, Nancy Montgomery (Anna Paquin). Anos mais tarde, um m\u00e9dico psiquiatra\u00a0Dr. Simon Jordan (Edward Holcroft), \u00e9 convidado a avaliar a sa\u00fade mental da jovem, a fim de conseguir descobrir quem realmente foi culpado, e anular a condena\u00e7\u00e3o. No julgamento , est\u00e3o<\/span><span style=\"font-weight: 400;\">\u00a0em jogo duas frentes fundamentais para tornar a hist\u00f3ria envolvente, e que se confundem: a verdade e a verossimilhan\u00e7a.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A personalidade d\u00fabia de Grace junto aos di\u00e1logos inteligentes, fazem da protagonista muitas vezes mais analista do que o pr\u00f3prio m\u00e9dico que veio avali\u00e1-la. As reflex\u00f5es que ela prop\u00f5e em seus di\u00e1logos podem facilmente ser transpostas para qualquer situa\u00e7\u00e3o de nossas vidas, e nos fazem refletir para algo muito al\u00e9m do que apenas o julgamento em quest\u00e3o.\u00a0Ela \u00e9 quase Capitu, de Machado de Assis.\u00a0 Assim como Capitu, que foi vista o tempo todo pelos olhos de bentinho, Grace sempre \u00e9 vista pelos olhos cobi\u00e7adores de outros homens. Cada um teles tira a conclus\u00e3o que lhes \u00e9 mais conveniente da mo\u00e7a, mas\u00a0sua &#8220;verdadeira faceta&#8221;, se assim pudermos chamar, que \u00e9 o grande &#8220;X&#8221; da quest\u00e3o.\u00a0<\/span><span style=\"font-weight: 400;\"> \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">O enredo, apesar de um pouco previs\u00edvel, consegue seguir um caminho interessante e atrativo<\/span><span style=\"font-weight: 400;\">. Todo tempo, o espectador \u00e9 provocado a sair da trama, e, na \u00e2nsia de se esquivar das investidas da personagem, \u00e9 levado a enxergar a situa\u00e7\u00e3o de diversos pontos de vista.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">No geral, a s\u00e9rie nos oferece uma am<\/span><span style=\"font-weight: 400;\">biguidade inquietante, que tenta desafiar o senso cr\u00edtico do espectador, ansiando por uma conclus\u00e3o imediata. Por isso, uma vez come\u00e7ado a assistir, talvez o espectador se encontre &#8220;maratonando&#8221; mesmo sem querer.\u00a0 Outra\u00a0<\/span><span style=\"font-weight: 400;\">coisa que pode ser um tanto frustrante, \u00e9 o fato de ter apenas uma \u00fanica temporada.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A miniss\u00e9rie \u201c Alias Grace\u201d, produzida pela Netflix, e baseada no romance da escritora canadense Margaret Atwood (The Handmaid&#8217;s Tale), conta uma hist\u00f3ria de um&hellip; <\/p>\n","protected":false},"author":70,"featured_media":6446,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[255,9,789],"tags":[1680,57,15],"class_list":["post-6445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analise","category-critica","category-indicacoes","tag-alias-grace","tag-netflix","tag-suspense"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Alias Grace: as apar\u00eancias enganam - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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