{"id":559,"date":"2016-08-30T20:26:29","date_gmt":"2016-08-30T23:26:29","guid":{"rendered":"http:\/\/cinematologia.com.br\/cine\/?p=559"},"modified":"2016-08-30T20:26:29","modified_gmt":"2016-08-30T23:26:29","slug":"cinema-europeu-x-cinema-hollywoodiano","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/cinema-europeu-x-cinema-hollywoodiano\/","title":{"rendered":"Cinema Europeu x Cinema Hollywoodiano"},"content":{"rendered":"

No<\/span><\/span><\/span> in\u00edcio da<\/span><\/span><\/span> hist\u00f3ria<\/span><\/span><\/span> do cinema, a Europa dominava o mercado internacional de filmes, sendo a ind\u00fastria mais forte. <\/span><\/span><\/span>\u00c9 interessante observarmos que<\/span><\/span><\/span> havia diferen\u00e7as no posicionamento da c\u00e2mera <\/span><\/span><\/span>pelos cineastas destas escolas, <\/span><\/span><\/span>mas ao longo do tempo<\/span><\/span><\/span> as <\/span><\/span><\/span>t\u00e9cnicas de filmagem e <\/span><\/span><\/span>at\u00e9 os<\/span><\/span><\/span> estilos narrativos do cinema europeu eram <\/span><\/span><\/span>prontamente incorporados<\/span><\/span><\/span> pelos EUA e <\/span><\/span><\/span>a rec\u00edproca \u00e9 verdadeira. <\/span><\/span><\/span><\/p>\n

A Primeira Guerra Mundial alterou <\/span><\/span>tamb\u00e9m a hist\u00f3ria do cinema, <\/span><\/span>provoc<\/span><\/span>ando um<\/span><\/span>a queda <\/span><\/span>significativa<\/span><\/span> da produ\u00e7\u00e3o cinematogr\u00e1fica em toda a Europa.<\/span><\/span> J\u00e1 nos<\/span><\/span> Estados Unidos acontecia o primeiro fen\u00f4meno de bilheteria <\/span><\/span>da hist\u00f3ria do cinema: <\/span><\/span>O Nascimento de uma Na\u00e7\u00e3o <\/i><\/span><\/span>(1915) <\/span><\/span>e a<\/span><\/span>ssim come\u00e7ava a n<\/span><\/span>asc<\/span><\/span>er<\/span><\/span> o cinema hollywoodiano e a vis\u00e3o d<\/span><\/span>e<\/span><\/span> cinema como neg\u00f3cio, com necessidade de sucesso comercial e <\/span><\/span>tamb\u00e9m de<\/span><\/span> lucro. \u2028<\/span><\/span><\/span><\/p>\n

Terminada a Guerra, na <\/span><\/span>Europa o cinema adquire o <\/span><\/span>status<\/i><\/span><\/span> da arte. Parte d<\/span><\/span>os espectadores <\/span><\/span>que entendia o cinema apenas como entretenimento, passou a <\/span><\/span>estud\u00e1-lo e a compreend\u00ea-lo<\/span><\/span> como experi\u00eancia de reflex\u00e3o e cr\u00edtica. No<\/span><\/span> per\u00edodo dos <\/span><\/span>anos 1920 <\/span><\/span>a <\/span><\/span>1930, os europeus voltaram a <\/span><\/span>produzir<\/span><\/span> filmes e <\/span><\/span>aproveitaram essa fase para<\/span><\/span> trabalhar <\/span><\/span>muita experimenta\u00e7\u00e3o est\u00e9tica, promovendo um <\/span><\/span>poderoso<\/span><\/span> di\u00e1logo entre cinema, m\u00fasica, teatro e artes pl\u00e1sticas.<\/span><\/span><\/span><\/p>\n

Na Alemanha, o <\/span><\/span>E<\/span><\/span>xpressionismo <\/span><\/span>A<\/span><\/span>lem\u00e3o <\/span><\/span>trouxe<\/span><\/span> para o cinema o<\/span><\/span>s horrores<\/span><\/span> causado<\/span><\/span>s<\/span><\/span> pela guerra <\/span><\/span>com s<\/span><\/span>eus cen\u00e1rios e maquiagem distorcidos <\/span><\/span>e <\/span><\/span>traziam \u00e0 tona<\/span><\/span> uma sociedade doente, com autoridades desacreditadas. <\/span><\/span>Grandes c<\/span><\/span>ineastas como F.W. Murnau, Robert Wiene, Paul Leni <\/span><\/span>e <\/span><\/span>Fritz Lang, estimularam <\/span><\/span>v\u00e1rios<\/span><\/span> outros movimentos como a montagem sovi\u00e9tica, o impressionismo franc\u00eas, o realismo po\u00e9tico e o surrealismo. <\/span><\/span>No entanto a<\/span><\/span>pesar dos americanos terem se encantado com <\/span><\/span>tais movimentos, principalmente o Exp<\/span><\/span>r<\/span><\/span>essionismo Alem\u00e3o, <\/span><\/span>eles n\u00e3o tiveram a liberdade necess\u00e1ria \u00e0 experimenta\u00e7\u00e3o j\u00e1 que<\/span><\/span> na vis\u00e3o de cinema como neg\u00f3cio <\/span><\/span>a bilheteria era o mais importante. <\/span><\/span>Nesse momento f<\/span><\/span>icou muito clara a diferen\u00e7a entre as duas concep\u00e7\u00f5es de cinema <\/span><\/span>historicamente.<\/span><\/span><\/span><\/p>\n

\"georges-melies-11\"<\/p>\n

Desse modo o<\/span><\/span> cinema americano desenvolveu suas f\u00f3rmulas de sucesso, o c<\/span><\/span>onhecido \u201c<\/span><\/span>cinema de g\u00eaneros\u201d , com<\/span><\/span>o<\/span><\/span> westerns, com\u00e9dias e musicais. As decis\u00f5es sempre estavam <\/span><\/span>pautadas na<\/span><\/span> bilheteria e cercado de artistas e t\u00e9cnicos da qualidade: atores e atrizes, diretores, fot\u00f3grafos, figurinistas, cen\u00f3grafos,montadores <\/span><\/span>etc<\/span><\/span>. O cinema norte-americano se torna <\/span><\/span>uma grande <\/span><\/span>ind\u00fastria<\/span><\/span> e<\/span><\/span> a<\/span><\/span>l\u00e9m de gerar riqueza passa a ter um papel fundamental na difus\u00e3o da ideologia americana: o capitalismo e o \u201c<\/span><\/span>american dream\u201d<\/i><\/span><\/span>. A cultura de celebridades <\/span><\/span>foi <\/span><\/span>fundamental para que os espectadores quisessem ir assistir aos filmes estrelados por seus atores preferidos. <\/span><\/span>Essa \u201cf\u00f3rmula\u201d \u00e9 usada at\u00e9 hoje pelo cinema hollywoodiano.<\/span><\/span><\/span><\/p>\n

J\u00e1 o <\/span><\/span>cen\u00e1rio europeu, e de certa forma o brasileiro,<\/span><\/span> se diferencia e <\/span><\/span>ganha destaque com suas hist\u00f3rias <\/span><\/span>mais filos\u00f3ficas, com bastantes simbolismos e com uma <\/span><\/span>tend\u00eancia <\/span><\/span>de tratar<\/span><\/span> temas <\/span><\/span>dram\u00e1ticos<\/span><\/span>, <\/span><\/span>complexos e muitas vezes trazendo pol\u00eamicas, sendo uma diferen\u00e7a not\u00e1vel do que seria <\/span><\/span>esperado das produ\u00e7\u00f5es <\/span><\/span>norte-<\/span><\/span>americanas. O resultado <\/span><\/span>disto \u00e9 algo extremamente <\/span><\/span>art\u00edstico <\/span><\/span>e surpreendente<\/span><\/span> que <\/span><\/span>termina <\/span><\/span>no mesmo patamar d<\/span><\/span>e<\/span><\/span> grandes produ\u00e7\u00f5es. <\/span><\/span>Assim temos um \u201cconflito\u201d entre o consumidor casual de cinema e os \u201ccin\u00e9filos\u201d, pois teoricamente existem grandes diferen\u00e7as entre tais produ\u00e7\u00f5es. Mas e na pr\u00e1tica? Generalizar produ\u00e7\u00f5es culturais \u00e9 se utilizar de um pr\u00e9-conceito que pode estragar a experi\u00eancia do telespectador antes que el<\/span><\/span>e<\/span><\/span> assista o filme <\/span><\/span>pois em Hollywood existem filmes cl\u00e1ssicos e com hist\u00f3rias bem reflexivas \u2013 <\/span><\/span>como mostramos no contexto hist\u00f3rico – <\/span><\/span> assim como a Europa possui produ\u00e7\u00f5es de grande or\u00e7amento e nos moldes dos norte-americanos.<\/span><\/span><\/span><\/p>\n

\"d753mvns4g36e4cw98ly25s1j\"<\/p>\n

E e<\/span><\/span>nt\u00e3o, onde est\u00e1 a diferen\u00e7a?<\/span><\/span><\/span><\/p>\n

Hist\u00f3rias. <\/span><\/span>Independentemente de quais sejam elas<\/span><\/span> t\u00eam o objetivo de oferecer ferramentas <\/span><\/span>para o direcionamento do consumidor de cinema<\/span><\/span>. Mesmo que possam ser divertidas ou at\u00e9 depressivas, podem <\/span><\/span>trazer reflex\u00f5es <\/span><\/span> a realidade d<\/span><\/span>os espectadores. <\/span><\/span><\/span><\/p>\n

O cinema de Hollywood, utilizando este ponto vista de maneira superficial, acaba criando obras tanto positivas como negativas, outras cheias de mensagens e realidades bonitas e outras com realidades tristes e dram\u00e1ticas que muitas vezes n\u00e3o trabalham a necessidades de se comunicar com os espectadores fazendo-o refletir. Al\u00e9m disso muitas vezes se utiliza dos efeitos especiais para encantar os olhos e satisfazer o p\u00fablico que gosta de hist\u00f3rias para se entreter.<\/span><\/span><\/span><\/p>\n

Muitas vezes d<\/span><\/span>esamparados com a postura fria da ind\u00fastria, <\/span><\/span>os filmes europeus, <\/span><\/span>procuram artif\u00edcios e recursos que se oponham totalmente ao cinema d<\/span><\/span>e \u201cmassa\u201d trazendo a<\/span><\/span>t\u00e9 mesmo temas <\/span><\/span>que<\/span><\/span> beiram o absurdo, em que apenas pessoas <\/span><\/span>\u201ccom um alto grau de conhecimento\u201d <\/span><\/span>poderiam assistir <\/span><\/span>o que de fato, na maioria das vezes, n\u00e3o ocorre pois, <\/span><\/span>o<\/span><\/span> cinema, independente de sua nacionalidade, or\u00e7amento <\/span><\/span>ou<\/span><\/span> concep\u00e7\u00e3o, \u00e9 <\/span><\/span>tanto <\/span><\/span>comercial <\/span><\/span>quanto<\/span><\/span> art\u00edstico, <\/span><\/span>fazendo com que seja extremamente <\/span><\/span>poss\u00edvel aliar entretenimento e arte, divers\u00e3o e amplia\u00e7\u00e3o do repert\u00f3rio cultural.\u00a0<\/span><\/span><\/span><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

No in\u00edcio da hist\u00f3ria do cinema, a Europa dominava o mercado internacional de filmes, sendo a ind\u00fastria mais forte. \u00c9 interessante observarmos que havia diferen\u00e7as… <\/p>\n","protected":false},"author":32,"featured_media":561,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[255,9],"tags":[256,254,253,250,251,252],"class_list":["post-559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analise","category-critica","tag-analise","tag-cinema-artistico","tag-cinema-comercial","tag-cinema-europeu","tag-cinema-hollywoodiano","tag-hollywood"],"yoast_head":"\nCinema Europeu x Cinema Hollywoodiano - 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