{"id":33143,"date":"2026-08-18T18:46:53","date_gmt":"2026-08-18T21:46:53","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=33143"},"modified":"2026-08-18T18:46:55","modified_gmt":"2026-08-18T21:46:55","slug":"critica-coyote-vs-acme-2026","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-coyote-vs-acme-2026\/","title":{"rendered":"Cr\u00edtica | Coyote vs. Acme (2026)"},"content":{"rendered":"\n<h3 class=\"has-text-align-left wp-block-heading\">Nota do Filme:<br><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" class=\"wp-image-12256\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?fit=790%2C60&#038;ssl=1\" alt=\"\" height=\"60\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br><\/h3>\n\n\n\n<p class=\"has-text-align-right\"><em>\u201cVoc\u00ea foi gravemente ferido por um produto da corpora\u00e7\u00e3o ACME? A culpa n\u00e3o \u00e9 sua!\u201d<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>Kevin Avery<\/em><\/p>\n\n\n\n<p><em>Coyote vs. Acme<\/em> acompanha Wile E. Coyote, exausto dos constantes desastres provocados pelos produtos da ACME Corporation em sua eterna ca\u00e7ada ao Papa-L\u00e9guas. Decidido a dar um basta, ele move uma a\u00e7\u00e3o judicial contra a gigante corporativa com a ajuda do advogado Kevin Avery (Will Forte). O que come\u00e7a como um processo tribunal ganha contornos pessoais, transformando a disputa em uma alian\u00e7a improv\u00e1vel no combate a um inimigo comum.<\/p>\n\n\n\n<p>\u00c9 imposs\u00edvel analisar o longa sem mencionar o esfor\u00e7o herc\u00faleo exigido para que ele sequer chegasse \u00e0s telas. A mobiliza\u00e7\u00e3o e a press\u00e3o dos f\u00e3s fizeram com que a Warner Bros. \u2013 que havia engavetado a obra para fins de dedu\u00e7\u00e3o fiscal \u2013 voltasse atr\u00e1s e a vendesse para um est\u00fadio interessado em sua distribui\u00e7\u00e3o. Nessa reviravolta, a liberdade art\u00edstica triunfou, o p\u00fablico venceu a disputa e o conglomerado de m\u00eddia teve sua imagem arranhada.<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"300\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2026\/08\/coyote-vs-acme-2-1-1.jpg?resize=600%2C300&#038;ssl=1\" alt=\"\" class=\"wp-image-33146\"\/><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p>Surge, assim, um meta-coment\u00e1rio que se entrela\u00e7a com a pr\u00f3pria narrativa. O filme apresenta uma aut\u00eantica din\u00e2mica de &#8220;Davi contra Golias&#8221;: de um lado, o pequeno consumidor munido apenas pelo desejo de justi\u00e7a; do outro, uma corpora\u00e7\u00e3o colossal que det\u00e9m todos os recursos para esmagar o oponente.<\/p>\n\n\n\n<p>Toda essa saga de bastidores, por\u00e9m, valeria de pouco se o resultado final n\u00e3o justificasse o investimento de tempo e expectativa. Felizmente, n\u00e3o \u00e9 o caso. <em>Coyote vs. Acme<\/em> se consolida como uma das grandes surpresas do ano pela sua \u00f3tima execu\u00e7\u00e3o e, sobretudo, por um feito t\u00e9cnico e narrativo marcante: poucas produ\u00e7\u00f5es conseguiram mesclar anima\u00e7\u00e3o e live-action de forma t\u00e3o org\u00e2nica. O humor surge naturalmente do contraste entre o esp\u00edrito an\u00e1rquico das anima\u00e7\u00f5es cl\u00e1ssicas dos <em>Looney Tunes<\/em> e a sobriedade realista do mundo ordin\u00e1rio.<\/p>\n\n\n\n<p>Essa simbiose bem-sucedida depende, em grande parte, do elenco, que abra\u00e7a o tom da proposta sem hesitar. Will Forte, Lana Condor e John Cena vendem com credibilidade a exist\u00eancia desse universo h\u00edbrido, equilibrando a loucura dos desenhos com atua\u00e7\u00f5es suficientemente s\u00f3brias para dar peso emocional \u00e0 hist\u00f3ria.<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"347\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2026\/08\/MV5BZGExNmNkY2ItYTZiYi00MjJkLWI2NTAtZmQwMjQ3OWJmNzUyXkEyXkFqcGc%40._V1_-scaled.jpg?resize=790%2C347&#038;ssl=1\" alt=\"\" class=\"wp-image-33145\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2026\/08\/MV5BZGExNmNkY2ItYTZiYi00MjJkLWI2NTAtZmQwMjQ3OWJmNzUyXkEyXkFqcGc%40._V1_-scaled.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2026\/08\/MV5BZGExNmNkY2ItYTZiYi00MjJkLWI2NTAtZmQwMjQ3OWJmNzUyXkEyXkFqcGc%40._V1_-scaled.jpg?resize=768%2C337&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2026\/08\/MV5BZGExNmNkY2ItYTZiYi00MjJkLWI2NTAtZmQwMjQ3OWJmNzUyXkEyXkFqcGc%40._V1_-scaled.jpg?resize=1536%2C674&amp;ssl=1 1536w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2026\/08\/MV5BZGExNmNkY2ItYTZiYi00MjJkLWI2NTAtZmQwMjQ3OWJmNzUyXkEyXkFqcGc%40._V1_-scaled.jpg?resize=2048%2C899&amp;ssl=1 2048w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2026\/08\/MV5BZGExNmNkY2ItYTZiYi00MjJkLWI2NTAtZmQwMjQ3OWJmNzUyXkEyXkFqcGc%40._V1_-scaled.jpg?w=2370&amp;ssl=1 2370w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p>Contudo, o verdadeiro cora\u00e7\u00e3o do filme reside na complexa rela\u00e7\u00e3o entre o Wile E. Coyote e sua eterna obsess\u00e3o: o Papa-L\u00e9guas. \u00c9 inevit\u00e1vel simpatizar com uma figura que, a despeito das sucessivas trag\u00e9dias, jamais abandona seus objetivos \u2013 uma alegoria sis\u00edfica que o roteiro explora com perspic\u00e1cia, ao mesmo tempo em que aprofunda o olhar do pr\u00f3prio Papa-L\u00e9guas sobre essa \u201crivalidade hist\u00f3rica\u201d.<\/p>\n\n\n\n<p>Ainda que enfrente ligeiros deslizes de ritmo em determinados momentos, <em>Coyote vs. Acme<\/em> vai muito al\u00e9m de uma simples celebra\u00e7\u00e3o da nostalgia ou da com\u00e9dia pastel\u00e3o. Ao espelhar nas telas a sua pr\u00f3pria batalha de bastidores, o longa consolida-se como um triunfo da persist\u00eancia e uma prova de que at\u00e9 as causas mais improv\u00e1veis merecem ser defendidas.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Uma das grandes surpresas do ano, uma batalha jur\u00eddica contra a gigante corporativa espelha a pr\u00f3pria saga real de bastidores para salvar o filme do engavetamento fiscal da Warner Bros. <\/p>\n","protected":false},"author":72,"featured_media":33144,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[2069,2751,2394,1036,2598,3313],"class_list":["post-33143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-john-cena","tag-lana-condor","tag-looney-tunes","tag-warner","tag-warner-bros-2","tag-will-forte"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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