{"id":32973,"date":"2025-10-27T19:20:10","date_gmt":"2025-10-27T22:20:10","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=32973"},"modified":"2025-10-27T19:20:12","modified_gmt":"2025-10-27T22:20:12","slug":"critica-bom-menino-good-boy-2025","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/","title":{"rendered":"Cr\u00edtica | Bom Menino (Good Boy) [2025]"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Nota do filme:<br><\/h3>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=300%2C60&#038;ssl=1\" alt=\"\" class=\"wp-image-12255\" width=\"300\" height=\"60\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?w=2370&amp;ssl=1 2370w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>\u201cVoc\u00ea \u00e9 um bom cachorro.\u201d<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>Todd<\/em><\/p>\n\n\n\n<p><em>Bom Menino<\/em> acompanha a hist\u00f3ria de Indy (Indy), fiel cachorro de Todd (Shane Jensen) que, ap\u00f3s problemas de sa\u00fade, se muda para a antiga casa de seu falecido av\u00f4, que a fam\u00edlia cr\u00ea estar amaldi\u00e7oada. L\u00e1, Indy descobre for\u00e7as sobrenaturais escondidas, de modo que dever\u00e1 proteger o seu dono.<\/p>\n\n\n\n<p>Divulgado como um filme de terror sob a perspectiva do cachorro, o longa atraiu aten\u00e7\u00e3o neste ano de 2025 por conta da sua premissa diferente e original. Por mais que, aparentemente, tenha um qu\u00ea de <em>Coragem, o C\u00e3o Covarde<\/em> \u2013 isto \u00e9 um elogio \u2013, decerto se trata de algo raro no cinema, de modo que, no m\u00ednimo, atrai a curiosidade geral.<\/p>\n\n\n\n<p><em>Bom Menino<\/em> \u00e9 um filme curto e direto. O protagonista \u2013 e seu dono \u2013 rapidamente se mudam para a casa, supostamente, amaldi\u00e7oada. Coisas sinistras imediatamente acontecem. Inexiste, aqui, mist\u00e9rio, uma vez que estamos na perspectiva de algu\u00e9m que tem ci\u00eancia, desde o in\u00edcio, do elemento sobrenatural daquele local.<\/p>\n\n\n\n<p>\u00c9, ent\u00e3o, um terror simples, mas que, nesta simplicidade, pode se centrar nos seus pr\u00f3prios fundamentos e se aproveitar do seu diferencial. A conquista t\u00e9cnica que \u00e9 transmitir tamanha emo\u00e7\u00e3o e percep\u00e7\u00e3o do ambiente e dos acontecimentos por meio de um animal \u00e9 simplesmente estarrecedora.<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/1.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-32979\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/1.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/1.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/1.jpg?resize=1536%2C864&amp;ssl=1 1536w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p>De forma interessante, o longa n\u00e3o se ancora por meio de <em>jumpscares<\/em> simplistas, o que seria esperado, uma vez que o ator principal \u00e9 um cachorro. Isto n\u00e3o \u00e9 necess\u00e1rio, pois, Indy tem uma verdadeira performance em tela, conseguindo transmitir as emo\u00e7\u00f5es de um ator \u201ctradicional\u201d.<\/p>\n\n\n\n<p>A despeito de todas as dificuldades, consegue-se criar um intenso clima de terror, justamente, porque inexiste di\u00e1logos. A tens\u00e3o surge, t\u00e3o somente, do inteligente uso de c\u00e2mera por parte do diretor Ben Leonberg \u2013 tamb\u00e9m dono de Indy na vida real. Em um mar de mediocridade, \u00e0s vezes, fazer o b\u00e1sico bem \u00e9 o bastante para garantir que lembrem de voc\u00ea.<\/p>\n\n\n\n<p><em>Bom Menino<\/em>, ent\u00e3o, n\u00e3o \u00e9 um grande revolucion\u00e1rio do g\u00eanero, contudo, consegue se destacar com a sua premissa \u00fanica. N\u00e3o se pode dizer que ser\u00e1 um dos melhores filmes do ano, entretanto, \u00e9 um bom trabalho inicial do seu diretor, que demonstra talento para maiores empreitadas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Com uma premissa interessante, &#8220;Bom Menino&#8221; traz f\u00f4lego a um trama que, de outra forma, seria batida.<\/p>\n","protected":false},"author":72,"featured_media":32977,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[288],"class_list":["post-32973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-terror"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | Bom Menino (Good Boy) [2025] - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica | Bom Menino (Good Boy) [2025] - cine\" \/>\n<meta property=\"og:description\" content=\"Com uma premissa interessante, &quot;Bom Menino&quot; traz f\u00f4lego a um trama que, de outra forma, seria batida.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/\" \/>\n<meta property=\"og:site_name\" content=\"cine\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/oficialcinematologia\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-27T22:20:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-27T22:20:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"780\" \/>\n\t<meta property=\"og:image:height\" content=\"438\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Iuri Souza\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:site\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Iuri Souza\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/\"},\"author\":{\"name\":\"Iuri Souza\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/77d7f6044c88402834fd257b5bee0124\"},\"headline\":\"Cr\u00edtica | Bom Menino (Good Boy) [2025]\",\"datePublished\":\"2025-10-27T22:20:10+00:00\",\"dateModified\":\"2025-10-27T22:20:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/\"},\"wordCount\":387,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg?fit=780%2C438&ssl=1\",\"keywords\":[\"Terror\"],\"articleSection\":[\"Cr\u00edtica\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/\",\"name\":\"Cr\u00edtica | Bom Menino (Good Boy) [2025] - cine\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg?fit=780%2C438&ssl=1\",\"datePublished\":\"2025-10-27T22:20:10+00:00\",\"dateModified\":\"2025-10-27T22:20:12+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg?fit=780%2C438&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg?fit=780%2C438&ssl=1\",\"width\":780,\"height\":438},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/cinematologia.com.br\/cine\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cr\u00edtica | Bom Menino (Good Boy) [2025]\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"name\":\"cine\",\"description\":\"Conectando pessoas ao mundo da tv.\",\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\",\"name\":\"cine\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"width\":600,\"height\":198,\"caption\":\"cine\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"http:\/\/facebook.com\/oficialcinematologia\",\"https:\/\/x.com\/cinematologia\",\"http:\/\/instagram.com\/cinematologia\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/77d7f6044c88402834fd257b5bee0124\",\"name\":\"Iuri Souza\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/49358e9c648f357fc4ad6442ad9e769f77fb64e4f90d893b47380acdfe2c5c39?s=96&d=blank&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/49358e9c648f357fc4ad6442ad9e769f77fb64e4f90d893b47380acdfe2c5c39?s=96&d=blank&r=g\",\"caption\":\"Iuri Souza\"},\"description\":\"Carioca, advogado e apaixonado por cinema. Busco compartilhar um pouco desse sentimento.\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/author\/iuri-ems93\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cr\u00edtica | Bom Menino (Good Boy) [2025] - cine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/","og_locale":"pt_BR","og_type":"article","og_title":"Cr\u00edtica | Bom Menino (Good Boy) [2025] - cine","og_description":"Com uma premissa interessante, \"Bom Menino\" traz f\u00f4lego a um trama que, de outra forma, seria batida.","og_url":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/","og_site_name":"cine","article_publisher":"http:\/\/facebook.com\/oficialcinematologia","article_published_time":"2025-10-27T22:20:10+00:00","article_modified_time":"2025-10-27T22:20:12+00:00","og_image":[{"width":780,"height":438,"url":"https:\/\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg","type":"image\/jpeg"}],"author":"Iuri Souza","twitter_card":"summary_large_image","twitter_creator":"@cinematologia","twitter_site":"@cinematologia","twitter_misc":{"Escrito por":"Iuri Souza","Est. tempo de leitura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#article","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/"},"author":{"name":"Iuri Souza","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/77d7f6044c88402834fd257b5bee0124"},"headline":"Cr\u00edtica | Bom Menino (Good Boy) [2025]","datePublished":"2025-10-27T22:20:10+00:00","dateModified":"2025-10-27T22:20:12+00:00","mainEntityOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/"},"wordCount":387,"commentCount":0,"publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg?fit=780%2C438&ssl=1","keywords":["Terror"],"articleSection":["Cr\u00edtica"],"inLanguage":"pt-BR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/","url":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/","name":"Cr\u00edtica | Bom Menino (Good Boy) [2025] - cine","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/#website"},"primaryImageOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#primaryimage"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg?fit=780%2C438&ssl=1","datePublished":"2025-10-27T22:20:10+00:00","dateModified":"2025-10-27T22:20:12+00:00","breadcrumb":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/"]}]},{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#primaryimage","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg?fit=780%2C438&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg?fit=780%2C438&ssl=1","width":780,"height":438},{"@type":"BreadcrumbList","@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-menino-good-boy-2025\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/cinematologia.com.br\/cine\/"},{"@type":"ListItem","position":2,"name":"Cr\u00edtica | Bom Menino (Good Boy) [2025]"}]},{"@type":"WebSite","@id":"https:\/\/cinematologia.com.br\/cine\/#website","url":"https:\/\/cinematologia.com.br\/cine\/","name":"cine","description":"Conectando pessoas ao mundo da tv.","publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pt-BR"},{"@type":"Organization","@id":"https:\/\/cinematologia.com.br\/cine\/#organization","name":"cine","url":"https:\/\/cinematologia.com.br\/cine\/","logo":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","width":600,"height":198,"caption":"cine"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/"},"sameAs":["http:\/\/facebook.com\/oficialcinematologia","https:\/\/x.com\/cinematologia","http:\/\/instagram.com\/cinematologia"]},{"@type":"Person","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/77d7f6044c88402834fd257b5bee0124","name":"Iuri Souza","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/49358e9c648f357fc4ad6442ad9e769f77fb64e4f90d893b47380acdfe2c5c39?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/49358e9c648f357fc4ad6442ad9e769f77fb64e4f90d893b47380acdfe2c5c39?s=96&d=blank&r=g","caption":"Iuri Souza"},"description":"Carioca, advogado e apaixonado por cinema. Busco compartilhar um pouco desse sentimento.","url":"https:\/\/cinematologia.com.br\/cine\/author\/iuri-ems93\/"}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2025\/10\/3-1.jpg?fit=780%2C438&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p95f5H-8zP","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/32973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/users\/72"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/comments?post=32973"}],"version-history":[{"count":2,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/32973\/revisions"}],"predecessor-version":[{"id":32980,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/32973\/revisions\/32980"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media\/32977"}],"wp:attachment":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media?parent=32973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/categories?post=32973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/tags?post=32973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}