{"id":31691,"date":"2023-02-21T17:26:36","date_gmt":"2023-02-21T20:26:36","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=31691"},"modified":"2023-02-21T17:26:37","modified_gmt":"2023-02-21T20:26:37","slug":"critica-na-palma-da-mao-unlocked-2023","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-na-palma-da-mao-unlocked-2023\/","title":{"rendered":"Cr\u00edtica | Na Palma da M\u00e3o (Unlocked) [2023]"},"content":{"rendered":"\n<p class=\"has-drop-cap\"><strong>Na Palma da M\u00e3o<\/strong>, ou <strong>Unlocked<\/strong>, \u00e9 o novo filme de suspense da <strong>Netflix<\/strong> e j\u00e1 ocupa a 4\u00aa posi\u00e7\u00e3o na lista dos mais assistidos no Brasil.<\/p>\n\n\n\n<p>Baseado no livro hom\u00f4nimo de<strong> Akira Shiga<\/strong>, a trama segue a hist\u00f3ria de Na-Mi (<strong>Chun Woo-hee<\/strong>), uma jovem que tem a vida virada do avesso ap\u00f3s perder o celular ao voltar de uma festa. O aparelho \u00e9 encontrado por Jun-Yeong (<strong>Im<\/strong> <strong>Siwan<\/strong>), um jovem misterioso que, ap\u00f3s instalar um aplicativo de espionagem, devolve o celular e rastreia toda a vida da protagonista e passa a segui-la.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"527\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1258922.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=790%2C527&#038;ssl=1\" alt=\"\" class=\"wp-image-31693\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1258922.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1258922.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1258922.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=1536%2C1024&amp;ssl=1 1536w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n\n\n\n<p>Ao mesmo tempo, acompanhamos a investiga\u00e7\u00e3o dos assassinatos em s\u00e9rie que acontecem na regi\u00e3o. O detetive do caso, Ji-man (<strong>Kim Hie-won<\/strong>), encontra uma s\u00e9rie de vest\u00edgios do seu filho, Jun-Yeong, nas cenas de crime e passa a investiga-lo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"527\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1274522.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=790%2C527&#038;ssl=1\" alt=\"\" class=\"wp-image-31698\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1274522.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1274522.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1274522.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=1536%2C1024&amp;ssl=1 1536w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n\n\n\n<p>O longa sul-coreano traz uma trama atual sobre como a vida do ser humano se tornou inerente a tecnologia, fazendo com que todas as nossas informa\u00e7\u00f5es, como hobbies, vida pessoal e profissional, possam ser encontradas na palma da m\u00e3o \u2026 ou seja, no smartphone.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"527\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1288562.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=790%2C527&#038;ssl=1\" alt=\"\" class=\"wp-image-31695\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1288562.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1288562.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/1288562.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=1536%2C1024&amp;ssl=1 1536w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n\n\n\n<p>Apesar de uma fraca motiva\u00e7\u00e3o por parte do antagonista, o filme cumpre o que promete e n\u00e3o faz rodeios para isso. A trama cumpre o seu prop\u00f3sito e at\u00e9 faz piada do qu\u00e3o simples as coisas acontecem. Mas isso n\u00e3o quer dizer que o espectador n\u00e3o possa ser surpreendido. O final do longa reserva um plot twist digno de deixar os queixos ca\u00eddos.<\/p>\n\n\n\n<p>As atua\u00e7\u00f5es n\u00e3o deixam a desejar. Os cr\u00e9ditos ficam por conta do j\u00e1 conhecido entre os amantes das produ\u00e7\u00f5es coreanas, <strong>Im Siwan<\/strong>, que retrata o sangue frio do jovem Jun-yeong e a dualidade j\u00e1 caracter\u00edsticos dos psicopatas. <strong>Chun Woo-hee<\/strong> n\u00e3o fica atr\u00e1s. A atriz que d\u00e1 a vida a protagonista consegue passar toda a afli\u00e7\u00e3o nas cenas finais do longa, que s\u00e3o capazes de tirar o f\u00f4lego de quem assiste.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"527\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/4520599.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=790%2C527&#038;ssl=1\" alt=\"\" class=\"wp-image-31696\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/4520599.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/4520599.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/02\/4520599.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg?resize=1536%2C1024&amp;ssl=1 1536w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n\n\n\n<p><strong>Na Palma da M\u00e3o<\/strong> n\u00e3o se prop\u00f5e a ser uma obra genial, mas consegue prender a aten\u00e7\u00e3o do espectador em suas quase duas horas de filme. O longa de <strong>Kim Tae-joon<\/strong> \u00e9 uma \u00f3tima op\u00e7\u00e3o para quem est\u00e1 atr\u00e1s de uma boa hist\u00f3ria que vai deixar uma pulga atr\u00e1s da orelha a medida em que os cr\u00e9ditos sobem.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"has-text-align-left wp-block-heading\">Nota do Filme:<br><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" class=\"wp-image-12256\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?fit=790%2C60&#038;ssl=1\" alt=\"\" height=\"60\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br><\/h3>\n\n\n<div class=\"wp-block-post-author\"><div class=\"wp-block-post-author__avatar\"><img data-recalc-dims=\"1\" alt='' src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/WhatsApp-Image-2023-01-03-at-16.13.34.jpeg?resize=48%2C48&#038;ssl=1\" srcset='https:\/\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/WhatsApp-Image-2023-01-03-at-16.13.34.jpeg 2x' class='avatar avatar-48 photo sab-custom-avatar' height=\"48\" width=\"48\" \/><\/div><div class=\"wp-block-post-author__content\"><p class=\"wp-block-post-author__name\">Juliana Amorim<\/p><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Na Palma da M\u00e3o, ou Unlocked, \u00e9 o novo filme de suspense da Netflix e j\u00e1 ocupa a 4\u00aa posi\u00e7\u00e3o na lista dos mais assistidos&hellip; <\/p>\n","protected":false},"author":105,"featured_media":31692,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[5600,5623,5621,11,1082,300,5622,5620,5618,57],"class_list":["post-31691","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-5600","tag-chun-woo-hee","tag-coreia-do-sul-2","tag-critica","tag-dorama","tag-filme","tag-im-siwan","tag-korea","tag-na-palma-da-mao","tag-netflix"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | Na Palma da M\u00e3o (Unlocked) [2023] - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/critica-na-palma-da-mao-unlocked-2023\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica | Na Palma da M\u00e3o (Unlocked) [2023] - cine\" \/>\n<meta property=\"og:description\" content=\"Na Palma da M\u00e3o, ou Unlocked, \u00e9 o novo filme de suspense da Netflix e j\u00e1 ocupa a 4\u00aa posi\u00e7\u00e3o na lista dos mais assistidos&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematologia.com.br\/cine\/critica-na-palma-da-mao-unlocked-2023\/\" \/>\n<meta property=\"og:site_name\" content=\"cine\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/oficialcinematologia\" \/>\n<meta property=\"article:published_time\" 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