{"id":31568,"date":"2023-01-03T16:10:33","date_gmt":"2023-01-03T19:10:33","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=31568"},"modified":"2023-01-03T16:40:27","modified_gmt":"2023-01-03T19:40:27","slug":"critica-first-love-2022","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-first-love-2022\/","title":{"rendered":"Cr\u00edtica | First Love [2022]"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote has-text-align-right is-layout-flow wp-block-quote-is-layout-flow\"><p><\/p><cite>&#8220;Algu\u00e9m disse uma vez&#8230; a vida \u00e9 como um quebra-cabe\u00e7a. Das nossas melhores mem\u00f3rias \u00e0 nossa experi\u00eancia mais horr\u00edvel que nos faz querer amaldi\u00e7oar nosso destino &#8211; todas essas s\u00e3o pe\u00e7as \u00fanicas de nossas vidas.&#8221; &#8211; Epis\u00f3dio 1<\/cite><\/blockquote>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/tumblr_a48f402c53e13c89238dab5939712643_d1c6d800_540-2.webp?resize=530%2C344&#038;ssl=1\" alt=\"\" class=\"wp-image-31596\" width=\"530\" height=\"344\"\/><\/figure>\n<\/div>\n\n\n<p class=\"has-drop-cap\"><strong><em>First Love<\/em><\/strong> \u00e9 uma produ\u00e7\u00e3o original da <strong>Netflix<\/strong> que fala sobre o primeiro amor, sonhos e crescimento. A s\u00e9rie japonesa \u00e9 inspirada nas can\u00e7\u00f5es de sucesso <strong>First Love<\/strong> (1999) e <strong>Hatsukoi<\/strong> (2018), de <strong>Utada Hikaru<\/strong>, que embalam cada momento dessa hist\u00f3ria.<\/p>\n\n\n\n<p>A obra de <strong>Yuri Kanchiku<\/strong> tem o poder de nos fazer sentir o doce e o amargo de uma hist\u00f3ria de amor que aquece os nossos cora\u00e7\u00f5es, mas que tamb\u00e9m nos faz chorar. Os protagonistas dessa hist\u00f3ria s\u00e3o a jovem Yae Noguchi (<strong>Hikari Mitsushima<\/strong>) e Harumichi Namiki (<strong>Takeru Satoh<\/strong>), dois jovens que se apaixonam ainda na adolesc\u00eancia e que s\u00e3o separados pelo destino.<\/p>\n\n\n\n<p>Yae \u00e9 uma jovem com um futuro promissor e que sonha em se tornar uma comiss\u00e1ria de bordo, enquanto que Harumichi \u00e9 um jovem impetuoso que deseja ser piloto. J\u00e1 adultos, eles percebem que a vida n\u00e3o aconteceu do jeito que imaginavam. Ela, agora divorciada e com um filho adolescente, ganha a vida como taxista. J\u00e1 ele, aposentado da vida de piloto, se torna seguran\u00e7a de uma empresa.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"350\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/tumblr_a6885ed368ce99122e7dcf9784e424e2_86cc474f_540.webp?resize=540%2C350&#038;ssl=1\" alt=\"\" class=\"wp-image-31598\"\/><\/figure>\n\n\n\n<p>O grande reencontro do casal (que ainda sentem a aus\u00eancia um do outro mesmo ap\u00f3s anos separados) acontece atrav\u00e9s da amizade inesperada entre o filho adolescente da protagonista, Tsuzuru Kosaka (<strong>Towa Araki<\/strong>) e Harumichi. A partir desse momento, vemos o amor dos dois florescer novamente.<\/p>\n\n\n\n<p>As cenas do passado, que focam no amor jovem e inocente, aquecem o cora\u00e7\u00e3o de quem assiste, mas logo d\u00e3o lugar ao amargo de perceber as frustra\u00e7\u00f5es da vida adulta. Por vezes, essa transi\u00e7\u00e3o de fases s\u00e3o confusas e deixam lacunas na hist\u00f3ria, deixando o espectador imaginando por si s\u00f3 o que pode ter acontecido.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/589086.jpg?resize=600%2C400&#038;ssl=1\" alt=\"\" class=\"wp-image-31572\"\/><\/figure>\n\n\n\n<p>Um ponto alto da hist\u00f3ria sem d\u00favida s\u00e3o as atua\u00e7\u00f5es que n\u00e3o deixam a desejar em nenhum momento. Aqui, damos um cr\u00e9dito especial \u00e0 Mitsushima, a verdadeira estrela desta hist\u00f3ria, que transmite com grande sensibilidade a jornada de uma mulher que precisa lidar com a lacuna nas mem\u00f3rias do seu passado, a frustra\u00e7\u00e3o da vida que leva no presente e a \u00e2nsia em saber o que deu errado na sua vida, tudo isso ao mesmo tempo em que deseja mostrar para o filho a melhor vers\u00e3o de si mesma.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"350\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/tumblr_7a3a355153f1ba2dd7061c09eb971a75_e51aa660_400-1.jpg?resize=350%2C350&#038;ssl=1\" alt=\"\" class=\"wp-image-31603\"\/><\/figure>\n\n\n\n<p>Al\u00e9m disso, n\u00e3o podemos deixar de mencionar a trilha sonora que inspirou essa linda &#8211; e sofrida &#8211; hist\u00f3ria de amor. <strong>First Love (1999) <\/strong>e <strong>Hatsukoi (2018)<\/strong> s\u00e3o dois sucessos do Jap\u00e3o, interpretadas na voz da artista <strong>Utada Hikaru<\/strong>. A primeira, lan\u00e7ada quando a cantora ainda tinha 16 anos de idade, fala sobre o amargo da separa\u00e7\u00e3o do primeiro amor, enquanto que a segunda (lan\u00e7ada quase 19 anos depois) fala sobre as emo\u00e7\u00f5es em reencontrar esse amor na vida adulta. Vale destacar que em apenas dois meses de estreia, <strong>First Love<\/strong> bateu o recorde de \u00e1lbum mais vendido no <strong>Jap\u00e3o<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"527\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/220126_0745-edit.jpg?resize=790%2C527&#038;ssl=1\" alt=\"\" class=\"wp-image-31577\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/220126_0745-edit.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/220126_0745-edit.jpg?resize=768%2C513&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/220126_0745-edit.jpg?resize=1536%2C1025&amp;ssl=1 1536w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/220126_0745-edit.jpg?resize=2048%2C1367&amp;ssl=1 2048w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/220126_0745-edit.jpg?w=2370&amp;ssl=1 2370w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n\n\n\n<p><strong><em>First Love<\/em><\/strong>, da escritora e roteirista <strong>Yuri Kanchiku<\/strong>, vai fazer os f\u00e3s das produ\u00e7\u00f5es japonesas &#8211; e at\u00e9 mesmo os que ainda n\u00e3o est\u00e3o familiarizados &#8211; ficarem presos em cada um dos nove epis\u00f3dios do drama e ainda se questionarem sobre as pr\u00f3prias experi\u00eancias e as escolhas que tomaram na vida e que os levaram aonde est\u00e3o.<\/p>\n\n\n\n<p>Os nove epis\u00f3dios de<strong><em> First Love<\/em><\/strong> j\u00e1 est\u00e3o dispon\u00edveis na <strong>Netflix<\/strong>.<\/p>\n\n\n\n<h3 class=\"has-text-align-left wp-block-heading\">Nota do filme:<br><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" height=\"60\" class=\"wp-image-12257\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?fit=790%2C60&#038;ssl=1\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-post-author\"><div class=\"wp-block-post-author__avatar\"><img data-recalc-dims=\"1\" alt='' src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/WhatsApp-Image-2023-01-03-at-16.13.34.jpeg?resize=48%2C48&#038;ssl=1\" srcset='https:\/\/cinematologia.com.br\/cine\/wp-content\/uploads\/2023\/01\/WhatsApp-Image-2023-01-03-at-16.13.34.jpeg 2x' class='avatar avatar-48 photo sab-custom-avatar' height=\"48\" width=\"48\" \/><\/div><div class=\"wp-block-post-author__content\"><p class=\"wp-block-post-author__name\">Juliana Amorim<\/p><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Algu\u00e9m disse uma vez&#8230; a vida \u00e9 como um quebra-cabe\u00e7a. Das nossas melhores mem\u00f3rias \u00e0 nossa experi\u00eancia mais horr\u00edvel que nos faz querer amaldi\u00e7oar nosso&hellip; <\/p>\n","protected":false},"author":105,"featured_media":31569,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[5592,2182,57,60],"class_list":["post-31568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-first-love","tag-japao","tag-netflix","tag-series"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | First Love [2022] - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/critica-first-love-2022\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica | First Love [2022] - cine\" \/>\n<meta property=\"og:description\" content=\"&#8220;Algu\u00e9m disse uma vez&#8230; a vida \u00e9 como um quebra-cabe\u00e7a. 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