{"id":30048,"date":"2021-11-07T19:07:01","date_gmt":"2021-11-07T22:07:01","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=30048"},"modified":"2021-11-07T21:17:32","modified_gmt":"2021-11-08T00:17:32","slug":"critica-maligno-malignant-2021","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-maligno-malignant-2021\/","title":{"rendered":"Cr\u00edtica | Maligno (Malignant) [2021]"},"content":{"rendered":"\n<p class=\"has-text-align-right\"><em>\u201cEle disse que o nome dele \u00e9 Gabriel. Acho que \u00e9 algu\u00e9m do meu passado\u201d<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>Madison Mitchell<\/em><\/p>\n\n\n\n<h3 class=\"has-text-align-left wp-block-heading\">Nota do filme:<br><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" height=\"60\" class=\"wp-image-12257\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?fit=790%2C60&#038;ssl=1\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br><\/h3>\n\n\n\n<p class=\"has-drop-cap has-text-align-justify\"><em>Maligno <\/em>segue a hist\u00f3ria de Madison Mitchell (Annabelle Wallis) e seus sonhos recorrentes de assassinatos terr\u00edveis que, ap\u00f3s investigar, descobre que est\u00e3o acontecendo no mundo real. A conex\u00e3o, aparentemente, est\u00e1 em seu passado, na sua inf\u00e2ncia dram\u00e1tica e uma entidade chamada Gabriel.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">James Wan \u00e9 um dos maiores amantes do terror da atualidade. Respons\u00e1vel por um verdadeiro Universo Cinematogr\u00e1fico do g\u00eanero, iniciado com <em>Invoca\u00e7\u00e3o do Mal<\/em>, manifestou, por diversas vezes, o seu amor pelo tema. Assim, n\u00e3o \u00e9 surpresa \u00e0queles que acompanham a sua carreira que, de tempos em tempos, ele retorne de grandes blockbusters como <em>Velozes e Furiosos 7<\/em> e <em>Aquaman<\/em>. Aqui, o diretor e roteirista tem como inspira\u00e7\u00e3o grandes nomes do Cinema como David Cronenberg, Dario Argento, dentre outros, com o resultado sendo um filme interessante e, mais importante, divertido.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"527\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/11\/1-1.jpg?resize=790%2C527&#038;ssl=1\" alt=\"\" class=\"wp-image-30065\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/11\/1-1.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/11\/1-1.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/11\/1-1.jpg?resize=1536%2C1024&amp;ssl=1 1536w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-justify\">Isto porque <em>Maligno<\/em> \u00e9 muitas coisas: um terror cient\u00edfico e corporal com pitadas sobrenaturais e uma grande dose de a\u00e7\u00e3o. O roteiro, ao mesmo tempo em que \u00e9 s\u00e9rio e \u201cp\u00e9 no ch\u00e3o\u201d, sabe quando e como soltar as r\u00e9deas, o que resulta em um terceiro ato excepcional e que, com a exce\u00e7\u00e3o do final abrupto \u2013 o filme se beneficiaria de alguns poucos minutos a mais \u2013, n\u00e3o possui falhas.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">O conceito, um tanto quanto simplista e despretencioso no in\u00edcio, se desenvolve na medida certa, com uma fotografia invej\u00e1vel, acompanhada pelo \u00f3timo uso de cores. Dessa forma, mostra-se que abra\u00e7ar uma ideia aparentemente sem sentido, quando feito de forma coerente, pode ter um \u00f3timo resultado.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Wan escreveu um <em>script<\/em> perigoso, com foco em um <em>twist<\/em> que poderia facilmente falhar. Coloca-se, basicamente, em uma dif\u00edcil posi\u00e7\u00e3o entre ser previs\u00edvel e excessivamente conveniente e, \u00e9 justo dizer, o modo como escapa dessa \u201carmadilha\u201d \u00e9 bastante elegante, um \u00f3timo meio termo entre as duas op\u00e7\u00f5es apresentadas.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"395\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/11\/2.jpg?resize=790%2C395&#038;ssl=1\" alt=\"\" class=\"wp-image-30066\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/11\/2.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/11\/2.jpg?resize=768%2C384&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-justify\">Nesse sentido, o crescimento de sua protagonista \u00e9 muito bem representada pela atriz Annabelle Wallis. Seu relaciomento com sua irm\u00e3 Sydney Lake (Maddie Hasson) se torna um bom fio condutor \u00e0 narrativa, de modo que Madison deve n\u00e3o apenas voltar ao passado para relembrar o necess\u00e1rio como, tamb\u00e9m, olhar para o futuro.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">\u00c9 justo dizer, ent\u00e3o, que <em>Maligno<\/em> nada mais \u00e9 que um \u201cfilme B\u201d com o or\u00e7amento de um grande lan\u00e7amento, dirigido por algu\u00e9m que sabe o que quer entregar ao espectador. Felizmente, \u00e0s vezes isso \u00e9 o bastante e, com a combina\u00e7\u00e3o certa, tem-se uma obra a ser lembrada.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>James Wan mostra que domina o terror em uma homenagem ao g\u00eanero.<\/p>\n","protected":false},"author":72,"featured_media":30063,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[3748,286,288],"class_list":["post-30048","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-hbo-max","tag-james-wan","tag-terror"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | Maligno (Malignant) [2021] - 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