{"id":26863,"date":"2021-03-13T11:52:17","date_gmt":"2021-03-13T14:52:17","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=26863"},"modified":"2021-03-18T06:03:26","modified_gmt":"2021-03-18T09:03:26","slug":"critica-raya-e-o-ultimo-dragao-raya-and-the-last-dragon-2021","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-raya-e-o-ultimo-dragao-raya-and-the-last-dragon-2021\/","title":{"rendered":"Cr\u00edtica | Raya e o \u00daltimo Drag\u00e3o (Raya and the Last Dragon) [2021]"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Nota do filme:<br><\/h3>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=300%2C60&#038;ssl=1\" alt=\"\" class=\"wp-image-12255\" width=\"300\" height=\"60\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?w=2370&amp;ssl=1 2370w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-drop-cap\">O Cinema, naturalmente, tende a refletir as mudan\u00e7as sociais advindas com o tempo, e muitos filmes servem como um registro do momento em que s\u00e3o produzidos. Nesse sentido, os est\u00fadios Disney oferecem emblem\u00e1ticos exemplos de tais transforma\u00e7\u00f5es, e \u00e9 poss\u00edvel observar o desenvolvimento de suas personagens femininas ao longo das d\u00e9cadas. De personagens passivas que, invariavelmente, nunca estariam completas sem a companhia de um pr\u00edncipe encantado, elas passaram cada vez mais a serem donas das pr\u00f3prias hist\u00f3rias e autossuficientes, com Merida, Elsa e Moana puxando a fila mais recente. Pois bem; em <em>Raya e o \u00daltimo Drag\u00e3o<\/em> a empresa segue no mesmo caminho, adicionando \u00e0 lista de princesas uma nova integrante que vai ao encontro do mundo contempor\u00e2neo.<\/p>\n\n\n\n<p>Na trama, somos apresentados ao universo de Kumandra, uma terra ocupada por cinco povos diferentes (Cauda, Garra, Espinha, Cora\u00e7\u00e3o e Presa) que, em fun\u00e7\u00e3o de tr\u00e1gicos eventos passados, vivem em constante clima de hostilidade ao mesmo tempo que s\u00e3o amea\u00e7ados por entidades malignas denominadas Druun. Ap\u00f3s ver sua casa ser destru\u00edda em meio aos conflitos, a protagonista (Kelly Marie Tran), moradora de Cora\u00e7\u00e3o, parte em uma busca para reaver a ordem e desfazer as maldi\u00e7\u00f5es, contando com o aux\u00edlio de Sisu (Awkwafina) e demais parcerias que vai conhecendo no caminho. &nbsp;<\/p>\n\n\n\n<p>Proativa, carism\u00e1tica, destemida e generosa, a personagem-t\u00edtulo \u00e9 uma jovem cheia de energia cujo entusiasmo divide espa\u00e7o com a compreens\u00e3o das limita\u00e7\u00f5es que possui, de modo que n\u00e3o nos deparamos com uma hero\u00edna invenc\u00edvel, tornando sua composi\u00e7\u00e3o mais veross\u00edmil e identific\u00e1vel. Tamb\u00e9m vale men\u00e7\u00e3o o fato de que o longa \u2013 e tomara que isso se torne uma tend\u00eancia \u2013, n\u00e3o dedica tempo algum para for\u00e7ar um interesse amoroso, assim como n\u00e3o v\u00ea necessidade sequer de comentar que ela <em>n\u00e3o<\/em> precisa de um, deixando que percebamos isso naturalmente (embora haja, sim, uma breve insinua\u00e7\u00e3o sobre a orienta\u00e7\u00e3o sexual de Raya, e se voc\u00ea tiver algum problema com isso: cres\u00e7a, estamos em 2021).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/https___cdn.cnn_.com_cnnnext_dam_assets_210127134443-01-raya-and-the-last-dragon-grab.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-26864\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/https___cdn.cnn_.com_cnnnext_dam_assets_210127134443-01-raya-and-the-last-dragon-grab.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/https___cdn.cnn_.com_cnnnext_dam_assets_210127134443-01-raya-and-the-last-dragon-grab.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>A cria\u00e7\u00e3o de Kumandra \u00e9 um dos pontos altos da produ\u00e7\u00e3o, com as cinco regi\u00f5es permanecendo bem definidas, seja pelas paisagens, seja pelos tra\u00e7os de seus habitantes, sendo uma pena passarmos pouco tempo em cada uma delas. J\u00e1 o visual dos Druun \u00e9 pouco inspirado e gen\u00e9rico, apesar da adequada cor roxa. Quanto \u00e0s cenas de a\u00e7\u00e3o, mais especificamente as que envolvem combates entre dois ou mais personagens, s\u00e3o muito bem filmadas, e assim nunca perdemos o foco do que \u00e9 mostrado em tela.<\/p>\n\n\n\n<p>Quando conferimos os cr\u00e9ditos de <em>Raya&#8230;<\/em>, constatamos que s\u00e3o oito (!) nomes respons\u00e1veis pelo roteiro, o que geralmente causa problemas, e isso se concretiza no come\u00e7o irregular da anima\u00e7\u00e3o, com uma quantidade enorme de informa\u00e7\u00f5es que chega a ser dif\u00edcil acompanh\u00e1-las. Por outro lado, o enredo parece tratar de tem\u00e1ticas que v\u00e3o al\u00e9m da fantasia, permitindo a conjectura de subtextos atuais na hist\u00f3ria, sendo poss\u00edvel enxergar a urg\u00eancia dos cinco povos de Kumandra em combater um perigo que causa seca no que v\u00ea pela frente como uma representa\u00e7\u00e3o da necessidade dos cinco continentes trabalharem em conjunto no enfrentamento das mudan\u00e7as clim\u00e1ticas.<\/p>\n\n\n\n<p>Com um eficiente equil\u00edbrio entre humor e seriedade, <em>Raya e o \u00faltimo Drag\u00e3o<\/em> n\u00e3o chega a causar o mesmo impacto (visual e narrativo) de filmes como <em>Frozen<\/em> e <em>Moana<\/em>, mas introduz uma personagem (e como \u00e9 bom ver Kelly Marie Tran, perseguida por ser uma mulher asi\u00e1tica em <em>Os \u00daltimos Jedi<\/em>, nesse papel de destaque) igualmente interessante ao seu cl\u00e1ssico rol de protagonistas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>O Cinema, naturalmente, tende a refletir as mudan\u00e7as sociais advindas com o tempo, e muitos filmes servem como um registro do momento em que s\u00e3o&hellip; <\/p>\n","protected":false},"author":81,"featured_media":26865,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[4228,3533,3468,4415,4418,4414,4419,4417,4412,4416],"class_list":["post-26863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-4228","tag-awkwafina","tag-benedict-wong","tag-carlos-lopez-estrada","tag-daniel-dae-kim","tag-don-hall","tag-gemma-chan","tag-john-ripa","tag-kelly-marie-tran","tag-paul-briggs"],"yoast_head":"<!-- This site is optimized with the 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