{"id":26689,"date":"2021-03-04T19:14:38","date_gmt":"2021-03-04T22:14:38","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=26689"},"modified":"2021-03-04T19:14:41","modified_gmt":"2021-03-04T22:14:41","slug":"critica-america-armada-2018","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/","title":{"rendered":"Cr\u00edtica | Am\u00e9rica Armada (2018)"},"content":{"rendered":"\n<h3 class=\"has-text-align-left wp-block-heading\">Nota do Filme:<br><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" class=\"wp-image-12256\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?fit=790%2C60&#038;ssl=1\" alt=\"\" height=\"60\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br><\/h3>\n\n\n\n<p><em>O Document\u00e1rio Am\u00e9rica Armada apresenta de forma rica a realidade brutal da viol\u00eancia de Estado na Am\u00e9rica Latina. Apesar de entregar uma produ\u00e7\u00e3o rica, respeitosa e sens\u00edvel, ela falha em apresentar a discuss\u00e3o e os debates a respeito do tema enquanto deixa de lado uma parte importante do pr\u00f3prio debate: os agentes do Estado.<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\">O document\u00e1rio dirigido e escrito por <strong>Alice Lanari<\/strong> e <strong>Pedro Asberg<\/strong> apresenta a realidade da viol\u00eancia de Estado na Am\u00e9rica Latina a partir das lentes de tr\u00eas ativistas na regi\u00e3o da Am\u00e9rica Latina: M\u00e9xico, Col\u00f4mbia e Brasil. Similar a document\u00e1rios do mesmo tema, a produ\u00e7\u00e3o segue uma linha baseada nos relatos narrados pelos ativistas e na rela\u00e7\u00e3o dos mesmos com os jornalistas. <\/p>\n\n\n\n<p>O que torna o document\u00e1rio uma obra de bastante riqueza \u00e9 na forma crua e sens\u00edvel de apresentar a dor, a perda e a viola\u00e7\u00e3o dos direitos que mancham a vida daqueles que foram v\u00edtimas da a\u00e7\u00e3o brutal do Estado. A fotografia do document\u00e1rio \u00e9 bem executada e expressa essa normaliza\u00e7\u00e3o da viol\u00eancia e seus efeitos no cotidiano da vida daqueles que vivem nas margens. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"334\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_155708_vimeo.com_-1.png?resize=790%2C334&#038;ssl=1\" alt=\"\" class=\"wp-image-26695\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_155708_vimeo.com_-1.png?w=957&amp;ssl=1 957w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_155708_vimeo.com_-1.png?resize=768%2C324&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><figcaption><em>&#8220;A paz vir\u00e1 ainda nesta vida&#8221; &#8211; Procurando a origem das balas perdidas.<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<p>Apesar do document\u00e1rio lidar de forma bem superficial com o conceito de &#8220;capitalismo criminoso&#8221; ele falha em apresentar com riqueza o debate pol\u00edtico relacionada ao abuso de poder do Estado. O que pode proporcionar uma experi\u00eancia pouco reflexiva para o telespectador e reduzir o poder de alcance da mensagem compartilhada pelos ativistas.<\/p>\n\n\n\n<p>Ademais, apesar de o foco da produ\u00e7\u00e3o ser o ativismo, \u00e9 poss\u00edvel sentir a falta do outro lado da discuss\u00e3o. O document\u00e1rio teria se beneficiado  da produ\u00e7\u00e3o de depoimentos de agentes do Estado em diversas esferas, isto produziria uma narrativa mais complexa, maior dimens\u00e3o sobre os obst\u00e1culos do pr\u00f3prio ativismo contra a viol\u00eancia estatal e reduziria conclus\u00f5es manique\u00edstas sobre um debate complexo. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>O Document\u00e1rio Am\u00e9rica Armada apresenta de forma rica a realidade brutal da viol\u00eancia de Estado na Am\u00e9rica Latina. Apesar de entregar uma produ\u00e7\u00e3o rica, respeitosa&hellip; <\/p>\n","protected":false},"author":103,"featured_media":26690,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[473,1118,4324],"class_list":["post-26689","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-brasil","tag-documentario","tag-filmes-brasileiros"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | Am\u00e9rica Armada (2018) - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica | Am\u00e9rica Armada (2018) - cine\" \/>\n<meta property=\"og:description\" content=\"O Document\u00e1rio Am\u00e9rica Armada apresenta de forma rica a realidade brutal da viol\u00eancia de Estado na Am\u00e9rica Latina. Apesar de entregar uma produ\u00e7\u00e3o rica, respeitosa&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/\" \/>\n<meta property=\"og:site_name\" content=\"cine\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/oficialcinematologia\" \/>\n<meta property=\"article:published_time\" content=\"2021-03-04T22:14:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-03-04T22:14:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant\u00e2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"894\" \/>\n\t<meta property=\"og:image:height\" content=\"498\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Olga Christina Zunino\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:site\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olga Christina Zunino\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/\"},\"author\":{\"name\":\"Olga Christina Zunino\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/ca5d5202bdc6aed2623220a8886551f5\"},\"headline\":\"Cr\u00edtica | Am\u00e9rica Armada (2018)\",\"datePublished\":\"2021-03-04T22:14:38+00:00\",\"dateModified\":\"2021-03-04T22:14:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/\"},\"wordCount\":351,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1\",\"keywords\":[\"Brasil\",\"document\u00e1rio\",\"Filmes brasileiros\"],\"articleSection\":[\"Cr\u00edtica\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/\",\"name\":\"Cr\u00edtica | Am\u00e9rica Armada (2018) - cine\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1\",\"datePublished\":\"2021-03-04T22:14:38+00:00\",\"dateModified\":\"2021-03-04T22:14:41+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1\",\"width\":894,\"height\":498},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/cinematologia.com.br\/cine\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cr\u00edtica | Am\u00e9rica Armada (2018)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"name\":\"cine\",\"description\":\"Conectando pessoas ao mundo da tv.\",\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\",\"name\":\"cine\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"width\":600,\"height\":198,\"caption\":\"cine\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"http:\/\/facebook.com\/oficialcinematologia\",\"https:\/\/x.com\/cinematologia\",\"http:\/\/instagram.com\/cinematologia\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/ca5d5202bdc6aed2623220a8886551f5\",\"name\":\"Olga Christina Zunino\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/fbd6208a1cc7c7b900d01dae724cf597955cc253af93d945043b1862f7782db2?s=96&d=blank&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/fbd6208a1cc7c7b900d01dae724cf597955cc253af93d945043b1862f7782db2?s=96&d=blank&r=g\",\"caption\":\"Olga Christina Zunino\"},\"description\":\"Uma soci\u00f3loga cin\u00e9fila aspirante a enxadrista que adora escrever :) \\\"\u00c1s vezes s\u00e3o as pessoas que ningu\u00e9m imagina nada que fazem as coisas que ningu\u00e9m poderia imaginar\\\" - (O Jogo da Imita\u00e7\u00e3o.)\",\"sameAs\":[\"https:\/\/l.facebook.com\/l.php?u=httpswww.instagram.com0lguita_fbclidIwAR08z-8vQoNa5uknUj4t0cstUFVkW2CzjQE9_h0okIUnWROd7xALv-LbzOc&h=AT2ghiteZQnPZ_iAMTfxIhxJizUGDfil3Z1EzYBzid4B4V94RP7qGigWLUogDX01sgoY2qMkst-aXN7B2-x8eMm7Fm1Y_SD0Nbwb7CGuUjLoq6zjsIBjJsnnzUmej4-2bogz0xwlgBK6-hf9ABo\",\"https:\/\/br.linkedin.com\/in\/olgachristinazunino\"],\"url\":\"https:\/\/cinematologia.com.br\/cine\/author\/olga-zunino\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cr\u00edtica | Am\u00e9rica Armada (2018) - cine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/","og_locale":"pt_BR","og_type":"article","og_title":"Cr\u00edtica | Am\u00e9rica Armada (2018) - cine","og_description":"O Document\u00e1rio Am\u00e9rica Armada apresenta de forma rica a realidade brutal da viol\u00eancia de Estado na Am\u00e9rica Latina. Apesar de entregar uma produ\u00e7\u00e3o rica, respeitosa&hellip;","og_url":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/","og_site_name":"cine","article_publisher":"http:\/\/facebook.com\/oficialcinematologia","article_published_time":"2021-03-04T22:14:38+00:00","article_modified_time":"2021-03-04T22:14:41+00:00","og_image":[{"width":894,"height":498,"url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant\u00e2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1","type":"image\/png"}],"author":"Olga Christina Zunino","twitter_card":"summary_large_image","twitter_creator":"@cinematologia","twitter_site":"@cinematologia","twitter_misc":{"Escrito por":"Olga Christina Zunino","Est. tempo de leitura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#article","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/"},"author":{"name":"Olga Christina Zunino","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/ca5d5202bdc6aed2623220a8886551f5"},"headline":"Cr\u00edtica | Am\u00e9rica Armada (2018)","datePublished":"2021-03-04T22:14:38+00:00","dateModified":"2021-03-04T22:14:41+00:00","mainEntityOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/"},"wordCount":351,"commentCount":0,"publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1","keywords":["Brasil","document\u00e1rio","Filmes brasileiros"],"articleSection":["Cr\u00edtica"],"inLanguage":"pt-BR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/","url":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/","name":"Cr\u00edtica | Am\u00e9rica Armada (2018) - cine","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/#website"},"primaryImageOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#primaryimage"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1","datePublished":"2021-03-04T22:14:38+00:00","dateModified":"2021-03-04T22:14:41+00:00","breadcrumb":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/"]}]},{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#primaryimage","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1","width":894,"height":498},{"@type":"BreadcrumbList","@id":"https:\/\/cinematologia.com.br\/cine\/critica-america-armada-2018\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/cinematologia.com.br\/cine\/"},{"@type":"ListItem","position":2,"name":"Cr\u00edtica | Am\u00e9rica Armada (2018)"}]},{"@type":"WebSite","@id":"https:\/\/cinematologia.com.br\/cine\/#website","url":"https:\/\/cinematologia.com.br\/cine\/","name":"cine","description":"Conectando pessoas ao mundo da tv.","publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pt-BR"},{"@type":"Organization","@id":"https:\/\/cinematologia.com.br\/cine\/#organization","name":"cine","url":"https:\/\/cinematologia.com.br\/cine\/","logo":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","width":600,"height":198,"caption":"cine"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/"},"sameAs":["http:\/\/facebook.com\/oficialcinematologia","https:\/\/x.com\/cinematologia","http:\/\/instagram.com\/cinematologia"]},{"@type":"Person","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/ca5d5202bdc6aed2623220a8886551f5","name":"Olga Christina Zunino","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/fbd6208a1cc7c7b900d01dae724cf597955cc253af93d945043b1862f7782db2?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fbd6208a1cc7c7b900d01dae724cf597955cc253af93d945043b1862f7782db2?s=96&d=blank&r=g","caption":"Olga Christina Zunino"},"description":"Uma soci\u00f3loga cin\u00e9fila aspirante a enxadrista que adora escrever :) \"\u00c1s vezes s\u00e3o as pessoas que ningu\u00e9m imagina nada que fazem as coisas que ningu\u00e9m poderia imaginar\" - (O Jogo da Imita\u00e7\u00e3o.)","sameAs":["https:\/\/l.facebook.com\/l.php?u=httpswww.instagram.com0lguita_fbclidIwAR08z-8vQoNa5uknUj4t0cstUFVkW2CzjQE9_h0okIUnWROd7xALv-LbzOc&h=AT2ghiteZQnPZ_iAMTfxIhxJizUGDfil3Z1EzYBzid4B4V94RP7qGigWLUogDX01sgoY2qMkst-aXN7B2-x8eMm7Fm1Y_SD0Nbwb7CGuUjLoq6zjsIBjJsnnzUmej4-2bogz0xwlgBK6-hf9ABo","https:\/\/br.linkedin.com\/in\/olgachristinazunino"],"url":"https:\/\/cinematologia.com.br\/cine\/author\/olga-zunino\/"}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/03\/Opera-Instant%C3%A2neo_2021-03-04_181628_i.vimeocdn.com_.png?fit=894%2C498&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p95f5H-6Wt","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/26689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/users\/103"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/comments?post=26689"}],"version-history":[{"count":3,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/26689\/revisions"}],"predecessor-version":[{"id":26706,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/26689\/revisions\/26706"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media\/26690"}],"wp:attachment":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media?parent=26689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/categories?post=26689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/tags?post=26689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}