{"id":26203,"date":"2021-01-20T19:21:59","date_gmt":"2021-01-20T22:21:59","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=26203"},"modified":"2021-01-20T19:22:02","modified_gmt":"2021-01-20T22:22:02","slug":"lista-05-otimos-dramas-de-tribunal","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/lista-05-otimos-dramas-de-tribunal\/","title":{"rendered":"Lista | 05 \u00d3timos Dramas de Tribunal"},"content":{"rendered":"\n<p class=\"has-drop-cap has-text-align-justify\">N\u00e3o \u00e9 de hoje que julgamentos de crimes b\u00e1rbaros atraem a aten\u00e7\u00e3o do p\u00fablico. Quando o crime \u00e9 real, chamam a aten\u00e7\u00e3o das pessoas e muitas vezes acabam por ganhar uma notoriedade e at\u00e9 mesmo influenciar na conjuntura do andamento processual, mesmo sem legitimidade jur\u00eddica para tanto.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Na fic\u00e7\u00e3o mexe com o imagin\u00e1rio dos espectadores e atrai o p\u00fablico em geral. A lista abaixo segue a ordem cronol\u00f3gica de lan\u00e7amento e traz grandes t\u00edtulos com dramas de tribunal em que o espectador participa da hist\u00f3ria como um jurado do caso.<\/p>\n\n\n\n<p>1. 12 Homens e uma Senten\u00e7a (<em>Twelve Angry Men<\/em>)<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"413\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/12angry.jpg?resize=790%2C413&#038;ssl=1\" alt=\"\" class=\"wp-image-26205\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/12angry.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/12angry.jpg?resize=768%2C401&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-justify\">Um jovem porto-riquenho \u00e9 acusado do brutal crime de ter matado o pr\u00f3prio pai. Quando ele vai a julgamento, doze jurados se re\u00fanem para decidir a senten\u00e7a, levando em conta que o r\u00e9u deve ser considerado inocente at\u00e9 que se prove o contr\u00e1rio. Onze dos jurados t\u00eam plena certeza de que ele \u00e9 culpado, e votam pela condena\u00e7\u00e3o, mas um jurado acha que \u00e9 melhor investigar mais para que a senten\u00e7a seja correta. Para isso ele ter\u00e1 que enfrentar diferentes interpreta\u00e7\u00f5es dos fatos, e a m\u00e1 vontade dos outros jurados, que s\u00f3 querem ir logo para suas casas.<\/p>\n\n\n\n<p class=\"has-text-align-justify\"><strong>Dire\u00e7\u00e3o<\/strong>: Sidney Lumet| <strong>Roteiro<\/strong>: Reginald Rose | <strong>Ano<\/strong>: 1957 | <strong>Dura\u00e7\u00e3o<\/strong>: 95 minutos | <strong>Elenco<\/strong>: Henry Fonda, Martin Balsam, John Fiedler, Lee J. Cobb, Ed Begley, E. G. Marshall, Jack Warden, Jack Klugman, Ed Binns, Joseph Sweeney, Geroge Voskovec, Robert Webber.<\/p>\n\n\n\n<p>2. O Poder e a Lei (<em>The Lincoln Lawyer<\/em>)<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"487\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/poder1.jpg?resize=790%2C487&#038;ssl=1\" alt=\"\" class=\"wp-image-26206\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/poder1.jpg?w=940&amp;ssl=1 940w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/poder1.jpg?resize=768%2C474&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-justify\">Michael Haller (Matthew McConaughey) \u00e9 um advogado que roda pela cidade farejando novas oportunidades de ganhar dinheiro. Seu objetivo s\u00e3o aqueles servi\u00e7os f\u00e1ceis onde o dinheiro \u00e9 garantido! Seus clientes s\u00e3o sempre motoqueiros ou prostitutas, e algumas vezes traficantes de drogas. At\u00e9 o dia em que ele se depara com o caso que promete mudar sua vida. Ele ter\u00e1 que defender o jovem playboy Louis Roulet (Ryan Phillippe), detido por agress\u00e3o e tentativa de estupro. Mas rapidamente o caso mais f\u00e1cil e rent\u00e1vel de sua carreira, acaba jogando Michael numa assustadora situa\u00e7\u00e3o, onde a tens\u00e3o aumenta a cada segundo e a verdade se afasta a cada novo passo. Basesado no best-seller de Michael Connelly.<\/p>\n\n\n\n<p class=\"has-text-align-justify\"><strong>Dire\u00e7\u00e3o<\/strong>: Brad Furman | <strong>Roteiro<\/strong>: John Romano | <strong>Ano<\/strong>: 2012 | <strong>Dura\u00e7\u00e3o<\/strong>: 118 minutos | <strong>Elenco<\/strong>: Matthew McConaughey, Josh Lucas, Marisa Tomei, Ryan Phillippe, John Leguizamo, Michel Pe\u00f1a, William H. Macy, Bryan Cranston, Bob Gunton, Frances Fisher.<\/p>\n\n\n\n<p>3. Ponte dos Espi\u00f5es (<em>Bridge of Spies<\/em>)<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"503\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/3-ponte-1.jpg?resize=790%2C503&#038;ssl=1\" alt=\"\" class=\"wp-image-26208\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/3-ponte-1.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/3-ponte-1.jpg?resize=768%2C489&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-justify\">Em plena Guerra Fria, o advogado especializado em seguros James Donovan (Tom Hanks) aceita uma tarefa muito diferente do seu trabalho habitual: defender Rudolf Abel (Mark Rylance), um espi\u00e3o sovi\u00e9tico capturado pelos americanos. Mesmo sem ter experi\u00eancia nesta \u00e1rea legal, Donovan torna-se uma pe\u00e7a central das negocia\u00e7\u00f5es entre os Estados Unidos e a Uni\u00e3o Sovi\u00e9tica ao ser enviado a Berlim para negociar a troca de Abel por um prisioneiro americano, capturado pelos inimigos.<\/p>\n\n\n\n<p class=\"has-text-align-justify\"><strong>Dire\u00e7\u00e3o<\/strong>: Steven Spielberg | <strong>Roteiro<\/strong>: Matt Charman, Joel Coen, Ethan Coen | <strong>Ano<\/strong>: 2015 | <strong>Dura\u00e7\u00e3o<\/strong>: 142 minutos | <strong>Elenco<\/strong>: Tom Hanks, Mark Rylance, Scott Shepherd II, Amy Ryan, Sebastian Koch, Alan Alda, Austin Stowell, Peter McRobie, Will Rogers II, Billy Magnussen.<\/p>\n\n\n\n<p>4. Os Sete de Chicago (<em>The Trial os The Chicago 7<\/em>)<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"415\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/chicago_W3RRoIo.jpg?resize=790%2C415&#038;ssl=1\" alt=\"\" class=\"wp-image-26209\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/chicago_W3RRoIo.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/chicago_W3RRoIo.jpg?resize=768%2C403&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-justify\">Baseado em uma hist\u00f3ria real, o longa Os 7 de Chicago acompanha a manifesta\u00e7\u00e3o contra a guerra do Vietn\u00e3 que interrompeu o congresso do partido Democrata em 1968. Ocorreram diversos confrontos entre a pol\u00edcia e os participantes. No total, dezesseis pessoas foram indiciadas pelo ato.<\/p>\n\n\n\n<p class=\"has-text-align-justify\"><strong>Dire\u00e7\u00e3o<\/strong>: Aaron Sorkin | <strong>Roteiro<\/strong>: Aaron Sorkin | <strong>Ano<\/strong>: 2020 | <strong>Dura\u00e7\u00e3o<\/strong>: 129 minutos | <strong>Elenco<\/strong>: Yahya Abdul-Mateen II, Sacha Baron Cohen, Joseph Gordon-Levitt, Michael Keaton, Eddie Redmayne, Mark Rylance, Frank Langella, John Carrol Lynch, Alex Sharp, Jeremy Strong, Noah Robbins, Danny Flaherty.<\/p>\n\n\n\n<p>5. A Garota da Pulseira (<em>La Fille Au Bracelet<\/em>)<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"307\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/5-a-garota.jpg?resize=512%2C307&#038;ssl=1\" alt=\"\" class=\"wp-image-26210\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-justify\">A adolescente Lisa (M\u00e9lissa Guers) \u00e9 acusada de matar a melhor amiga e enfrenta a justi\u00e7a ao lado de seus pais, que defendem a inoc\u00eancia da filha, mas quando o processo avan\u00e7a verdades vem \u00e0 tona e eles percebem que n\u00e3o conhecem t\u00e3o bem a filha.<\/p>\n\n\n\n<p class=\"has-text-align-justify\"><strong>Dire\u00e7\u00e3o<\/strong>: St\u00e9phane Demoustier | <strong>Roteiro<\/strong>: St\u00e9phane Demoustier, Gonzalo Tobal, Ulises Porra | <strong>Ano<\/strong>: 2020 | <strong>Dura\u00e7\u00e3o<\/strong>: 96 minutos | <strong>Elenco<\/strong>: M\u00e9lissa Guers, Roschdy Zem, Chiara Mastroianni.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e3o \u00e9 de hoje que julgamentos de crimes b\u00e1rbaros atraem a aten\u00e7\u00e3o do p\u00fablico. Quando o crime \u00e9 real, chamam a aten\u00e7\u00e3o das pessoas e&hellip; <\/p>\n","protected":false},"author":84,"featured_media":26212,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[35,1],"tags":[],"class_list":["post-26203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listas","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lista | 05 \u00d3timos Dramas de Tribunal - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/lista-05-otimos-dramas-de-tribunal\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lista | 05 \u00d3timos Dramas de Tribunal - cine\" \/>\n<meta property=\"og:description\" content=\"N\u00e3o \u00e9 de hoje que julgamentos de crimes b\u00e1rbaros atraem a aten\u00e7\u00e3o do p\u00fablico. Quando o crime \u00e9 real, chamam a aten\u00e7\u00e3o das pessoas e&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematologia.com.br\/cine\/lista-05-otimos-dramas-de-tribunal\/\" \/>\n<meta property=\"og:site_name\" content=\"cine\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/oficialcinematologia\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-20T22:21:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-20T22:22:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/poder-e-a-lei.jpg?fit=606%2C349&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"606\" \/>\n\t<meta property=\"og:image:height\" content=\"349\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Tatiana Carvalho\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:site\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tatiana Carvalho\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/lista-05-otimos-dramas-de-tribunal\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/lista-05-otimos-dramas-de-tribunal\/\"},\"author\":{\"name\":\"Tatiana Carvalho\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/8a820894207ddad0aba94f12ca6fb495\"},\"headline\":\"Lista | 05 \u00d3timos Dramas de Tribunal\",\"datePublished\":\"2021-01-20T22:21:59+00:00\",\"dateModified\":\"2021-01-20T22:22:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/lista-05-otimos-dramas-de-tribunal\/\"},\"wordCount\":721,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/lista-05-otimos-dramas-de-tribunal\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2021\/01\/poder-e-a-lei.jpg?fit=606%2C349&ssl=1\",\"articleSection\":[\"Listas\",\"Uncategorized\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/lista-05-otimos-dramas-de-tribunal\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/lista-05-otimos-dramas-de-tribunal\/\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/lista-05-otimos-dramas-de-tribunal\/\",\"name\":\"Lista | 05 \u00d3timos Dramas de Tribunal - 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