{"id":25729,"date":"2020-09-28T19:02:57","date_gmt":"2020-09-28T22:02:57","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=25729"},"modified":"2020-09-28T21:20:54","modified_gmt":"2020-09-29T00:20:54","slug":"critica-bom-dia-veronica-1o-temporada-2020","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/","title":{"rendered":"Cr\u00edtica | Bom Dia, Ver\u00f4nica &#8211; 1\u00aa Temporada (2020)"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Nota do Filme :<br><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" height=\"60\" class=\"wp-image-12259\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota50.png?fit=790%2C60&#038;ssl=1\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota50.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota50.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota50.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota50.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota50.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota50.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-drop-cap\">A Netflix dar\u00e1 bom dia ao m\u00eas de outubro da melhor forma poss\u00edvel; isso porque o <em>streaming<\/em> trar\u00e1 uma das s\u00e9ries brasileiras mais esperadas dos \u00faltimos anos. <em>Bom Dia, Ver\u00f4nica<\/em> veio para mostrar que o Brasil n\u00e3o decepciona em produ\u00e7\u00f5es de suspense. Inspirado no livro de Ilana Casoy e Raphael Montes, a historia gira em torno de Ver\u00f4nica Torres (Tain\u00e1 M\u00fcller), uma escriv\u00e3 da Delegacia de Homic\u00eddios de S\u00e3o Paulo que, ap\u00f3s presenciar um suic\u00eddio, \u00e9 surpreendida com alguns traumas do passado vindo \u00e0 tona. Na mesma semana, ela recebe um telefonema an\u00f4nimo de uma mulher desesperada e com a vida em perigo. Determinada, ela decide usar toda sua habilidade investigativa para mergulhar nos casos das duas mulheres: a jovem suicida enganada por um golpista na internet e a esposa (Camila Morgado) subjugada pelo marido (Eduardo Moscovis), um inteligente <em>serial killer<\/em>. Ao se aprofundar nas investiga\u00e7\u00f5es, a protagonista encara um mundo perverso, que p\u00f5e em risco sua fam\u00edlia e sua pr\u00f3pria exist\u00eancia.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"250\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/images-4.jpeg?resize=500%2C250&#038;ssl=1\" alt=\"\" class=\"wp-image-25743\"\/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>A s\u00e9rie conta com 8 epis\u00f3dios intensos e de tirar o f\u00f4lego, e voc\u00ea n\u00e3o vai querer parar de assistir at\u00e9 saber o final. Recheada de surpresas e cenas fortes, a maratona com certeza ser\u00e1 garantida. Integrando um elenco de peso que n\u00e3o brinca em servi\u00e7o, Camila Morgado e Du Moscovis deram um show de talento do come\u00e7o ao fim e entregaram uma das produ\u00e7\u00f5es mais enf\u00e1ticas e intensas de suas carreiras. E n\u00e3o podemos deixar de falar sobre o espet\u00e1culo extraordin\u00e1rio que Tain\u00e1 M\u00fcller ofereceu liderando a s\u00e9rie e dando vida a uma personagem que transparece for\u00e7a, intelig\u00eancia e sagacidade que inspiram qualquer mulher. A atua\u00e7\u00e3o de Tain\u00e1 \u00e9 magn\u00edfica e contribuiu muito para trazer verdade \u00e0 trama e levantar a bandeira da luta feminina.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"661\" height=\"439\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/Capturar-1.jpg?resize=661%2C439&#038;ssl=1\" alt=\"\" class=\"wp-image-25733\"\/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>A narrativa \u00e9 eletrizante, com emo\u00e7\u00f5es e mist\u00e9rios do in\u00edcio ao fim, abordando temas importantes como o preconceito contra a mulher e relacionamentos abusivos, o que faz com que voc\u00ea tor\u00e7a, vibre, defenda e se envolva com os personagens de uma tal maneira que estamos at\u00e9 prevendo os pedidos urgentes para a segunda temporada acontecer o mais r\u00e1pido poss\u00edvel. Agiliza a\u00ed, dona Netflix!<\/p>\n\n\n\n<p>Com apar\u00eancia de s\u00e9ries <em>hollywoodianas<\/em>, <em>Bom Dia, Ver\u00f4nica<\/em> promete dar o que falar e n\u00e3o pode ficar de fora da sua lista no m\u00eas de outubro.<\/p>\n\n\n\n<p>Um grito de ajuda a todas as mulheres que sofrem qualquer tipo de abuso na sociedade: voc\u00eas n\u00e3o est\u00e3o sozinhas.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"438\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/Capturar1.jpg?resize=684%2C438&#038;ssl=1\" alt=\"\" class=\"wp-image-25739\"\/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>Confira abaixo o trailer oficial da s\u00e9rie, que chega \u00e0 Netflix em 01 de outubro.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bom dia, Ver\u00f4nica | Trailer oficial | Netflix\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/OmCnSsPLREQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Trama investigativa une uma instigante hist\u00f3ria de reviravoltas, adrenalina e muito suspense. <\/p>\n","protected":false},"author":89,"featured_media":25730,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,392],"tags":[2690,4103,4104,4100,57,4101,474,4102],"class_list":["post-25729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","category-estreia","tag-2690","tag-camila-morgado","tag-eduardo-moscovis","tag-ilana-casoy","tag-netflix","tag-raphael-montes","tag-serie-nacional","tag-taina-muller"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | Bom Dia, Ver\u00f4nica - 1\u00aa Temporada (2020) - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica | Bom Dia, Ver\u00f4nica - 1\u00aa Temporada (2020) - cine\" \/>\n<meta property=\"og:description\" content=\"Trama investigativa une uma instigante hist\u00f3ria de reviravoltas, adrenalina e muito suspense.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/\" \/>\n<meta property=\"og:site_name\" content=\"cine\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/oficialcinematologia\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-28T22:02:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-29T00:20:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1250\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jac Gobeth\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:site\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jac Gobeth\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/\"},\"author\":{\"name\":\"Jac Gobeth\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/9bb1c728c5a10e046af7d7789f03a92d\"},\"headline\":\"Cr\u00edtica | Bom Dia, Ver\u00f4nica &#8211; 1\u00aa Temporada (2020)\",\"datePublished\":\"2020-09-28T22:02:57+00:00\",\"dateModified\":\"2020-09-29T00:20:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/\"},\"wordCount\":471,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1\",\"keywords\":[\"2020\",\"Camila Morgado\",\"Eduardo Moscovis\",\"Ilana Casoy\",\"Netflix\",\"Raphael Montes\",\"S\u00e9rie Nacional\",\"Tain\u00e1 M\u00fcller\"],\"articleSection\":[\"Cr\u00edtica\",\"Estreia\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/\",\"name\":\"Cr\u00edtica | Bom Dia, Ver\u00f4nica - 1\u00aa Temporada (2020) - cine\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1\",\"datePublished\":\"2020-09-28T22:02:57+00:00\",\"dateModified\":\"2020-09-29T00:20:54+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1\",\"width\":1250,\"height\":675},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/cinematologia.com.br\/cine\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cr\u00edtica | Bom Dia, Ver\u00f4nica &#8211; 1\u00aa Temporada (2020)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"name\":\"cine\",\"description\":\"Conectando pessoas ao mundo da tv.\",\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\",\"name\":\"cine\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"width\":600,\"height\":198,\"caption\":\"cine\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"http:\/\/facebook.com\/oficialcinematologia\",\"https:\/\/x.com\/cinematologia\",\"http:\/\/instagram.com\/cinematologia\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/9bb1c728c5a10e046af7d7789f03a92d\",\"name\":\"Jac Gobeth\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/f3f9b31f1246862631bf504ec60553039dc66045f5e6b90501d5176ada38da25?s=96&d=blank&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/f3f9b31f1246862631bf504ec60553039dc66045f5e6b90501d5176ada38da25?s=96&d=blank&r=g\",\"caption\":\"Jac Gobeth\"},\"description\":\"Empresaria paulista, escritora nas horas vagas, apaixonada por TV e cinema, pegando onda mundo a fora e grande f\u00e3\u00a0de musicais.\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/author\/jac\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cr\u00edtica | Bom Dia, Ver\u00f4nica - 1\u00aa Temporada (2020) - cine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/","og_locale":"pt_BR","og_type":"article","og_title":"Cr\u00edtica | Bom Dia, Ver\u00f4nica - 1\u00aa Temporada (2020) - cine","og_description":"Trama investigativa une uma instigante hist\u00f3ria de reviravoltas, adrenalina e muito suspense.","og_url":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/","og_site_name":"cine","article_publisher":"http:\/\/facebook.com\/oficialcinematologia","article_published_time":"2020-09-28T22:02:57+00:00","article_modified_time":"2020-09-29T00:20:54+00:00","og_image":[{"width":1250,"height":675,"url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1","type":"image\/jpeg"}],"author":"Jac Gobeth","twitter_card":"summary_large_image","twitter_creator":"@cinematologia","twitter_site":"@cinematologia","twitter_misc":{"Escrito por":"Jac Gobeth","Est. tempo de leitura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#article","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/"},"author":{"name":"Jac Gobeth","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/9bb1c728c5a10e046af7d7789f03a92d"},"headline":"Cr\u00edtica | Bom Dia, Ver\u00f4nica &#8211; 1\u00aa Temporada (2020)","datePublished":"2020-09-28T22:02:57+00:00","dateModified":"2020-09-29T00:20:54+00:00","mainEntityOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/"},"wordCount":471,"commentCount":0,"publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1","keywords":["2020","Camila Morgado","Eduardo Moscovis","Ilana Casoy","Netflix","Raphael Montes","S\u00e9rie Nacional","Tain\u00e1 M\u00fcller"],"articleSection":["Cr\u00edtica","Estreia"],"inLanguage":"pt-BR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/","url":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/","name":"Cr\u00edtica | Bom Dia, Ver\u00f4nica - 1\u00aa Temporada (2020) - cine","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/#website"},"primaryImageOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#primaryimage"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1","datePublished":"2020-09-28T22:02:57+00:00","dateModified":"2020-09-29T00:20:54+00:00","breadcrumb":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/"]}]},{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#primaryimage","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1","width":1250,"height":675},{"@type":"BreadcrumbList","@id":"https:\/\/cinematologia.com.br\/cine\/critica-bom-dia-veronica-1o-temporada-2020\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/cinematologia.com.br\/cine\/"},{"@type":"ListItem","position":2,"name":"Cr\u00edtica | Bom Dia, Ver\u00f4nica &#8211; 1\u00aa Temporada (2020)"}]},{"@type":"WebSite","@id":"https:\/\/cinematologia.com.br\/cine\/#website","url":"https:\/\/cinematologia.com.br\/cine\/","name":"cine","description":"Conectando pessoas ao mundo da tv.","publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pt-BR"},{"@type":"Organization","@id":"https:\/\/cinematologia.com.br\/cine\/#organization","name":"cine","url":"https:\/\/cinematologia.com.br\/cine\/","logo":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","width":600,"height":198,"caption":"cine"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/"},"sameAs":["http:\/\/facebook.com\/oficialcinematologia","https:\/\/x.com\/cinematologia","http:\/\/instagram.com\/cinematologia"]},{"@type":"Person","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/9bb1c728c5a10e046af7d7789f03a92d","name":"Jac Gobeth","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/f3f9b31f1246862631bf504ec60553039dc66045f5e6b90501d5176ada38da25?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f3f9b31f1246862631bf504ec60553039dc66045f5e6b90501d5176ada38da25?s=96&d=blank&r=g","caption":"Jac Gobeth"},"description":"Empresaria paulista, escritora nas horas vagas, apaixonada por TV e cinema, pegando onda mundo a fora e grande f\u00e3\u00a0de musicais.","url":"https:\/\/cinematologia.com.br\/cine\/author\/jac\/"}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2020\/09\/bom-dia-veronica-1.jpg?fit=1250%2C675&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p95f5H-6GZ","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/25729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/comments?post=25729"}],"version-history":[{"count":7,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/25729\/revisions"}],"predecessor-version":[{"id":25746,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/25729\/revisions\/25746"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media\/25730"}],"wp:attachment":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media?parent=25729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/categories?post=25729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/tags?post=25729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}