{"id":2261,"date":"2017-04-13T11:22:16","date_gmt":"2017-04-13T14:22:16","guid":{"rendered":"http:\/\/cinematologia.com.br\/cine\/?p=2261"},"modified":"2017-04-13T11:22:16","modified_gmt":"2017-04-13T14:22:16","slug":"cannes-2017-sofia-coppola-michael-haneke-e-noah-baumbach-disputam-a-palma-de-ouro","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/cannes-2017-sofia-coppola-michael-haneke-e-noah-baumbach-disputam-a-palma-de-ouro\/","title":{"rendered":"Cannes 2017: Sofia Coppola, Michael Haneke e Noah Baumbach disputam a Palma de Ouro"},"content":{"rendered":"<p>Em\u00a0confer\u00eancia de imprensa nesta\u00a0quinta-feira (13), o presidente do festival, Pierre Lescure, e o diretor\u00a0Thierry Fr\u00e9maux anunciaram 49 filmes de 29 pa\u00edses, incluindo obras de 12 novos diretores na industria, entre 1.930 inscritos.\u00a0O festival abrir\u00e1 com <strong>Ismael&#8217;s Ghosts<\/strong>, do diretor franc\u00eas <em>Arnaud Desplechin<\/em><strong>,<\/strong>\u00a0estrelando\u00a0<em>Charlotte Gainsbourg <\/em>e<em> Marion Cotillard.<\/em><\/p>\n<figure id=\"attachment_2265\" aria-describedby=\"caption-attachment-2265\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-2265 \" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/529969.jpg?resize=700%2C467&#038;ssl=1\" alt=\"\" width=\"700\" height=\"467\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/529969.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/529969.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/529969.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/529969.jpg?resize=750%2C500&amp;ssl=1 750w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/529969.jpg?w=1350&amp;ssl=1 1350w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-2265\" class=\"wp-caption-text\">Marion Cotillard e Charlotte Gainsbourg em <em><strong>Ismael&#8217;s Ghosts<\/strong><\/em><\/figcaption><\/figure>\n<p>Este ano o Festival de Cinema de Cannes completa 70 anos e,\u00a0em\u00a0sua edi\u00e7\u00e3o de anivers\u00e1rio, os destaques s\u00e3o o\u00a0novo trabalho de\u00a0<em>Sofia Coppola<\/em> &#8211;\u00a0remake de <strong><em>O Enganado<\/em><\/strong> de 1971 &#8211;\u00a0<strong><em>O Estranho Que N\u00f3s Amamos<\/em><\/strong>,\u00a0<em>Noah Baumbach<\/em> com a dram\u00e9dia que re\u00fane\u00a0<em>Adam Sandler, Ben Stiller e Dustin Hoffman<\/em> em\u00a0<em><strong>The Meyerowitz Stories,\u00a0Michael Haneke <\/strong>com\u00a0<strong>Happy End <\/strong>estrelado por <strong>Isabelle Huppert,<\/strong><\/em>\u00a0e <em>Todd Haynes <\/em>com<em>\u00a0<\/em><strong><em>Wonderstruck<\/em>.<\/strong><\/p>\n<figure id=\"attachment_2266\" aria-describedby=\"caption-attachment-2266\" style=\"width: 704px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-2266 \" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/The-Beguiled.jpg?resize=704%2C404&#038;ssl=1\" alt=\"\" width=\"704\" height=\"404\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/The-Beguiled.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/The-Beguiled.jpg?resize=300%2C172&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/The-Beguiled.jpg?resize=768%2C441&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/The-Beguiled.jpg?resize=871%2C500&amp;ssl=1 871w\" sizes=\"auto, (max-width: 704px) 100vw, 704px\" \/><figcaption id=\"caption-attachment-2266\" class=\"wp-caption-text\"><em><strong>O estranho que n\u00f3s amamos<\/strong><\/em> de Sofia Coppola<\/figcaption><\/figure>\n<p><em><strong>Loveless<\/strong><\/em>\u00a0&#8211; o drama de um casal em crise &#8211; de\u00a0<em>Andrey Zvyagintsev,\u00a0<\/em><em>Hong Sangsoo<\/em>\u00a0com dois filmes,\u00a0<strong><em>The Day After<\/em><\/strong>\u00a0e <em><strong>Claire&#8217;s Camera,<\/strong><\/em> tamb\u00e9m estrelado por<em><strong>\u00a0<\/strong>Isabelle Huppert <\/em>estar\u00e3o na conceituada vitrine de cinema de <em>Cannes<\/em>.<em><br \/>\n<\/em>O diretor grego <em>Yorgos Lanthimos<\/em>\u00a0lan\u00e7ar\u00e1 no festival o filme\u00a0<em><strong>The Killing of a Deer<\/strong><\/em> <strong><em>Sacred<\/em>, <\/strong>que conta com <em>Nicole Kidman<\/em> e <em>Colin Farrel<\/em> no elenco, e o\u00a0sul-coreano Bong Joon-ho\u00a0traz<strong>\u00a0<em>Okja <\/em><\/strong>estrelado por\u00a0Jake Gyllenhaal e Tilda Swinton.<\/p>\n<p>Entre as surpresas est\u00e3o dois projetos de televis\u00e3o, o revival de<strong><em> Twin Peaks<\/em><\/strong> de\u00a0<em>David Lynch,<\/em> a segunda temporada de\u00a0<strong><em>Top of the Lake\u00a0<\/em><\/strong>de Jane Campion, e o trabalho de realidade virtual do\u00a0diretor mexicano, <em>Alejandro G. I\u00f1\u00e1rritu<\/em>\u00a0o curta\u00a0<em><strong>Carne y arena<\/strong><\/em>.<\/p>\n<figure id=\"attachment_2267\" aria-describedby=\"caption-attachment-2267\" style=\"width: 699px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-2267 \" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/twin_peaks_teaser_kyle_maclachlan-1.jpg?resize=699%2C394&#038;ssl=1\" alt=\"\" width=\"699\" height=\"394\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/twin_peaks_teaser_kyle_maclachlan-1.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/twin_peaks_teaser_kyle_maclachlan-1.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2017\/04\/twin_peaks_teaser_kyle_maclachlan-1.jpg?resize=768%2C433&amp;ssl=1 768w\" sizes=\"auto, (max-width: 699px) 100vw, 699px\" \/><figcaption id=\"caption-attachment-2267\" class=\"wp-caption-text\">Kyle MacLachlan no revival de Twin Peaks<\/figcaption><\/figure>\n<p>Sobre a aus\u00eancia\u00a0de s\u00e9ries originais dos servi\u00e7os de streaming como Netflix e Amazon, Thierry Fr\u00e9maux disse &#8220;Ap\u00f3s\u00a0uma longa discuss\u00e3o com\u00a0Pierre Lescure [e a equipe, chegamos \u00e0 conclus\u00e3o de que] o festival de Cannes \u00e9 um laborat\u00f3rio.\u00a0N\u00e3o vamos come\u00e7ar a debater aqui o fato de que mesmo as <span class=\"il\">s\u00e9ries<\/span><span class=\"il\">, a menos que seja comprovado o contr\u00e1rio, est\u00e3o usando a arte<\/span> cl\u00e1ssica do cinema e da narra\u00e7\u00e3o cinematogr\u00e1fica (&#8230;) O caso \u00e9 que essas duas s\u00e9ries s\u00e3o de<em> Jane Campion<\/em> e <em>David Lynch.<\/em> Eles s\u00e3o cineastas e amigos do Festival de Cinema de Cannes, por isso estamos exibindo\u00a0seu trabalho.&#8221;<\/p>\n<p>O Brasil ter\u00e1 19 jurados nesta edi\u00e7\u00e3o.\u00a0<em>M\u00e1rio D\u2019Andrea<\/em> e <em>PJ Pereira<\/em> ir\u00e3o presidir o\u00a0j\u00fari,\u00a0<em>Nizan Guanaes <\/em>faz parte da comiss\u00e3o julgadora de Titanium &#8211; considerada a categoria mais importante do festival -, os demais representantes s\u00e3o\u00a0S\u00e9rgio Gordilho,\u00a0M\u00e1rio Narita,\u00a0Moacyr Netto,\u00a0Roberto Coelho,\u00a0Erh Ray,\u00a0Marcelo P\u00e1scoa,\u00a0Andr\u00e9a Alvares,\u00a0Diego Freitas,\u00a0Miriam Shirley,\u00a0Rafael Pitanguy,\u00a0Bruno Pr\u00f3speri,\u00a0Gabriel Ara\u00fajo,\u00a0Cl\u00e1udio Lima,\u00a0C\u00e9lio Ashcar J\u00fanior, Ricardo Dias\u00a0e Fernando Machado.<br \/>\nO curta brasileiro\u00a0<strong><em>Vazio Do Lado De Fora<\/em><\/strong>, de <strong>Eduardo Brand\u00e3o Pinto<\/strong> vai participar do festival deste ano.<\/p>\n<div class=\"mc-column content-text active-extra-styles\" data-block-type=\"raw\" data-block-weight=\"13\">\n<div class=\"content-intertitle\">\n<p><strong>Lista de filmes que disputam a Palma de Ouro em Cannes:<\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"5\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;Loveless&#8221;, de Andrey Zvyagintsev<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"9\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;Good Time&#8221;, de Benny Safdie e Josh Safdie<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"9\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;You were never really Here&#8221;, de Lynne Ramsay<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"6\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;L&#8217;Amant double&#8221;, de Fran\u00e7ois Ozon<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"6\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;Jupiter&#8217;s Moon&#8221;, de Korn\u00e9l Mandruczo<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"7\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;A gentle creature&#8221;, de Sergei Loznitsa<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"10\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;The Killing of a sacred deer&#8221;, de Yorgos Lanthimos<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"5\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;Radiance&#8221;, de Naomi Kawase<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"7\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;Le jour d&#8217;apr\u00e8s&#8221;, de Hong Sangsoo<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"6\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;Le Redoutable&#8221;, de Michel Hazanavicius<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"5\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;Wonderstruck&#8221;, de Todd Haynes<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"6\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;Happy end&#8221;, de Michael Haneke<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"5\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;Rodin&#8221;, de Jacques Doillon<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"10\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;O estranho que n\u00f3s amamos&#8221;, da americana Sofia Coppola<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"8\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;120 battements par minute&#8221;, de Robin Campillo<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"5\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;Okja&#8221;, de Bong Joon-Ho<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"7\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;In the Fade&#8221;, de Fatih Akin<\/p>\n<\/div>\n<div class=\"mc-column content-text active-extra-styles \" data-block-type=\"unstyled\" data-block-weight=\"7\">\n<p class=\"content-text__container \" data-track-category=\"Link no Texto\" data-track-links=\"\">\u2013 &#8220;The Meyerowitz stories&#8221;, de Noah Baumbach<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Em\u00a0confer\u00eancia de imprensa nesta\u00a0quinta-feira (13), o presidente do festival, Pierre Lescure, e o diretor\u00a0Thierry Fr\u00e9maux anunciaram 49 filmes de 29 pa\u00edses, incluindo obras de 12&hellip; <\/p>\n","protected":false},"author":68,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[279],"tags":[],"class_list":["post-2261","post","type-post","status-publish","format-standard","hentry","category-noticias"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cannes 2017: Sofia Coppola, Michael Haneke e Noah Baumbach disputam a Palma de Ouro - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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