{"id":20102,"date":"2019-08-08T09:50:43","date_gmt":"2019-08-08T12:50:43","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=20102"},"modified":"2019-08-13T13:37:09","modified_gmt":"2019-08-13T16:37:09","slug":"critica-rainhas-do-crime-the-kitchen-2019","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-rainhas-do-crime-the-kitchen-2019\/","title":{"rendered":"Cr\u00edtica | Rainhas do Crime (The Kitchen) [2019]"},"content":{"rendered":"\n<p style=\"text-align:right\">                                                                     \u201cN\u00e3o tem lugar para n\u00f3s no mercado.\u201d<\/p>\n\n\n\n<p style=\"text-align:right\">\n\n Ruby O\u00b4Carroll (Tiffany Haddish)\n\n<\/p>\n\n\n\n<h3 class=\"has-text-align-left wp-block-heading\">Nota do Filme:<br><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" class=\"wp-image-12256\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?fit=790%2C60&#038;ssl=1\" alt=\"\" height=\"60\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br><\/h3>\n\n\n\n<p style=\"text-align:justify\" class=\"has-drop-cap\">Estreia de Andrea Berloff na dire\u00e7\u00e3o, <em>Rainhas do Crime<\/em> \u00e9 uma adapta\u00e7\u00e3o da s\u00e9rie de quadrinhos hom\u00f4nima (<em>The Kitchen<\/em>) da Vertigo (DC Comics) e acompanha a hist\u00f3ria de tr\u00eas mulheres que assumem o comando da m\u00e1fia local ap\u00f3s seus maridos serem presos pelo FBI. Logo no in\u00edcio as tr\u00eas fam\u00edlias s\u00e3o apresentadas, demonstrando as caracter\u00edsticas de cada uma: de bom conv\u00edvio afetivo a s\u00e9rios problemas conjugais. Talentosas, \u00e9 f\u00e1cil criar empatia pelas protagonistas e torcer por elas durante a interessante obra.<\/p>\n\n\n\n<p style=\"text-align:justify\">Ap\u00f3s a pris\u00e3o dos maridos, as tr\u00eas se v\u00eaem sem dinheiro para arcar com todas as despesas e sem perspectiva de melhora, quando decidem agir por conta pr\u00f3pria desafiando o novo \u201cchef\u00e3o\u201d do local e pondo as pr\u00f3prias vidas em risco. A rapidez com que isso acontece deixa a trama um pouco inveross\u00edmil diante da \u00e9poca e da situa\u00e7\u00e3o de desprote\u00e7\u00e3o em que elas se encontravam. Da mesma forma, o <em>plot twist<\/em> que ocorre no \u00faltimo ato \u00e9 muito significativo, no que merecia ser mais desenvolvido e n\u00e3o jogado \u00e0s pressas como foi feito.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/08\/the-kitchen-movie.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-20107\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/08\/the-kitchen-movie.jpg?w=825&amp;ssl=1 825w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/08\/the-kitchen-movie.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p style=\"text-align:justify\">Com boas atua\u00e7\u00f5es Melissa McCarthy (Kathy), Tiffany Haddish (Ruby O\u00b4Carroll) e Elisabeth Moss (Claire Walsh) sofrem algumas mudan\u00e7as necess\u00e1rias no decorrer da hist\u00f3ria. A \u00faltima possui uma transforma\u00e7\u00e3o mais percept\u00edvel, uma vez que come\u00e7a se mostrando mais fr\u00e1gil e incapaz que as outras, de modo que a evolu\u00e7\u00e3o de sua personagem era uma certeza. No entanto, Moss tamb\u00e9m \u00e9 a que menos se entrega ao papel, mostrando-se desconfort\u00e1vel na fun\u00e7\u00e3o em alguns momentos.<\/p>\n\n\n\n<p style=\"text-align:justify\">A trama \u00e9 ambientada em Nova York, no bairro Hell\u2019s Kitchen, no final dos anos 70 e conta com uma bela fotografia, com cores frias, apesar de muito escura nos primeiros quinze minutos. O figurino trabalha em conjunto com a obra, facilitando a percep\u00e7\u00e3o da passagem de tempo: com sobretudos e casacos em um inverno de janeiro em Manhattan e, posteriormente, a ado\u00e7\u00e3o de roupas mais leves, sinalizando a mudan\u00e7a de tempo.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"593\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/08\/The-Kitchen.jpg?resize=790%2C593&#038;ssl=1\" alt=\"\" class=\"wp-image-20103\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/08\/The-Kitchen.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/08\/The-Kitchen.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p style=\"text-align:justify\">A acertada trilha sonora tamb\u00e9m contribui com a narrativa, deixando-a mais din\u00e2mica, como exemplos a m\u00fasica de abertura: <em>It\u00b4s a Man\u00b4s Man\u00b4s Man\u00b4s World<\/em>, cujo refr\u00e3o diz \u201cEste \u00e9 um mundo dos homens, dos homens, dos homens mas n\u00e3o seria nada, nada, sem uma mulher ou uma garota\u201d e passa pela can\u00e7\u00e3o <em>Carry On Wayward Son<\/em>, cujo refr\u00e3o, por sua vez, afirma \u201cSiga em frente, meu filho rebelde. Haver\u00e1 paz quando voc\u00ea tiver terminado. Repouse sua cabe\u00e7a cansada. N\u00e3o chore mais\u201d.<\/p>\n\n\n\n<p style=\"text-align:justify\">O longa n\u00e3o dispensa viol\u00eancia, agressividade e transpira o empoderamento feminino. Apesar da trama se arrastar um pouco, em uma \u00e9poca de feminismo em alta e empoderamento do g\u00eanero, um enredo em que apresenta mulheres da d\u00e9cada de 70 fortes e determinadas o bastante para tomar da m\u00e3o de g\u00e2ngsters o poder da m\u00e1fia local \u00e9 muito v\u00e1lido e importante para as conquistas atuais. Mas se engana quem acredita que \u00e9 um filme apenas para mulheres, sendo atrativo a todos os g\u00eaneros. Vale a ida ao cinema!<\/p>\n\n\n\n<p style=\"text-align:justify\"><em>Rainhas do Crime<\/em> estreia em 09 de agosto nos cinemas.<\/p>\n\n\n\n<p style=\"text-align:justify\"><strong>Dire\u00e7\u00e3o:<\/strong> Andrea Berloff | <strong>Roteiro<\/strong>: Ollie Masters, Ming Doyle | <strong>Ano: <\/strong>2019 | <strong>Dura\u00e7\u00e3o:<\/strong> 102 minutos | <strong>Elenco: <\/strong>Melissa McCarthy, Tiffany Haddish, Elizabeth Moss, Domhnall Gleeson, Common, James Badge Dale, Margo Matindale, Brian d\u00b4Arcy James, Wayne Duvall, Bill Camp, Alicia Coppola.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cN\u00e3o tem lugar para n\u00f3s no mercado.\u201d Ruby O\u00b4Carroll (Tiffany Haddish) Estreia de Andrea Berloff na dire\u00e7\u00e3o, Rainhas do Crime \u00e9 uma adapta\u00e7\u00e3o da s\u00e9rie&hellip; <\/p>\n","protected":false},"author":84,"featured_media":20108,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,392],"tags":[3343,3342,277,3344],"class_list":["post-20102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","category-estreia","tag-andrea-berloff","tag-hells-kitchen","tag-melissa-mccarthy","tag-tiffany-haddish"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | Rainhas do Crime (The Kitchen) [2019] - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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