{"id":19029,"date":"2019-06-02T18:49:53","date_gmt":"2019-06-02T21:49:53","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=19029"},"modified":"2019-09-23T02:29:17","modified_gmt":"2019-09-23T05:29:17","slug":"critica-ted-bundy-a-irresistivel-face-do-mal-extremely-wicked-shockingly-evil-and-vile-2019","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-ted-bundy-a-irresistivel-face-do-mal-extremely-wicked-shockingly-evil-and-vile-2019\/","title":{"rendered":"Cr\u00edtica | Ted Bundy: A Irresist\u00edvel Face do Mal (Extremely Wicked, Shockingly Evil and Vile) [2019]"},"content":{"rendered":"\n

Nota do filme:
<\/h3>\n\n\n\n
\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

H\u00e1 uma certa atra\u00e7\u00e3o por hist\u00f3rias de serial killers<\/em> e psicopatas que afetam o imagin\u00e1rio de grande parte das pessoas, na tentativa de compreender os motivos que levaram aquilo a acontecer, o fasc\u00ednio pela mente do indiv\u00edduo que cometeu os atos ou pela pr\u00f3pria mitologia que se montou em volta disso, o ineg\u00e1vel \u00e9, a curiosidade sempre est\u00e1 presente.<\/p>\n\n\n\n

\u201cCinebiografia de Ted Bundy (Zac Efron), serial killer que matou, pelo menos, 30 mulheres em sete estados norte-americanos durante a d\u00e9cada de 1970. S\u00f3 que o filme \u00e9 contado a partir do ponto de vista de sua namorada, Elizabeth (Lily Collins), que n\u00e3o tinha conhecimento de seus crimes.\u201d<\/em><\/p>\n\n\n\n

A pr\u00f3pria sinopse estabelece a regra primordial para contar a sua narrativa: utilizar o ponto de vista da namorada de Ted. Por\u00e9m, o que deveria ser seu ponto forte, se transforma em uma faca de dois gumes, pois essa \u00f3tica \u00fanica sabota o roteiro, al\u00e9m de elevar ao m\u00e1ximo que \u201co amor \u00e9 cego\u201d.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Com isso, o roteiro funciona ao utilizar essa regra pois deixa a audi\u00eancia no escuro sobre a situa\u00e7\u00e3o, igualmente com a personagem de Lily Collins, aliada de uma edi\u00e7\u00e3o r\u00e1pida, n\u00e3o elucidando os acontecimentos e nem os colocando na tela, apenas h\u00e1 a tentativa de Ted provar sua inoc\u00eancia a qualquer custo.<\/p>\n\n\n\n

Contudo, o roteiro se prejudica em dois pontos: no desenvolvimento de Elizabeth e na tentativa de for\u00e7ar um charme no Ted. No primeiro, ela se torna uma pessoa facilmente manipul\u00e1vel, soando pouco plaus\u00edvel pela hist\u00f3ria narrada, justificando essa escolha com a reviravolta canalha na parte final do longa, que, al\u00e9m de transform\u00e1-la no pior elemento da narrativa, h\u00e1 uma tentativa de torn\u00e1-la relevante apenas no terceiro ato, prejudicando ainda mais a sua constru\u00e7\u00e3o. O segundo prejudica a pr\u00f3pria atua\u00e7\u00e3o de Zac Efron, pois, quando o script<\/em> for\u00e7a essas situa\u00e7\u00f5es, por mais que o ator se destaque, soa falsa devido \u00e0 como isso foi apresentado.<\/p>\n\n\n\n

Ademais, Efron entrega a atua\u00e7\u00e3o mais madura da sua carreira, apesar de n\u00e3o ser excepcional, em que monta o psicopata com um tom de voz baixo, transmitindo o charme naturalmente e convencendo a audi\u00eancia e, principalmente, sua namorada.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Entretanto, a empatia que se cria por Ted n\u00e3o ocorre com Elizabeth, pois a edi\u00e7\u00e3o, que faz m\u00faltiplos cortes no in\u00edcio da narrativa, prejudica a apresenta\u00e7\u00e3o dos personagens, sendo que o personagem de Efron s\u00f3 se recupera por conta do grande tempo de tela que tem.<\/p>\n\n\n\n

Al\u00e9m disso, \u00e9 necess\u00e1rio ressaltar em como a fotografia trabalha a qu\u00edmica do casal, sempre na tentativa de ressaltar o laranja na tela quando o casal est\u00e1 em cena, mudando a tonalidade para ilustrar como est\u00e1 o relacionamento dos dois, al\u00e9m de alternar para o azul conforme eles v\u00e3o desgastando a rela\u00e7\u00e3o.<\/p>\n\n\n\n

Portanto, Extremely Wicked, Shockingly Evil and Vile <\/em>(sem t\u00edtulo oficial no Brasil), poderia ser um filme maior se n\u00e3o se sabotasse, pois conta uma \u00f3tima performance de Zac Efron, sendo o grande destaque do longa, em um tema no qual as pessoas t\u00eam interesse, o que seria excelente se os erros n\u00e3o fossem t\u00e3o aparentes.
<\/p>\n","protected":false},"excerpt":{"rendered":"

Um filme de Joe Berlinger, com Zac Efron e Lily Collins.<\/p>\n","protected":false},"author":69,"featured_media":19034,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[3195,2920,3196,678,57,1216],"class_list":["post-19029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-joe-berlinger","tag-john-malkovich","tag-kaya-scodelario","tag-lily-collins","tag-netflix","tag-zac-efron"],"yoast_head":"\nCr\u00edtica | Ted Bundy: A Irresist\u00edvel Face do Mal (Extremely Wicked, Shockingly Evil and Vile) [2019] - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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