{"id":18681,"date":"2019-05-15T08:34:24","date_gmt":"2019-05-15T11:34:24","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=18681"},"modified":"2020-01-25T14:57:08","modified_gmt":"2020-01-25T17:57:08","slug":"critica-uglydolls-2019","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/","title":{"rendered":"Cr\u00edtica | UglyDolls (2019)"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Nota do filme:<br><\/h3>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=300%2C60&#038;ssl=1\" alt=\"\" class=\"wp-image-12255\" width=\"300\" height=\"60\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota30.png?w=2370&amp;ssl=1 2370w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-drop-cap\">UglyDolls funciona como uma esp\u00e9cie de vers\u00e3o dist\u00f3pica de <em>Toy Story<\/em>, fazendo \u2013 como as distopias costumam fazer \u2013 coment\u00e1rios sobre a sociedade. N\u00e3o que eles sejam muito profundos, reflexivos, ou at\u00e9 mesmo originais, mas cumprem seu prop\u00f3sito, especialmente quando consideramos se tratar de uma produ\u00e7\u00e3o destinada ao p\u00fablico infantil.<\/p>\n\n\n\n<p>A hist\u00f3ria nos apresenta \u00e0 boneca Moxy (Kelly Clarkson na dublagem original\/Aline Wirley na vers\u00e3o nacional), habitante da cidade de Uglyville, um lugar destinado a brinquedos que, em fun\u00e7\u00e3o de alguma falha ocorrida no processo de fabrica\u00e7\u00e3o, foram considerados &#8220;imperfeitos&#8221; para o conv\u00edvio com humanos. Determinada a romper essa barreira, a personagem decide partir para o &#8220;mundo real&#8221;, enfrentando a resist\u00eancia do boneco Lou (Nick Jonas\/Jo\u00e3o C\u00f4rtes), l\u00edder do Instituto da Perfei\u00e7\u00e3o.<br><\/p>\n\n\n\n<p>Como no par\u00e1grafo anterior, o uso de termos como &#8220;perfei\u00e7\u00e3o&#8221;, &#8220;feio\/bonito&#8221;, &#8220;modelo&#8221; e &#8220;aprova\u00e7\u00e3o&#8221; \u00e9 uma constante ao longo do filme, cuja trama se estabelecer\u00e1 frequentemente nesses contrastes. E a posi\u00e7\u00e3o adotada pelo longa \u00e9 clara: h\u00e1 espa\u00e7o para todos e a diversidade de cores e formas enriquece o mundo. O que transforma o arco da protagonista em uma jornada pela auto aceita\u00e7\u00e3o por meio da compreens\u00e3o de que um brinquedo n\u00e3o precisa ser impec\u00e1vel para fazer uma crian\u00e7a feliz (o que lembra, inclusive, a iniciativa <a href=\"http:\/\/www.toylikeme.org\/\">Toy Like Me<\/a>).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"427\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BOGQ5ODYxZDQtMzQxMS00NDIwLTg5YTctZmNmYTE0MjViNTg4XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?resize=790%2C427&#038;ssl=1\" alt=\"\" class=\"wp-image-18684\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BOGQ5ODYxZDQtMzQxMS00NDIwLTg5YTctZmNmYTE0MjViNTg4XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BOGQ5ODYxZDQtMzQxMS00NDIwLTg5YTctZmNmYTE0MjViNTg4XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?resize=768%2C415&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><br><\/p>\n\n\n\n<p>Isso fica claro quando comparamos as casas e demais constru\u00e7\u00f5es de Uglyville com as do Instituto da Perfei\u00e7\u00e3o. Enquanto as do primeiro s\u00e3o plurais e alegres, retratando as diferentes realidades que residem naquele universo, as do segundo s\u00e3o padronizadas e sem gra\u00e7a. At\u00e9 mesmo a paleta de cores utilizada no cen\u00e1rio refor\u00e7a a interpreta\u00e7\u00e3o.<br><\/p>\n\n\n\n<p>Em contrapartida, o vil\u00e3o contribui para enfraquecer um pouco a hist\u00f3ria. Lou, al\u00e9m de ser desinteressante, parece nunca saber o que realmente quer fazer. Quando nos acostumamos com um plano seu, ele repentinamente muda de ideia e parte para outro. A quantidade de n\u00fameros musicais tamb\u00e9m acaba, por vezes, quebrando o ritmo do roteiro. Ademais, os efeitos digitais da anima\u00e7\u00e3o n\u00e3o chegam a ser impressionantes.<\/p>\n\n\n\n<p>Por fim, contando com refer\u00eancias a Oliver Twist e Leonardo da Vinci, <em>UglyDolls<\/em> refor\u00e7a uma tem\u00e1tica que, mesmo n\u00e3o aprofundada, pode e deve servir de li\u00e7\u00e3o para as pessoas desde cedo. E sair de sess\u00f5es com crian\u00e7as empolgadas com a narrativa \u00e9 um \u00f3timo sinal de que o objetivo foi alcan\u00e7ado. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>UglyDolls funciona como uma esp\u00e9cie de vers\u00e3o dist\u00f3pica de Toy Story, fazendo \u2013 como as distopias costumam fazer \u2013 coment\u00e1rios sobre a sociedade. N\u00e3o que&hellip; <\/p>\n","protected":false},"author":81,"featured_media":18682,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,392],"tags":[2740,3164,937,3165,3163,1192],"class_list":["post-18681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","category-estreia","tag-2740","tag-aline-wirley","tag-animacao","tag-joao-cortes","tag-kelly-clarkson","tag-nick-jonas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | UglyDolls (2019) - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica | UglyDolls (2019) - cine\" \/>\n<meta property=\"og:description\" content=\"UglyDolls funciona como uma esp\u00e9cie de vers\u00e3o dist\u00f3pica de Toy Story, fazendo \u2013 como as distopias costumam fazer \u2013 coment\u00e1rios sobre a sociedade. N\u00e3o que&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/\" \/>\n<meta property=\"og:site_name\" content=\"cine\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/oficialcinematologia\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-15T11:34:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-25T17:57:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ@._V1_.jpg?fit=1200%2C649&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"649\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Vin\u00edcius Sim\u00f5es\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:site\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Vin\u00edcius Sim\u00f5es\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/\"},\"author\":{\"name\":\"Vin\u00edcius Sim\u00f5es\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/e874fbe8a45ad3826e26bc51770fe326\"},\"headline\":\"Cr\u00edtica | UglyDolls (2019)\",\"datePublished\":\"2019-05-15T11:34:24+00:00\",\"dateModified\":\"2020-01-25T17:57:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/\"},\"wordCount\":432,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?fit=1200%2C649&ssl=1\",\"keywords\":[\"2019\",\"Aline Wirley\",\"Anima\u00e7\u00e3o\",\"Jo\u00e3o C\u00f4rtes\",\"Kelly Clarkson\",\"Nick Jonas\"],\"articleSection\":[\"Cr\u00edtica\",\"Estreia\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/\",\"name\":\"Cr\u00edtica | UglyDolls (2019) - cine\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?fit=1200%2C649&ssl=1\",\"datePublished\":\"2019-05-15T11:34:24+00:00\",\"dateModified\":\"2020-01-25T17:57:08+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?fit=1200%2C649&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?fit=1200%2C649&ssl=1\",\"width\":1200,\"height\":649},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/cinematologia.com.br\/cine\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cr\u00edtica | UglyDolls (2019)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"name\":\"cine\",\"description\":\"Conectando pessoas ao mundo da tv.\",\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\",\"name\":\"cine\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"width\":600,\"height\":198,\"caption\":\"cine\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"http:\/\/facebook.com\/oficialcinematologia\",\"https:\/\/x.com\/cinematologia\",\"http:\/\/instagram.com\/cinematologia\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/e874fbe8a45ad3826e26bc51770fe326\",\"name\":\"Vin\u00edcius Sim\u00f5es\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/00084195448078702df9d288e4a165f7731bb057d90e978f64f31bdbc87974b2?s=96&d=blank&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/00084195448078702df9d288e4a165f7731bb057d90e978f64f31bdbc87974b2?s=96&d=blank&r=g\",\"caption\":\"Vin\u00edcius Sim\u00f5es\"},\"description\":\"Historiador que acredita que a vida fica mais f\u00e1cil quando vamos ao cinema. https:\/\/letterboxd.com\/vsimoes\/\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/author\/vncssms\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cr\u00edtica | UglyDolls (2019) - cine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/","og_locale":"pt_BR","og_type":"article","og_title":"Cr\u00edtica | UglyDolls (2019) - cine","og_description":"UglyDolls funciona como uma esp\u00e9cie de vers\u00e3o dist\u00f3pica de Toy Story, fazendo \u2013 como as distopias costumam fazer \u2013 coment\u00e1rios sobre a sociedade. N\u00e3o que&hellip;","og_url":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/","og_site_name":"cine","article_publisher":"http:\/\/facebook.com\/oficialcinematologia","article_published_time":"2019-05-15T11:34:24+00:00","article_modified_time":"2020-01-25T17:57:08+00:00","og_image":[{"width":1200,"height":649,"url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ@._V1_.jpg?fit=1200%2C649&ssl=1","type":"image\/jpeg"}],"author":"Vin\u00edcius Sim\u00f5es","twitter_card":"summary_large_image","twitter_creator":"@cinematologia","twitter_site":"@cinematologia","twitter_misc":{"Escrito por":"Vin\u00edcius Sim\u00f5es","Est. tempo de leitura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#article","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/"},"author":{"name":"Vin\u00edcius Sim\u00f5es","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/e874fbe8a45ad3826e26bc51770fe326"},"headline":"Cr\u00edtica | UglyDolls (2019)","datePublished":"2019-05-15T11:34:24+00:00","dateModified":"2020-01-25T17:57:08+00:00","mainEntityOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/"},"wordCount":432,"commentCount":0,"publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?fit=1200%2C649&ssl=1","keywords":["2019","Aline Wirley","Anima\u00e7\u00e3o","Jo\u00e3o C\u00f4rtes","Kelly Clarkson","Nick Jonas"],"articleSection":["Cr\u00edtica","Estreia"],"inLanguage":"pt-BR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/","url":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/","name":"Cr\u00edtica | UglyDolls (2019) - cine","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/#website"},"primaryImageOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#primaryimage"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?fit=1200%2C649&ssl=1","datePublished":"2019-05-15T11:34:24+00:00","dateModified":"2020-01-25T17:57:08+00:00","breadcrumb":{"@id":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/"]}]},{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#primaryimage","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?fit=1200%2C649&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?fit=1200%2C649&ssl=1","width":1200,"height":649},{"@type":"BreadcrumbList","@id":"https:\/\/cinematologia.com.br\/cine\/critica-uglydolls-2019\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/cinematologia.com.br\/cine\/"},{"@type":"ListItem","position":2,"name":"Cr\u00edtica | UglyDolls (2019)"}]},{"@type":"WebSite","@id":"https:\/\/cinematologia.com.br\/cine\/#website","url":"https:\/\/cinematologia.com.br\/cine\/","name":"cine","description":"Conectando pessoas ao mundo da tv.","publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pt-BR"},{"@type":"Organization","@id":"https:\/\/cinematologia.com.br\/cine\/#organization","name":"cine","url":"https:\/\/cinematologia.com.br\/cine\/","logo":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","width":600,"height":198,"caption":"cine"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/"},"sameAs":["http:\/\/facebook.com\/oficialcinematologia","https:\/\/x.com\/cinematologia","http:\/\/instagram.com\/cinematologia"]},{"@type":"Person","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/e874fbe8a45ad3826e26bc51770fe326","name":"Vin\u00edcius Sim\u00f5es","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/00084195448078702df9d288e4a165f7731bb057d90e978f64f31bdbc87974b2?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/00084195448078702df9d288e4a165f7731bb057d90e978f64f31bdbc87974b2?s=96&d=blank&r=g","caption":"Vin\u00edcius Sim\u00f5es"},"description":"Historiador que acredita que a vida fica mais f\u00e1cil quando vamos ao cinema. https:\/\/letterboxd.com\/vsimoes\/","url":"https:\/\/cinematologia.com.br\/cine\/author\/vncssms\/"}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/MV5BY2IxZTIzZDMtZmE3ZS00M2QyLTg0NDYtNTc1M2JjNmU0NzE1XkEyXkFqcGdeQXVyOTA4NTg4NzQ%40._V1_.jpg?fit=1200%2C649&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p95f5H-4Rj","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/18681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/users\/81"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/comments?post=18681"}],"version-history":[{"count":5,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/18681\/revisions"}],"predecessor-version":[{"id":23245,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/18681\/revisions\/23245"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media\/18682"}],"wp:attachment":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media?parent=18681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/categories?post=18681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/tags?post=18681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}