{"id":18673,"date":"2019-05-15T13:24:15","date_gmt":"2019-05-15T16:24:15","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=18673"},"modified":"2019-05-25T13:02:16","modified_gmt":"2019-05-25T16:02:16","slug":"hellboy-2019","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/","title":{"rendered":"Cr\u00edtica | Hellboy (2019)"},"content":{"rendered":"\n

Nota do Filme:\"\"<\/h3>\n\n\n\n

Hellboy (2019) \u00e9 um daqueles filmes que fazem rir de nervoso. Criaturas demon\u00edacas e fluidos corporais de toda esp\u00e9cie com uma dose de horror e com\u00e9dia se misturam em medidas extravagantes nessa fantasia nada convencional.
<\/p>\n\n\n\n

Depois da sequ\u00eancia \u2018Hellboy\u2019 do aclamado e oscarizado Guillermo Del Toro, lan\u00e7adas em 2003 e 2008 respectivamente, chega ao cinema uma nova vers\u00e3o do longa, com efeitos especiais mais modernos, sob a dire\u00e7\u00e3o de Neil Marshall<\/a>.  E as caras novas n\u00e3o aparecem apenas atr\u00e1s das c\u00e2meras. Quem encarna o papel do protagonista dessa vez \u00e9 David Harbour \u2014 o Hopper de Stranger Things.
<\/p>\n\n\n\n

A ess\u00eancia da hist\u00f3ria \u00e9 a mesma dos filmes de Del Toro \u2014 baseada nos quadrinhos de Mike Mignola. Invocado das profundezas do inferno por nazistas para derrotar os Aliados na Segunda Guerra Mundial, Hellboy \u00e9 salvo pelos americanos e adotado pelo professor Broom (Ian McShane), que o educa como um filho.  Ao mesmo tempo, ele tamb\u00e9m \u00e9 treinado como uma arma para lutar contra outras criaturas sa\u00eddas do inferno.
<\/p>\n\n\n\n

Agora, al\u00e9m de seres m\u00edticos sa\u00eddos do inferno, novos personagens se juntam a Hellboy na ca\u00e7ada \u00e0 Nimue,\u201cThe Bloody Queen\u201d (Milla Jovovich). A vil\u00e3 \u00e9 uma poderosa bruxa que, 1500 anos ap\u00f3s ser derrotada pela Excalibur, volta a se tornar uma amea\u00e7a aos mortais. Sim! Aquela Excalibur, a espada da lenda arturiana. A hist\u00f3ria do Rei Arthur se entrela\u00e7a com a de Hellboy, fadas, videntes e ogros gigantes. A jovem Alice (Sasha Lane) e o agente secreto Major Ben Daimio (Daniel Dae Kim), s\u00e3o seus parceiros de miss\u00e3o. Juntos, o trio desajustado tenta impedir o triunfo de Nimue e o inferno na terra \u2014 quase literalmente. <\/p>\n\n\n\n


<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Ao som do bom e velho rock’n’roll, o filme transita de engra\u00e7ado a assustador com certa rapidez. N\u00e3o deixa de ser divertido e, por ser uma experi\u00eancia quase que totalmente visual, vale mais a pena assistir no cinema. Os efeitos sonoros das criaturas pegajosas e das v\u00edsceras se partindo s\u00e3o estridentes. S\u00f3 que, o que poderia ser um deleite visual acaba se tornando viol\u00eancia gratuita e corpos dilacerados para todo lado.
<\/p>\n\n\n\n

Neil Marshall exagera na medida, mesmo sendo um filme cujo protagonista \u00e9 o pr\u00f3prio dem\u00f4nio. Por mais que se espere uma certa dose de humor-negro, as cenas acabam se tornando repetitivas. A trilha sonora embala o ritmo, at\u00e9 que os recursos visuais e sonoros se esgotam dentro de um roteiro acelerado demais. Mesmo assim, vale \u00e0 pena procurar uma playlist de Hellboy (2019).
<\/p>\n","protected":false},"excerpt":{"rendered":"

As portas do inferno se abrem mais uma vez.<\/p>\n","protected":false},"author":41,"featured_media":18787,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,392],"tags":[2740,48,1099,3162,3161],"class_list":["post-18673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","category-estreia","tag-2740","tag-david-harbour","tag-hellboy","tag-milla-jovovich","tag-neil-marshall"],"yoast_head":"\nCr\u00edtica | Hellboy (2019) - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica | Hellboy (2019) - cine\" \/>\n<meta property=\"og:description\" content=\"As portas do inferno se abrem mais uma vez.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/\" \/>\n<meta property=\"og:site_name\" content=\"cine\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/oficialcinematologia\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-15T16:24:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-25T16:02:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"474\" \/>\n\t<meta property=\"og:image:height\" content=\"360\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Cinematologia\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:site\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Cinematologia\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/\"},\"author\":{\"name\":\"Cinematologia\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/d1fd42d3b191f08a5b8a593912f30427\"},\"headline\":\"Cr\u00edtica | Hellboy (2019)\",\"datePublished\":\"2019-05-15T16:24:15+00:00\",\"dateModified\":\"2019-05-25T16:02:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/\"},\"wordCount\":431,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1\",\"keywords\":[\"2019\",\"David Harbour\",\"hellboy\",\"Milla Jovovich\",\"neil marshall\"],\"articleSection\":[\"Cr\u00edtica\",\"Estreia\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/\",\"name\":\"Cr\u00edtica | Hellboy (2019) - cine\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1\",\"datePublished\":\"2019-05-15T16:24:15+00:00\",\"dateModified\":\"2019-05-25T16:02:16+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1\",\"width\":474,\"height\":360},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/cinematologia.com.br\/cine\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cr\u00edtica | Hellboy (2019)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"name\":\"cine\",\"description\":\"Conectando pessoas ao mundo da tv.\",\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\",\"name\":\"cine\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"width\":600,\"height\":198,\"caption\":\"cine\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"http:\/\/facebook.com\/oficialcinematologia\",\"https:\/\/x.com\/cinematologia\",\"http:\/\/instagram.com\/cinematologia\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/d1fd42d3b191f08a5b8a593912f30427\",\"name\":\"Cinematologia\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/659c36c13c2c34f17885a1769d931f255b624843a333ddb35d334b18d7d808ec?s=96&d=blank&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/659c36c13c2c34f17885a1769d931f255b624843a333ddb35d334b18d7d808ec?s=96&d=blank&r=g\",\"caption\":\"Cinematologia\"},\"url\":\"https:\/\/cinematologia.com.br\/cine\/author\/arquivo-cinematologia\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cr\u00edtica | Hellboy (2019) - cine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/","og_locale":"pt_BR","og_type":"article","og_title":"Cr\u00edtica | Hellboy (2019) - cine","og_description":"As portas do inferno se abrem mais uma vez.","og_url":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/","og_site_name":"cine","article_publisher":"http:\/\/facebook.com\/oficialcinematologia","article_published_time":"2019-05-15T16:24:15+00:00","article_modified_time":"2019-05-25T16:02:16+00:00","og_image":[{"width":474,"height":360,"url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1","type":"image\/jpeg"}],"author":"Cinematologia","twitter_card":"summary_large_image","twitter_creator":"@cinematologia","twitter_site":"@cinematologia","twitter_misc":{"Escrito por":"Cinematologia","Est. tempo de leitura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#article","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/"},"author":{"name":"Cinematologia","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/d1fd42d3b191f08a5b8a593912f30427"},"headline":"Cr\u00edtica | Hellboy (2019)","datePublished":"2019-05-15T16:24:15+00:00","dateModified":"2019-05-25T16:02:16+00:00","mainEntityOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/"},"wordCount":431,"commentCount":0,"publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1","keywords":["2019","David Harbour","hellboy","Milla Jovovich","neil marshall"],"articleSection":["Cr\u00edtica","Estreia"],"inLanguage":"pt-BR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/","url":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/","name":"Cr\u00edtica | Hellboy (2019) - cine","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/#website"},"primaryImageOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#primaryimage"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1","datePublished":"2019-05-15T16:24:15+00:00","dateModified":"2019-05-25T16:02:16+00:00","breadcrumb":{"@id":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/"]}]},{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#primaryimage","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1","width":474,"height":360},{"@type":"BreadcrumbList","@id":"https:\/\/cinematologia.com.br\/cine\/hellboy-2019\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/cinematologia.com.br\/cine\/"},{"@type":"ListItem","position":2,"name":"Cr\u00edtica | Hellboy (2019)"}]},{"@type":"WebSite","@id":"https:\/\/cinematologia.com.br\/cine\/#website","url":"https:\/\/cinematologia.com.br\/cine\/","name":"cine","description":"Conectando pessoas ao mundo da tv.","publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pt-BR"},{"@type":"Organization","@id":"https:\/\/cinematologia.com.br\/cine\/#organization","name":"cine","url":"https:\/\/cinematologia.com.br\/cine\/","logo":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","width":600,"height":198,"caption":"cine"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/"},"sameAs":["http:\/\/facebook.com\/oficialcinematologia","https:\/\/x.com\/cinematologia","http:\/\/instagram.com\/cinematologia"]},{"@type":"Person","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/d1fd42d3b191f08a5b8a593912f30427","name":"Cinematologia","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/659c36c13c2c34f17885a1769d931f255b624843a333ddb35d334b18d7d808ec?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/659c36c13c2c34f17885a1769d931f255b624843a333ddb35d334b18d7d808ec?s=96&d=blank&r=g","caption":"Cinematologia"},"url":"https:\/\/cinematologia.com.br\/cine\/author\/arquivo-cinematologia\/"}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/05\/Capa-1.jpg?fit=474%2C360&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p95f5H-4Rb","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/18673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/comments?post=18673"}],"version-history":[{"count":3,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/18673\/revisions"}],"predecessor-version":[{"id":18698,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/18673\/revisions\/18698"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media\/18787"}],"wp:attachment":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media?parent=18673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/categories?post=18673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/tags?post=18673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}