{"id":17610,"date":"2019-04-05T20:00:01","date_gmt":"2019-04-05T23:00:01","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=17610"},"modified":"2019-04-02T12:13:57","modified_gmt":"2019-04-02T15:13:57","slug":"cineindica-queer-eye","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/","title":{"rendered":"#CineIndica | Queer Eye"},"content":{"rendered":"\n<p>A indica\u00e7\u00e3o de hoje \u00e9 o reboot do cl\u00e1ssico dos anos\n2000, originalmente chamado de Queer Eye for the Straight Guy. Em ambos\nrealities, um grupo de cinco homossexuais, o Fab Five, promove uma completa\ntransforma\u00e7\u00e3o na vida de algu\u00e9m.<\/p>\n\n\n\n<p>Com tr\u00eas temporadas na Netflix, o reboot se consolidou\nna grade e \u00e9 um sucesso nas redes sociais, fazendo o p\u00fablico chorar em todo\nepis\u00f3dio.<\/p>\n\n\n\n<p>A transforma\u00e7\u00e3o ocorre em cinco etapas. Antoni \u00e9 o especialista\nem vinho e comida, Jonathan em cuidados pessoais, Karamo em cultura, Tan \u00e9\nrespons\u00e1vel pela moda e Bobby \u00e9 especialista em design de interiores.<\/p>\n\n\n\n<p>Fica claro que a transforma\u00e7\u00e3o feita pelo Fab Five vai\nal\u00e9m das apar\u00eancias e \u00e9 isso que prende o telespectador, pois sempre \u00e9 poss\u00edvel\nse identificar com alguma das hist\u00f3rias mostradas.<\/p>\n\n\n\n<p>A recep\u00e7\u00e3o foi t\u00e3o boa que al\u00e9m das temporadas\nregulares com oito epis\u00f3dios, j\u00e1 est\u00e1 sendo produzido um especial em que o\ngrupo vai para o Jap\u00e3o.<\/p>\n\n\n\n<p>Nas redes sociais do reality \u00e9 poss\u00edvel acompanhar o depois\nde alguns casos e como a ajuda foi mesmo mais que uma simples transforma\u00e7\u00e3o,\nmas sim mudan\u00e7as definitivas de h\u00e1bitos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A indica\u00e7\u00e3o de hoje \u00e9 o reboot do cl\u00e1ssico dos anos 2000, originalmente chamado de Queer Eye for the Straight Guy. Em ambos realities, um&hellip; <\/p>\n","protected":false},"author":17,"featured_media":17611,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2435,789],"tags":[],"class_list":["post-17610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cineindica","category-indicacoes"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>#CineIndica | Queer Eye - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#CineIndica | Queer Eye\" \/>\n<meta property=\"og:description\" content=\"A indica\u00e7\u00e3o de hoje \u00e9 o reboot do cl\u00e1ssico dos anos 2000, originalmente chamado de Queer Eye for the Straight Guy. Em ambos realities, um grupo de cinco homossexuais, o Fab Five, promove uma completa transforma\u00e7\u00e3o na vida de algu\u00e9m.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/\" \/>\n<meta property=\"og:site_name\" content=\"cine\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/oficialcinematologia\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-05T23:00:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i1.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"580\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ingrid Zamengo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"#CineIndica | Queer Eye\" \/>\n<meta name=\"twitter:description\" content=\"A indica\u00e7\u00e3o de hoje \u00e9 o reboot do cl\u00e1ssico dos anos 2000, originalmente chamado de Queer Eye for the Straight Guy. Em ambos realities, um grupo de cinco homossexuais, o Fab Five, promove uma completa transforma\u00e7\u00e3o na vida de algu\u00e9m.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1\" \/>\n<meta name=\"twitter:creator\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:site\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ingrid Zamengo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/\"},\"author\":{\"name\":\"Ingrid Zamengo\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/8beeb9193a9b6fe0a7d59324425ac792\"},\"headline\":\"#CineIndica | Queer Eye\",\"datePublished\":\"2019-04-05T23:00:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/\"},\"wordCount\":204,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1\",\"articleSection\":[\"#CineIndica\",\"Indica\u00e7\u00f5es\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/\",\"name\":\"#CineIndica | Queer Eye - cine\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1\",\"datePublished\":\"2019-04-05T23:00:01+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1\",\"width\":800,\"height\":580},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/cinematologia.com.br\/cine\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"#CineIndica | Queer Eye\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#website\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"name\":\"cine\",\"description\":\"Conectando pessoas ao mundo da tv.\",\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\",\"name\":\"cine\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1\",\"width\":600,\"height\":198,\"caption\":\"cine\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"http:\/\/facebook.com\/oficialcinematologia\",\"https:\/\/x.com\/cinematologia\",\"http:\/\/instagram.com\/cinematologia\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/8beeb9193a9b6fe0a7d59324425ac792\",\"name\":\"Ingrid Zamengo\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/e3524189e60a5068e42aee64ae656be3d42dc10e65a386391f1be75b447694f2?s=96&d=blank&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/e3524189e60a5068e42aee64ae656be3d42dc10e65a386391f1be75b447694f2?s=96&d=blank&r=g\",\"caption\":\"Ingrid Zamengo\"},\"description\":\"Editora da p\u00e1gina e autora da coluna Cinematologia Indica. De Disney at\u00e9 Tarantino. De Friends at\u00e9 Orange Is the New Black. Uma pessoa que adora explorar cada cantinho da Netflix. Basicamente uma vida created by Shonda Rhimes.\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/author\/grids-grids\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"#CineIndica | Queer Eye - cine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/","og_locale":"pt_BR","og_type":"article","og_title":"#CineIndica | Queer Eye","og_description":"A indica\u00e7\u00e3o de hoje \u00e9 o reboot do cl\u00e1ssico dos anos 2000, originalmente chamado de Queer Eye for the Straight Guy. Em ambos realities, um grupo de cinco homossexuais, o Fab Five, promove uma completa transforma\u00e7\u00e3o na vida de algu\u00e9m.","og_url":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/","og_site_name":"cine","article_publisher":"http:\/\/facebook.com\/oficialcinematologia","article_published_time":"2019-04-05T23:00:01+00:00","og_image":[{"width":800,"height":580,"url":"https:\/\/i1.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1","type":"image\/jpeg"}],"author":"Ingrid Zamengo","twitter_card":"summary_large_image","twitter_title":"#CineIndica | Queer Eye","twitter_description":"A indica\u00e7\u00e3o de hoje \u00e9 o reboot do cl\u00e1ssico dos anos 2000, originalmente chamado de Queer Eye for the Straight Guy. Em ambos realities, um grupo de cinco homossexuais, o Fab Five, promove uma completa transforma\u00e7\u00e3o na vida de algu\u00e9m.","twitter_image":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1","twitter_creator":"@cinematologia","twitter_site":"@cinematologia","twitter_misc":{"Escrito por":"Ingrid Zamengo","Est. tempo de leitura":"1 minuto"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#article","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/"},"author":{"name":"Ingrid Zamengo","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/8beeb9193a9b6fe0a7d59324425ac792"},"headline":"#CineIndica | Queer Eye","datePublished":"2019-04-05T23:00:01+00:00","mainEntityOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/"},"wordCount":204,"commentCount":0,"publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1","articleSection":["#CineIndica","Indica\u00e7\u00f5es"],"inLanguage":"pt-BR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/","url":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/","name":"#CineIndica | Queer Eye - cine","isPartOf":{"@id":"https:\/\/cinematologia.com.br\/cine\/#website"},"primaryImageOfPage":{"@id":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#primaryimage"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1","datePublished":"2019-04-05T23:00:01+00:00","breadcrumb":{"@id":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/"]}]},{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#primaryimage","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1","width":800,"height":580},{"@type":"BreadcrumbList","@id":"https:\/\/cinematologia.com.br\/cine\/cineindica-queer-eye\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/cinematologia.com.br\/cine\/"},{"@type":"ListItem","position":2,"name":"#CineIndica | Queer Eye"}]},{"@type":"WebSite","@id":"https:\/\/cinematologia.com.br\/cine\/#website","url":"https:\/\/cinematologia.com.br\/cine\/","name":"cine","description":"Conectando pessoas ao mundo da tv.","publisher":{"@id":"https:\/\/cinematologia.com.br\/cine\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cinematologia.com.br\/cine\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pt-BR"},{"@type":"Organization","@id":"https:\/\/cinematologia.com.br\/cine\/#organization","name":"cine","url":"https:\/\/cinematologia.com.br\/cine\/","logo":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","contentUrl":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2024\/03\/cropped-header-roxo.png?fit=600%2C198&ssl=1","width":600,"height":198,"caption":"cine"},"image":{"@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/logo\/image\/"},"sameAs":["http:\/\/facebook.com\/oficialcinematologia","https:\/\/x.com\/cinematologia","http:\/\/instagram.com\/cinematologia"]},{"@type":"Person","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/8beeb9193a9b6fe0a7d59324425ac792","name":"Ingrid Zamengo","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/e3524189e60a5068e42aee64ae656be3d42dc10e65a386391f1be75b447694f2?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e3524189e60a5068e42aee64ae656be3d42dc10e65a386391f1be75b447694f2?s=96&d=blank&r=g","caption":"Ingrid Zamengo"},"description":"Editora da p\u00e1gina e autora da coluna Cinematologia Indica. De Disney at\u00e9 Tarantino. De Friends at\u00e9 Orange Is the New Black. Uma pessoa que adora explorar cada cantinho da Netflix. Basicamente uma vida created by Shonda Rhimes.","url":"https:\/\/cinematologia.com.br\/cine\/author\/grids-grids\/"}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/04\/queer-eye.jpg?fit=800%2C580&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p95f5H-4A2","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/17610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/comments?post=17610"}],"version-history":[{"count":0,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/posts\/17610\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media\/17611"}],"wp:attachment":[{"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/media?parent=17610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/categories?post=17610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematologia.com.br\/cine\/wp-json\/wp\/v2\/tags?post=17610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}