{"id":15951,"date":"2019-01-27T13:05:45","date_gmt":"2019-01-27T16:05:45","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=15951"},"modified":"2019-01-28T14:26:10","modified_gmt":"2019-01-28T17:26:10","slug":"10-filmes-esnobados-pelo-oscar-2019","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/10-filmes-esnobados-pelo-oscar-2019\/","title":{"rendered":"10 filmes esnobados pelo Oscar 2019"},"content":{"rendered":"\n<p class=\"has-drop-cap\">Anualmente, a lista de indicados ao pr\u00eamio mais famoso do cinema n\u00e3o consegue satisfazer todo o p\u00fablico, incluindo na lista final escolhas bastante duvidosas, sempre deixando uma sensa\u00e7\u00e3o de que est\u00e1 faltando algum filme, al\u00e9m de que sempre a Academia deixa filmes melhores fora da competi\u00e7\u00e3o pelo Oscar pois pode consider\u00e1-lo subversivo demais ou com uma proposta diferente da do padr\u00e3o da premia\u00e7\u00e3o. Sem mais delongas, confira dez filmes que poderiam ter abocanhado uma indica\u00e7\u00e3o no Oscar:<\/p>\n\n\n\n<p><strong> Aniquila\u00e7\u00e3o (Annihilation)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/5zfVNTrkhMu673zma6qhFzG01ig.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-15958\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/5zfVNTrkhMu673zma6qhFzG01ig.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/5zfVNTrkhMu673zma6qhFzG01ig.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/5zfVNTrkhMu673zma6qhFzG01ig.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/5zfVNTrkhMu673zma6qhFzG01ig.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/5zfVNTrkhMu673zma6qhFzG01ig.jpg?w=1580&amp;ssl=1 1580w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><em>Uma bi\u00f3loga se junta a uma expedi\u00e7\u00e3o secreta com outras tr\u00eas mulheres em uma regi\u00e3o conhecida como \u00c1rea X, um local isolado da civiliza\u00e7\u00e3o onde as leis da natureza n\u00e3o se aplicam. L\u00e1, ela precisa lidar com uma misteriosa contamina\u00e7\u00e3o, um animal mortal e ainda procura por pistas de colegas que desaparecem, incluindo seu marido. <\/em><\/p>\n\n\n\n<p><strong>Dirigido por:<\/strong>&nbsp;Alex Garland |&nbsp;<strong>Ano:<\/strong>&nbsp;2018 |&nbsp;<strong>Tempo:<\/strong>&nbsp;115 minutos |&nbsp;<strong>Elenco:&nbsp;<\/strong>Natalie Portman,&nbsp;Jennifer Jason Leigh,&nbsp;Gina Rodriguez <\/p>\n\n\n\n<p><strong>Voc\u00ea Nunca Esteve Realmente Aqui (You Were Never Really Here)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/you-were-never-really-here-1522792659914_1280w.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-15957\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/you-were-never-really-here-1522792659914_1280w.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/you-were-never-really-here-1522792659914_1280w.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/you-were-never-really-here-1522792659914_1280w.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/you-were-never-really-here-1522792659914_1280w.jpg?w=1280&amp;ssl=1 1280w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><em>Um homem, veterano de guerra, ganha a vida resgatando mulheres presas em cativeiros trabalhando como escravas sexuais. Ap\u00f3s uma miss\u00e3o mal sucedida em um bordel de Manhattan, no entanto, a opini\u00e3o p\u00fablica se torna contra ele e uma onda de viol\u00eancia se abate na regi\u00e3o. <\/em><\/p>\n\n\n\n<p><strong>Dirigido por:<\/strong>&nbsp;Lynne Ramsay |&nbsp;<strong>Ano:<\/strong>&nbsp;2017 |&nbsp;<strong>Tempo:<\/strong>&nbsp;90 minutos |&nbsp;<strong>Elenco:&nbsp;<\/strong>&nbsp;Joaquin Phoenix,&nbsp;Ekaterina Samsonov,&nbsp;John Doman <\/p>\n\n\n\n<p><strong>Oitava&nbsp;S\u00e9rie&nbsp;(Eighth&nbsp;Grade)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"593\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BOWFmZjhhMjEtYmM5ZS00NDA1LTgyYWQtY2Q0OGU3MjU1YmI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_CR0013331000_AL_.jpg?resize=790%2C593&#038;ssl=1\" alt=\"\" class=\"wp-image-15243\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BOWFmZjhhMjEtYmM5ZS00NDA1LTgyYWQtY2Q0OGU3MjU1YmI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_CR0013331000_AL_.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BOWFmZjhhMjEtYmM5ZS00NDA1LTgyYWQtY2Q0OGU3MjU1YmI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_CR0013331000_AL_.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BOWFmZjhhMjEtYmM5ZS00NDA1LTgyYWQtY2Q0OGU3MjU1YmI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_CR0013331000_AL_.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BOWFmZjhhMjEtYmM5ZS00NDA1LTgyYWQtY2Q0OGU3MjU1YmI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_CR0013331000_AL_.jpg?w=1333&amp;ssl=1 1333w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><em>Kayla, de 13 anos, como toda jovem do sub\u00farbio americano, sofre na \u00faltima semana do ensino fundamental &#8211; o fim de seu at\u00e9 agora desastroso ano da oitava s\u00e9rie\/nono ano &#8211; antes de come\u00e7ar a frequentar uma escola nova no ensino m\u00e9dio. <\/em><\/p>\n\n\n\n<p><strong>Dirigido por:<\/strong>&nbsp;Bo Burnham |&nbsp;<strong>Ano:<\/strong>&nbsp;2018 |&nbsp;<strong>Tempo:<\/strong>&nbsp;94 minutos |&nbsp;<strong>Elenco:&nbsp;<\/strong>Elsie Fisher,&nbsp;Daniel Zolghadri,&nbsp;Deborah Kara Unger<\/p>\n\n\n\n<p>Voc\u00ea pode conferir a cr\u00edtica desse filme <a href=\"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/\">aqui.<\/a><\/p>\n\n\n\n<p><strong>Sem&nbsp;Rastros&nbsp;(Leave&nbsp;No&nbsp;Trace)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"420\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/1260x671.jpg?resize=790%2C420&#038;ssl=1\" alt=\"\" class=\"wp-image-15962\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/1260x671.jpg?resize=1024%2C545&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/1260x671.jpg?resize=300%2C160&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/1260x671.jpg?resize=768%2C409&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/1260x671.jpg?w=1260&amp;ssl=1 1260w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><em>Will e sua filha adolescente, Tom, viveram felizes e indetectados pelas autoridades durante anos em uma vasta reserva na fronteira de Portland, nos EUA. Ap\u00f3s um encontro inesperado, eles s\u00e3o retirados do acampamento e colocados sob a responsabilidade do servi\u00e7o social. Will e Tom tentam retornar ao mundo selvagem enquanto s\u00e3o for\u00e7ados a lidar com desejos conflitantes. <\/em><\/p>\n\n\n\n<p><strong>Dirigido por:<\/strong>\u00a0Debra Granik |\u00a0<strong>Ano:<\/strong>\u00a02018 |\u00a0<strong>Tempo:<\/strong>\u00a0109 minutos |\u00a0<strong>Elenco:<\/strong>\u00a0Thomasin McKenzie,\u00a0Ben Foster,\u00a0Jeff Kober<\/p>\n\n\n\n<p>Voc\u00ea pode conferir a cr\u00edtica desse filme <a href=\"https:\/\/cinematologia.com.br\/cine\/critica-sem-rastros-leave-no-trace\/\">aqui.<\/a><\/p>\n\n\n\n<p><strong>Mandy&nbsp;(Mandy)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/Mandy-Movie-Review-1920x1080.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-15956\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/Mandy-Movie-Review-1920x1080.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/Mandy-Movie-Review-1920x1080.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/Mandy-Movie-Review-1920x1080.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/Mandy-Movie-Review-1920x1080.jpg?resize=1920%2C1080&amp;ssl=1 1920w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/Mandy-Movie-Review-1920x1080.jpg?w=1580&amp;ssl=1 1580w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><em>Em algum lugar no deserto primitivo perto das Montanhas das Sombras, no ano de 1983, Red Miller e sua esposa Mandy vivem uma vida tranquila. Depois que uma seita religiosa invade o local e mata o amor de sua vida, Red vive apenas por uma coisa: ca\u00e7ar esses man\u00edacos e exigir vingan\u00e7a. <\/em><\/p>\n\n\n\n<p><strong>Dirigido por:<\/strong>&nbsp;Panos Cosmatos |&nbsp;<strong>Ano:<\/strong>&nbsp;2018 |&nbsp;<strong>Tempo:<\/strong>&nbsp;121 minutos |&nbsp;<strong>Elenco:<\/strong>&nbsp;Nicolas Cage,&nbsp;Andrea Riseborough,&nbsp;Linus Roache <\/p>\n\n\n\n<p><strong>The&nbsp;Old&nbsp;Man&nbsp;And&nbsp;The&nbsp;Gun<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/image.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-15733\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/image.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/image.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/image.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/image.jpg?w=1280&amp;ssl=1 1280w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><em>Preciso, gentil e carism\u00e1tico, Forrest Trucker domina com maestria a arte de assaltar bancos. Aos 70 anos de idade, o senhor conseguiu a fa\u00e7anha de escapar da pris\u00e3o de San Quentin e de tantas outras, e agora segue conduzindo uma s\u00e9rie de roubos que intriga a pol\u00edcia e fascina os espectadores. No entanto, o detetive John Hunt est\u00e1 na sua cola, e Trucker precisar\u00e1 elaborar ainda mais suas artimanhas para ter sucesso no seu \u00faltimo grande ato.<\/em><\/p>\n\n\n\n<p><strong>Dirigido por:<\/strong>&nbsp;David Lowery |&nbsp;<strong>Ano:<\/strong>&nbsp;2018 |&nbsp;<strong>Tempo:<\/strong>&nbsp;93 minutos |&nbsp;<strong>Elenco:<\/strong>&nbsp;Robert Redford,&nbsp;Sissy Spacek,&nbsp;Tika Sumpter<\/p>\n\n\n\n<p>Voc\u00ea pode conferir a cr\u00edtica desse filme <a href=\"https:\/\/cinematologia.com.br\/cine\/critica-the-old-man-the-gun-2018\/\">aqui.<\/a><\/p>\n\n\n\n<p><strong>Suspiria&nbsp;(Suspiria)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"527\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/MV5BYmI5YmEwYjAtYTJhOS00M2U5LTg0OTQtNTZmMzI1NzM0ZTU1XkEyXkFqcGdeQXVyODE1MjMyNzI%40._V1_SY1000_SX1500_AL_.jpg?resize=790%2C527&#038;ssl=1\" alt=\"\" class=\"wp-image-15955\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/MV5BYmI5YmEwYjAtYTJhOS00M2U5LTg0OTQtNTZmMzI1NzM0ZTU1XkEyXkFqcGdeQXVyODE1MjMyNzI%40._V1_SY1000_SX1500_AL_.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/MV5BYmI5YmEwYjAtYTJhOS00M2U5LTg0OTQtNTZmMzI1NzM0ZTU1XkEyXkFqcGdeQXVyODE1MjMyNzI%40._V1_SY1000_SX1500_AL_.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/MV5BYmI5YmEwYjAtYTJhOS00M2U5LTg0OTQtNTZmMzI1NzM0ZTU1XkEyXkFqcGdeQXVyODE1MjMyNzI%40._V1_SY1000_SX1500_AL_.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/MV5BYmI5YmEwYjAtYTJhOS00M2U5LTg0OTQtNTZmMzI1NzM0ZTU1XkEyXkFqcGdeQXVyODE1MjMyNzI%40._V1_SY1000_SX1500_AL_.jpg?w=1500&amp;ssl=1 1500w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><em>Susie Bannion, uma jovem bailarina americana, vai para a prestigiada Markos Tanz Company, em Berlim. Ela chega assim que Patricia&nbsp;desaparece misteriosamente. Tendo um progresso extraordin\u00e1rio, com a orienta\u00e7\u00e3o de Madame Blanc, Susie acaba fazendo amizade com outra dan\u00e7arina, Sara, que compartilha com ela todas suas suspeitas obscuras e amea\u00e7adoras.<\/em><\/p>\n\n\n\n<p><strong>Dirigido por:<\/strong>&nbsp;Luca Guadagnino |&nbsp;<strong>Ano:<\/strong>&nbsp;2018 |&nbsp;<strong>Tempo:<\/strong>&nbsp;152 minutos |&nbsp;<strong>Elenco:<\/strong>&nbsp;Dakota Johnson,&nbsp;Tilda Swinton,&nbsp;Mia Goth&nbsp; <\/p>\n\n\n\n<p><strong>Domando&nbsp;o&nbsp;Destino&nbsp;(The&nbsp;Rider)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/the-rider-movie-review-2018-chloe-zhao.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-15954\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/the-rider-movie-review-2018-chloe-zhao.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/the-rider-movie-review-2018-chloe-zhao.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/the-rider-movie-review-2018-chloe-zhao.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/the-rider-movie-review-2018-chloe-zhao.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><em>A frustra\u00e7\u00e3o e a ang\u00fastia passam&nbsp; fazer parte da rotina de Brady quando ele se v\u00ea impedido de montar em cavalos ap\u00f3s sofrer um grave acidente no rodeio. Pouco a pouco, o cowboy aprende a domar sua impaci\u00eancia e tirar maior proveito dessa experi\u00eancia de profunda introspec\u00e7\u00e3o, refletindo sobre sua identidade e a cultura local.&nbsp; <\/em><\/p>\n\n\n\n<p><strong>Dirigido por:<\/strong>&nbsp;Chlo\u00e9 Zhao |&nbsp;<strong>Ano:<\/strong>&nbsp;2017 |&nbsp;<strong>Tempo:<\/strong>&nbsp;104 minutos |&nbsp;<strong>Elenco:<\/strong>&nbsp;Brady Jandreau,&nbsp;Tim Jandreau,&nbsp;Lilly Jandreau&nbsp;<\/p>\n\n\n\n<p><strong>Buscando&#8230;&nbsp;(Searching)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"331\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/1_QH_kNIqrr6LNx-eLb3vgjw-1.jpeg?resize=790%2C331&#038;ssl=1\" alt=\"\" class=\"wp-image-15961\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/1_QH_kNIqrr6LNx-eLb3vgjw-1.jpeg?resize=1024%2C429&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/1_QH_kNIqrr6LNx-eLb3vgjw-1.jpeg?resize=300%2C126&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/1_QH_kNIqrr6LNx-eLb3vgjw-1.jpeg?resize=768%2C322&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/1_QH_kNIqrr6LNx-eLb3vgjw-1.jpeg?w=1280&amp;ssl=1 1280w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><em>Ap\u00f3s uma jovem de 16 anos desaparecer, seu pai David Kim pede ajuda \u00e0s autoridades locais. Sem sucesso, ap\u00f3s 37 horas, David decide invadir o computador de sua filha para procurar pistas que possam levar ao seu paradeiro. <\/em><\/p>\n\n\n\n<p><strong>Dirigido por:<\/strong>&nbsp;Aneesh Chaganty |&nbsp;<strong>Ano:<\/strong>&nbsp;2018 |&nbsp;<strong>Tempo:<\/strong>&nbsp;102 minutos |&nbsp;<strong>Elenco:<\/strong>&nbsp;John Cho,&nbsp;Debra Messing,&nbsp;Michelle La<\/p>\n\n\n\n<p>Voc\u00ea pode conferir a cr\u00edtica desse filme <a href=\"https:\/\/cinematologia.com.br\/cine\/critica-buscando-searching\/\">aqui.<\/a><\/p>\n\n\n\n<p><strong>The&nbsp;Sisters&nbsp;Brothers<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/sisters-brothers-1280-1537483053403_1280w.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-15953\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/sisters-brothers-1280-1537483053403_1280w.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/sisters-brothers-1280-1537483053403_1280w.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/sisters-brothers-1280-1537483053403_1280w.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/sisters-brothers-1280-1537483053403_1280w.jpg?w=1280&amp;ssl=1 1280w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p><em> Eli e Charlie Sisters s\u00e3o dois pistoleiros que recebem uma miss\u00e3o complicada: capturar e eliminar&nbsp;Hermann Kermit Warm, um explorador de minas de ouro. Os assassinos perseguem o explorador atrav\u00e9s do deserto do Oregon, no entanto, Eli come\u00e7a a ter uma crise de consci\u00eancia sobre a carreira que leva. Para se salvar, Hermann pode se aproveitar dessa fraqueza moment\u00e2nea e oferecer um acordo melhor para os irm\u00e3os<\/em>. <\/p>\n\n\n\n<p><strong>Dirigido por:<\/strong>&nbsp;Jacques Audiard |&nbsp;<strong>Ano:<\/strong>&nbsp;2018 |&nbsp;<strong>Tempo:<\/strong>&nbsp;121 minutos |&nbsp;<strong>Elenco:<\/strong>&nbsp;John C. Reilly,&nbsp;Joaquin Phoenix,&nbsp;Jake Gyllenhaal<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eles poderiam ter sido lembrados pela Academia<\/p>\n","protected":false},"author":69,"featured_media":15959,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[35],"tags":[2976,68,2171],"class_list":["post-15951","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listas","tag-jacques-audiard","tag-jake-gyllenhaal","tag-joaquin-phoenix"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>10 filmes esnobados pelo Oscar 2019 - 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