{"id":15888,"date":"2019-01-25T15:41:19","date_gmt":"2019-01-25T18:41:19","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=15888"},"modified":"2019-04-15T18:36:51","modified_gmt":"2019-04-15T21:36:51","slug":"critica-hot-girls-wanted","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-hot-girls-wanted\/","title":{"rendered":"Cr\u00edtica | Hot Girls Wanted [2015]"},"content":{"rendered":"\n\n\n<p class=\"has-drop-cap\"><strong><em>Hot<\/em> <em>Girls Wanted<\/em><\/strong><em> <\/em>\u00e9 um document\u00e1rio com tema e t\u00edtulo provocativos, mas um tom incerto que oscila entre o ultraje cansado e a preocupa\u00e7\u00e3o materna (subjetivamente familiar e social dentro disso). Ao sair com jovens mulheres &#8211; de 18 a 20 e poucos anos &#8211; que escolheram trabalhar em pornografia, os diretores <strong>Jill Bauer<\/strong> e <strong>Ronna Gradus<\/strong>, juntamente com a escritora <strong>Brittany Huckabee<\/strong>, enfrentam um desafio: respeitar o direito de escolha dos que s\u00e3o capturados por esta obra sem a interfer\u00eancia no que pode acontecer com a vida destas pessoas. O mal humano da fotografia documental provocativa.<\/p>\n\n\n\n<p>O ramo pornogr\u00e1fico tem sido motivo de fasc\u00ednio para os documentaristas e por um bom motivo. Uma m\u00e1quina industrial para explorar os vulner\u00e1veis e ing\u00eanuos \u00e9 um irresist\u00edvel prisma atrav\u00e9s do qual se pode ver a condi\u00e7\u00e3o humana, especialmente quando &#8211; na busca altru\u00edsta da verdade &#8211; h\u00e1 a oportunidade de mostrar vagarosamente um busto atrevido ou um peito arfante. Mesmo no mundo s\u00e9rio da produ\u00e7\u00e3o cinematogr\u00e1fica factual, as l\u00e1grimas e a excita\u00e7\u00e3o s\u00e3o uma combina\u00e7\u00e3o potente para causar tudo que se pode imaginar em um espectador minimamente interessado no que um an\u00fancio de uma obra parecida pode revel\u00e1-lo.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW1.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-15889\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW1.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW1.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW1.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW1.jpg?w=1777&amp;ssl=1 1777w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW1.jpg?w=1580&amp;ssl=1 1580w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n\n\n\n<p>O seguimento de seis partes muito transparentes \u00e9 menos cr\u00edtico sobre os produtores e consumidores de entretenimento adulto, tendo como primeira tarefa investigar os desafios enfrentados pelas mulheres cineastas na pornografia e uma parcela posterior seguindo um grupo de <em>cam girls<\/em> (exibicionistas online) tentando esculpir carreiras em seus pr\u00f3prios termos.<\/p>\n\n\n\n<p>A s\u00e9rie \u00e9 produzida pela atriz <strong>Rashida Jones<\/strong>, que falou de seu desejo de um &#8220;discurso aberto, honesto e saud\u00e1vel&#8221; sobre o papel da pornografia na sociedade. Ela tamb\u00e9m dirige o fascinante livro de abertura, <strong><em>Women on Top<\/em><\/strong>, que tem como foco as participa\u00e7\u00f5es no meio de m\u00e3es e filhas de Los Angeles, <strong>Suze<\/strong> e <strong>Holly Randall<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW3.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-15891\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW3.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW3.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW3.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW3.jpg?w=1777&amp;ssl=1 1777w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2019\/01\/HGW3.jpg?w=1580&amp;ssl=1 1580w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n\n\n\n<p><em>Hot Girls Wanted&nbsp;<\/em>tra\u00e7a um caminho narrativo de expectativa ansiosa a cinismo cansado &#8211; \u00e9 a velha hist\u00f3ria de Hollywood &#8211; quando descobrimos que a maioria das mulheres experimenta uma carreira comprimida de alguns meses no campo da beleza (aqui sendo um atributo amador) antes de ser deixada de lado por rec\u00e9m-chegados. O lado mais assustador e ainda mais insens\u00edvel do neg\u00f3cio aparece no momento oportuno, enquanto as mulheres assinam v\u00eddeos de nicho para manter os cheques. No entanto, fica claro que o trabalho ainda \u00e9 um desempenho desagrad\u00e1vel e persistente  para as artistas e qualquer mo\u00e7a que genuinamente trilhe este caminho.<\/p>\n\n\n\n<p>H\u00e1 uma hist\u00f3ria interessante sobre as classes sociais e a economia americana em <em>Hot Girls Wanted<\/em>, mesmo que n\u00e3o seja a hist\u00f3ria que os cineastas querem focar: como as mulheres que respondem possuem alguma autonomia em sua maioridade, an\u00fancios buscam sempre atrair mo\u00e7as que se responsabilizem pela sua pr\u00f3pria renda, ainda que omitam isso descaradamente. O document\u00e1rio registra que existe um problema in\u00f3cuo em adquirir novecentos d\u00f3lares em um trabalho r\u00e1pido e justo de cinco horas ou voltar para casa e para um emprego med\u00edocre de oito d\u00f3lares por hora garantidos. Para algumas, n\u00e3o \u00e9 sobre a compra fam\u00edlia, emprego ou independ\u00eancia, mas sobre um sonho facilmente vislumbrado.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>O salto de f\u00e9 quase sempre irrepar\u00e1vel  dentro da ind\u00fastria do dinheiro r\u00e1pido.<\/p>\n","protected":false},"author":41,"featured_media":15932,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[2293],"class_list":["post-15888","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-2293"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - 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