{"id":15242,"date":"2018-12-23T18:52:06","date_gmt":"2018-12-23T21:52:06","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=15242"},"modified":"2019-02-22T00:22:03","modified_gmt":"2019-02-22T03:22:03","slug":"critica-eighth-grade-oitava-serie-2018","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/","title":{"rendered":"Cr\u00edtica | Oitava S\u00e9rie (Eighth Grade) [2018]"},"content":{"rendered":"\n<h3 class=\"has-text-align-left wp-block-heading\">Nota do filme:<br><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" height=\"60\" class=\"wp-image-12257\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?fit=790%2C60&#038;ssl=1\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota40.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br><\/h3>\n\n\n\n<p class=\"has-drop-cap\">Crescer sempre foi dif\u00edcil. A sensa\u00e7\u00e3o de impot\u00eancia que toma o ser humano frente a ruptura inevit\u00e1vel da zona de conforto, contra o imprevis\u00edvel que est\u00e1 para chegar a qualquer momento, \u00e9 comum a todos. E o cinema adora trazer novas hist\u00f3rias desses momentos de transi\u00e7\u00e3o, com perspectivas frescas ou diferentes, se tornando imposs\u00edvel o espectador n\u00e3o se identificar com alguma daquelas situa\u00e7\u00f5es mostradas em cena.<\/p>\n\n\n\n<p>E o filme abordado nesse texto n\u00e3o foge a regra acima, por\u00e9m ele possui uma solidez que o diferencia dos demais do g\u00eanero pelo fato de saber que sua narrativa \u00e9 simples, n\u00e3o tentando se vender como algo revolucion\u00e1rio ou diferente do g\u00eanero, apesar de ser superior em rela\u00e7\u00e3o a maioria das com\u00e9dias adolescentes que levantam essas quest\u00f5es, conseguindo mesclar todas as d\u00favidas que surgem nesse per\u00edodo, como quest\u00f5es sexuais, relacionamentos e autoestima, sem cair na obviedade, apenas a utilizando de forma coesa.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"527\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BZDYxZWY4NjQtYzM2Ni00YmE0LTlmZDItNTZlZGMwYWVkZWI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_SX1500_AL_.jpg?resize=790%2C527&#038;ssl=1\" alt=\"\" class=\"wp-image-15244\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BZDYxZWY4NjQtYzM2Ni00YmE0LTlmZDItNTZlZGMwYWVkZWI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_SX1500_AL_.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BZDYxZWY4NjQtYzM2Ni00YmE0LTlmZDItNTZlZGMwYWVkZWI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_SX1500_AL_.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BZDYxZWY4NjQtYzM2Ni00YmE0LTlmZDItNTZlZGMwYWVkZWI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_SX1500_AL_.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BZDYxZWY4NjQtYzM2Ni00YmE0LTlmZDItNTZlZGMwYWVkZWI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_SX1500_AL_.jpg?w=1500&amp;ssl=1 1500w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p>Com isso, para atingir esse resultado, o roteiro consegue estabelecer perfeitamente essa estrutura, se tornando bastante inteligente por conta dos questionamentos e conclus\u00f5es levantadas pela protagonista, alguns em forma de mon\u00f3logo, tendo ainda a narrativa feita de forma bastante envolvente, na qual n\u00e3o h\u00e1 furos evidentes, se tornando uma historia redonda em que h\u00e1 um inicio, meio e fim satisfat\u00f3rios para a audi\u00eancia.<\/p>\n\n\n\n<p>Alem disso, o diretor Bo Burnham, que tamb\u00e9m assina o roteiro, consegue executar uma dire\u00e7\u00e3o muito flu\u00edda, aplicando moderadamente o uso de c\u00e2mera na m\u00e3o e de planos abertos, sendo vis\u00edvel uma forte influ\u00eancia de Stanley Kubrick na dire\u00e7\u00e3o por conta da maneira em que a imagem se abre, al\u00e9m de inovar na forma de se realizar os mon\u00f3logos do roteiro, aplicando eles como se fossem v\u00eddeos para o YouTube que a protagonista grava.<\/p>\n\n\n\n<p>Outro fator interessante que vale ressaltar \u00e9 a edi\u00e7\u00e3o, que em grande parte da narrativa acaba mesclando uma imagem sobre a outra a fim de criar a percep\u00e7\u00e3o da protagonista sobre algum determinado assunto ou objeto, al\u00e9m de estabelecer o ritmo da historia, sendo mais r\u00e1pida como se a transi\u00e7\u00e3o estivesse sendo mais apressada, ou mais devagar quando a personagem aproveita determinado momento.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"593\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BOWFmZjhhMjEtYmM5ZS00NDA1LTgyYWQtY2Q0OGU3MjU1YmI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_CR0013331000_AL_.jpg?resize=790%2C593&#038;ssl=1\" alt=\"\" class=\"wp-image-15243\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BOWFmZjhhMjEtYmM5ZS00NDA1LTgyYWQtY2Q0OGU3MjU1YmI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_CR0013331000_AL_.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BOWFmZjhhMjEtYmM5ZS00NDA1LTgyYWQtY2Q0OGU3MjU1YmI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_CR0013331000_AL_.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BOWFmZjhhMjEtYmM5ZS00NDA1LTgyYWQtY2Q0OGU3MjU1YmI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_CR0013331000_AL_.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/MV5BOWFmZjhhMjEtYmM5ZS00NDA1LTgyYWQtY2Q0OGU3MjU1YmI0XkEyXkFqcGdeQXVyNDg2MjUxNjM%40._V1_SY1000_CR0013331000_AL_.jpg?w=1333&amp;ssl=1 1333w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><\/div>\n\n\n\n<p>Ali\u00e1s, a trilha sonora liga todos os elementos presentes no longa dando-o contornos tenebrosos, como se o medo estivesse presente por conta da mudan\u00e7a inevit\u00e1vel, aplicando uma aura mais sombria na atmosfera do filme, por\u00e9m sempre de forma leve por conta das resolu\u00e7\u00f5es apresentadas, se tornando um diferencial que chama a aten\u00e7\u00e3o por conta disso.<\/p>\n\n\n\n<p>Da mesma forma que todos esses elementos se interligam de forma excelente, a qu\u00edmica entre eles se eleva por conta da adi\u00e7\u00e3o da atua\u00e7\u00e3o da pequena Elsie Fisher, que consegue passar muito bem todo o nervosismo por conta desse momento, al\u00e9m das preocupa\u00e7\u00f5es sobre amizades e relacionamentos, sempre de forma singela, al\u00e9m de que ela interage muito bem com o resto do n\u00facleo em qualquer situa\u00e7\u00e3o apresentada, se tornando assim uma grata surpresa para o todo.<\/p>\n\n\n\n<p>Logo, o filme se torna uma surpresa de 2018, n\u00e3o tentando se tornar maior do que foi planejado, e acaba renovando um pouco esse tipo de narrativa, visto que j\u00e1 se encontra um pouco desgastada, sem falar que \u00e9 um conto atual que relaciona os problemas da gera\u00e7\u00e3o Y frente a moderniza\u00e7\u00e3o da tecnologia, e como esse avan\u00e7o afeta e influencia as rela\u00e7\u00f5es sociais a nossa volta.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Crescer sempre foi dif\u00edcil. A sensa\u00e7\u00e3o de impot\u00eancia que toma o ser humano frente a ruptura inevit\u00e1vel da zona de conforto, contra o imprevis\u00edvel que&hellip; <\/p>\n","protected":false},"author":69,"featured_media":15245,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[2892,2891,79],"class_list":["post-15242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-bo-burnham","tag-elsie-fisher","tag-stanley-kubrick"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | Oitava S\u00e9rie (Eighth Grade) [2018] - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica | Oitava S\u00e9rie (Eighth Grade) [2018] - cine\" \/>\n<meta property=\"og:description\" content=\"Crescer sempre foi dif\u00edcil. A sensa\u00e7\u00e3o de impot\u00eancia que toma o ser humano frente a ruptura inevit\u00e1vel da zona de conforto, contra o imprevis\u00edvel que&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/\" \/>\n<meta property=\"og:site_name\" content=\"cine\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/oficialcinematologia\" \/>\n<meta property=\"article:published_time\" content=\"2018-12-23T21:52:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-22T03:22:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/1_XHB79IL9xF0c1e2-OXKwSg.png?fit=1656%2C630&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1656\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Luiz Castilho\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@luizpcastilho\" \/>\n<meta name=\"twitter:site\" content=\"@cinematologia\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Luiz Castilho\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/\"},\"author\":{\"name\":\"Luiz Castilho\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#\/schema\/person\/ee34733df487146f9d61fd1b5f3e4266\"},\"headline\":\"Cr\u00edtica | Oitava S\u00e9rie (Eighth Grade) [2018]\",\"datePublished\":\"2018-12-23T21:52:06+00:00\",\"dateModified\":\"2019-02-22T03:22:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/\"},\"wordCount\":611,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/#organization\"},\"image\":{\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/12\/1_XHB79IL9xF0c1e2-OXKwSg.png?fit=1656%2C630&ssl=1\",\"keywords\":[\"Bo Burnham\",\"Elsie Fisher\",\"Stanley Kubrick\"],\"articleSection\":[\"Cr\u00edtica\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/\",\"url\":\"https:\/\/cinematologia.com.br\/cine\/critica-eighth-grade-oitava-serie-2018\/\",\"name\":\"Cr\u00edtica | Oitava S\u00e9rie (Eighth Grade) [2018] - 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