{"id":14454,"date":"2018-11-30T14:58:25","date_gmt":"2018-11-30T17:58:25","guid":{"rendered":"https:\/\/cinematologia.com.br\/cine\/?p=14454"},"modified":"2019-04-15T18:42:03","modified_gmt":"2019-04-15T21:42:03","slug":"critica-o-natal-de-angela","status":"publish","type":"post","link":"https:\/\/cinematologia.com.br\/cine\/critica-o-natal-de-angela\/","title":{"rendered":"Cr\u00edtica | O Natal de \u00c2ngela (Angela&#8217;s Christmas) [2018]"},"content":{"rendered":"\n<h3 class=\"has-text-align-left wp-block-heading\">Nota do Filme:<br><img data-recalc-dims=\"1\" width=\"790\" decoding=\"async\" class=\"wp-image-12256\" style=\"width: 300px;\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?fit=790%2C60&#038;ssl=1\" alt=\"\" height=\"60\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=4125&amp;ssl=1 4125w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=300%2C60&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=768%2C154&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?resize=1024%2C205&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=1580&amp;ssl=1 1580w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/09\/nota35.png?w=2370&amp;ssl=1 2370w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><br><\/h3>\n\n\n\n<p class=\"has-drop-cap\">Situado na Irlanda no in\u00edcio do s\u00e9culo XX, <strong><em>O Natal de \u00c2ngela<\/em><\/strong> \u00e9 uma hist\u00f3ria engra\u00e7ada, comovente e pungente sobre o poder da fam\u00edlia e o desejo inocente de uma crian\u00e7a de garantir que todos estejam seguros, calorosos e amados durante a passagem da mais c\u00e9lebre \u00e9poca do ano.<\/p>\n\n\n\n<p>O filme&nbsp; foi escrito por <strong>Will Collins<\/strong> (<strong><em>O Ca\u00e7ador do Mar<\/em><\/strong>) e <strong>Damien O&#8217;Connor<\/strong> (<strong><em>Anya<\/em><\/strong>). O pr\u00f3prio Damien O&#8217;Connor dirige a concep\u00e7\u00e3o da adapta\u00e7\u00e3o da obra do escritor irland\u00eas Francis McCourt. Desenvolvido pela dose certa no balan\u00e7o de trilhas e anima\u00e7\u00f5es que fluem na tela, as poucas personagens componentes e o roteiro inclusivo da obra original deixam a completude do filme muito clara em cada aspecto.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"442\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/11\/nda1.jpg?resize=790%2C442&#038;ssl=1\" alt=\"\" class=\"wp-image-14460\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/11\/nda1.jpg?w=860&amp;ssl=1 860w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/11\/nda1.jpg?resize=300%2C168&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/11\/nda1.jpg?resize=768%2C430&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n\n\n\n<p>Com a neve come\u00e7ando a cair na v\u00e9spera do Natal, <strong>\u00c2ngela (Lucy O&#8217;Connel)&nbsp;<\/strong>e sua fam\u00edlia se aquecem e v\u00e3o \u00e0 igreja para a missa principal. \u00c2ngela se v\u00ea fixada no Menino Jesus. Com a inten\u00e7\u00e3o de garantir que Jesus esteja aquecido, ap\u00f3s o culto ela foge da igreja e o leva para casa como forma de lhe garantir um teto quente sobre a cabe\u00e7a. Quando sua fam\u00edlia percebe o que aconteceu, o que se segue \u00e9 uma jornada que mistura humor com um lindo tom de esp\u00edrito natalino &#8211; tudo embrulhado em um tempo de execu\u00e7\u00e3o bem montado de 30 minutos.<\/p>\n\n\n\n<p>Com muita simbologia crist\u00e3 e situado em uma \u00e1rea fortemente cat\u00f3lica, <em>O Natal de \u00c2ngela<\/em> pode facilmente ter ca\u00eddo na armadilha de se sentir pregador ou excessivamente religioso. Felizmente, o filme consegue navegar perfeitamente nessa linha fina, encapsulando o per\u00edodo de tempo perfeitamente enquanto permanece envolvente e animador por toda parte. O uso da cor tamb\u00e9m ajuda aqui, misturando os azuis e cinzas frios e impiedosos com luzes laranja tremeluzentes e cores quentes e convidativas para as cenas interiores.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"482\" src=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/11\/nda2.jpg?resize=790%2C482&#038;ssl=1\" alt=\"\" class=\"wp-image-14461\" srcset=\"https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/11\/nda2.jpg?resize=1024%2C625&amp;ssl=1 1024w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/11\/nda2.jpg?resize=300%2C183&amp;ssl=1 300w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/11\/nda2.jpg?resize=768%2C469&amp;ssl=1 768w, https:\/\/i0.wp.com\/cinematologia.com.br\/cine\/wp-content\/uploads\/2018\/11\/nda2.jpg?w=1615&amp;ssl=1 1615w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n\n\n\n<p>Embora os elementos da obra possam n\u00e3o ressoar com um grande n\u00famero de crian\u00e7as e toda uma s\u00e9rie de outras ofertas de anima\u00e7\u00e3o que com tempos de exibi\u00e7\u00e3o mais longos conseguem capturar melhor o esp\u00edrito de Natal,<strong><em> O Natal de \u00c2ngela<\/em><\/strong> \u00e9 um conto fugaz, mas emocionante. Dada a sua breve metragem, vale a pena conferir a apresenta\u00e7\u00e3o de um pequeno final agrad\u00e1vel para terminar. N\u00e3o \u00e9 perfeito, mas \u00e9 uma outra entrada s\u00f3lida da Netflix que oferece um \u00f3timo enchimento de estoque animado &#8211; pronto para o per\u00edodo mais festivo do ano.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Misturando excelente anima\u00e7\u00e3o com um conto natalino emocionante, o longa compete com cl\u00e1ssicas produ\u00e7\u00f5es maiores com humildade.<\/p>\n","protected":false},"author":41,"featured_media":14463,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[1694,2789,2794],"class_list":["post-14454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-1694","tag-angelas","tag-will-collins"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica | O Natal de \u00c2ngela (Angela&#039;s Christmas) [2018] - cine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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